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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;p&gt;&lt;span&gt;La Célestine ou Tragi-comédie de Calixte e Mélibée / Fernand de Rojas; traduite de l'espagnol par A. Germond de Lavigne ; revue et corrigée par un licencié castillan.&amp;nbsp;&lt;span&gt;&amp;nbsp;La Nouvelle Revue Française, París (1922).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span&gt;&lt;span&gt;Traducción al francés de A. Germond de Lavigne, ilustrada por D. Galanis.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span&gt;&lt;span&gt;22 grabados en cobre&amp;nbsp; más portada y 23 viñetas en madera. Se reproducen aquí sólo los grabados en cobre con personajes y algo de la acción. Las viñetas son genéricas.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Se puede ver reproducida en&amp;nbsp;&lt;em&gt;Celestinesca&lt;/em&gt;&lt;span&gt;, 1997, vol. 21, num 1 &amp;amp; 2, p. 110. El 28 de septiembre 2016.&amp;nbsp;&lt;/span&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1997/VOL%2021/NUM%201%20Y%202/NUM%201%20Y%202.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1997/VOL%2021/NUM%201%20Y%202/NUM%201%20Y%202.pdf&lt;/a&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;&lt;span&gt;&lt;span&gt;Traducción al francés de A. Germond de Lavigne, ilustrada por D. Galanis.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span&gt;&lt;span&gt;Traducción al francés de A. Germond de Lavigne, ilustrada por D. Galanis.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Ángela Rubio: violonchelo&lt;/p&gt;&#13;
&lt;p&gt;Carlos Sánchez: percusión&lt;/p&gt;&#13;
&lt;p&gt;Diseño de iluminación: David Amandi&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Estreno: 23 de enero de 2009 en la Casa del Reloj de Madrid&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Ficha del CDAEM, Teatro Español:&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.teatro.es/estrenos-teatro/la-celestina-40032"&gt;https://www.teatro.es/estrenos-teatro/la-celestina-40032&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;span&gt;Página del Festival Celestina:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;</text>
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                <text>&lt;span&gt;&lt;span&gt;Cartel de la representación &lt;em&gt;¡Redención para Pármeno! (Reflexiones sin cabeza)&lt;/em&gt; en el XXIII Festival Celestina, Puebla de Montalbán (Toledo) del 26 al 29 de agosto del 2021. Estreno el 27 de agosto en Silo (Avenida de Madrid, 65).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;Dirección: Roberto del Castar&lt;br /&gt;Autor: Alberto Gálvez&lt;br /&gt;Escenografía: Israel Muñoz&lt;br /&gt;Jefe técnico:&amp;nbsp;Alejandro Muñiz&lt;br /&gt;Elenco: Pepe Sevilla, Javier Rodríguez, Gabriel Andújar, Raquel de la Fuente, Paula Delgado, Olga Palma.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Sinopsis:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;"¿Cuántas veces creemos que una persona es de una forma y luego resulta ser de otra? Tristemente, unas cuantas. Nuestro entusiasmo nos hizo auparla a la peana de nuestros afectos o, simplemente, un día cambió nuestra forma de mirar… ¿Cuántas veces nos hemos creído que éramos así y resultamos ser de aquella manera? Muchas menos, casi ninguna. El bosque apenas se distingue cuando se está justo en su centro. Y es que desenmascararse a uno mismo, ¡uf!, eso sí que tiene bemoles... La literatura nos ofrece la posibilidad de asistir a estos procesos sin correr ningún riesgo… Los personajes de Shakespeare, por ejemplo, comienzan a hablar solos en el diván del escenario para averiguar el origen de sus desdichas o que son unos redomados monstruos.&#13;
&lt;p&gt;En nuestra Tragicomedia podemos descubrir con algo de atención que las cosas no son como parecen. Pármeno, por ejemplo, ha sido retratado comúnmente como el criado fiel que, engañado por Celestina y abandonado por su amo, se ve precipitado hacia un aciago destino. ¿Y si no fuera cierto? ¿Y si Pármeno escondiese cartas que no quiere mostrarse ni a sí mismo?&lt;/p&gt;&#13;
&lt;p&gt;Y es que las grandes obras siempre esconden sorpresas: son una fiesta en que las apariencias se dinamitan, aunque, a veces, avancemos sonámbulos en la lectura y no nos demos cuenta. ¡Hasta que caemos! Como en la vida… Y asombra que unas páginas escritas hace quinientos años alberguen tan gigantescos mapas del alma humana. ¿Dónde encontrar retratos tan sutiles hoy en día? En un mundo discursivo dominado por personajes planos o maniqueos, es toda una fiesta descubrir un personaje como Pármeno que, sin ser protagonista, nos ofrece todo un microcontinente de emociones y motivaciones. Porque eso es la gran literatura: encontrar un pequeño «aleph», como el de Borges, en cualquier rincón del libro.&lt;/p&gt;&#13;
&lt;p&gt;Pármeno, en su particular infierno literario en el que le abandonó el Bachiller, medita sobre su suerte. Además, la cabeza separada del cuerpo, estado con el que le despachó la Tragicomedia, le llena de zozobra. Y es que todo personaje trágico, o tragicómico, debería tener una segunda oportunidad... ¿O no?&lt;/p&gt;&#13;
&lt;p&gt;Quiero agradecer a Florencio Huerta, Pedro Velasco, Rodolfo de los Reyes, al malogrado Sejo y a todos los amigos de Las Cumbres de Montalbán y la revista Crónicas su magisterio a la hora de desvelarme los mimbres y entresijos de La Celestina y su tiempo. Al Ayuntamiento de La Puebla de Montalbán, por su firme apoyo a este proyecto. También quiero dar las gracias a Roberto del Castar, director de la obra, y a Israel Muñoz por su fe en este Pármeno, al que han mimado y han amenazado, incluso, con filmar… En fin, ¡Redención para Pármeno!" &lt;span&gt;(sinopsis de la página del Festival Celestina, &lt;a href="https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;/span&gt;&lt;span&gt;, Archivado en: &lt;a href="https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/"&gt;https://web.archive.org/web/20210820205903/https://festivalcelestina.com/obras-teatro/redencion-parmeno/&lt;/a&gt;&lt;/span&gt;&lt;span&gt;)&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Imagen en&amp;nbsp;&lt;em&gt;La Celestina o Tragicomedia de Calisto y Melibea&lt;/em&gt; de Fernando de Rojas, Ed. de Julio Cejador, con notas de Miguel Garci-Gómez. Acto 01.&lt;br /&gt;&lt;a href="http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html"&gt;http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210106143559/http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html"&gt;https://web.archive.org/web/20210106143559/http://torocitydesigns.com/~garci/cibertextos/ROJAS-FD/CELESTINA/index.html&lt;/a&gt;</text>
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                  <text>Comentario y escenas de la pel&amp;iacute;cula en el programa Versi&amp;oacute;n Espa&amp;ntilde;ola&amp;nbsp;(29 de julio de 2014), RTVE, video de 2 minutos&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
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                  <text>&lt;strong&gt;Pa&amp;iacute;s:&lt;/strong&gt; Espa&amp;ntilde;a &lt;br /&gt;&lt;strong&gt;Producci&amp;oacute;n:&lt;/strong&gt; Lolafilms, Iberoamericana Films y Sogetel &lt;br /&gt;&lt;strong&gt;Productores:&lt;/strong&gt; Andr&amp;eacute;s Vicente G&amp;oacute;mez, Antonio Saura y Fernando Garcill&amp;aacute;n. &lt;br /&gt;&lt;strong&gt;Gui&amp;oacute;n:&lt;/strong&gt; Rafael Azcona, Gerardo Vera, Fernando de Rojas &lt;br /&gt;&lt;strong&gt;Duraci&amp;oacute;n&lt;/strong&gt;: 92 mins. &lt;br /&gt;&lt;strong&gt;Formato:&lt;/strong&gt; Film.&lt;br /&gt;&lt;strong&gt;G&amp;eacute;nero:&lt;/strong&gt; Drama.&lt;br /&gt; &lt;strong&gt;Fotograf&amp;iacute;a:&lt;/strong&gt; Jos&amp;eacute; Luis L&amp;oacute;pez Linares.&lt;br /&gt;&lt;strong&gt;Edici&amp;oacute;n:&lt;/strong&gt; Pedro del Rey.&lt;br /&gt; &lt;strong&gt;M&amp;uacute;sica:&lt;/strong&gt; Alejandro Mas&amp;oacute;.&lt;br /&gt; &lt;strong&gt;Sonido:&lt;/strong&gt; Miguel Rejas.&lt;br /&gt;&lt;strong&gt;Dise&amp;ntilde;o:&lt;/strong&gt; Ana Alvar Gonz&amp;aacute;lez.&lt;br /&gt; &lt;strong&gt;Reparto:&lt;/strong&gt; &lt;br /&gt;Pen&amp;eacute;lope Cruz (1974, 22 a&amp;ntilde;os) (Melibea) &lt;br /&gt;Terele P&amp;aacute;vez (1939, 57 a&amp;ntilde;os) (Celestina) &lt;br /&gt;Juan Diego Botto (1975, 21 a&amp;ntilde;os) (Calisto) &lt;br /&gt;Maribel Verd&amp;uacute; (1970, 26 a&amp;ntilde;os) (Are&amp;uacute;sa)&lt;br /&gt; Jordi Moll&amp;agrave; (1968, 28 a&amp;ntilde;os) (P&amp;aacute;rmeno) &lt;br /&gt;Nacho Novo (1958, 38 a&amp;ntilde;os) (Sempronio) &lt;br /&gt;Nathalie Sese&amp;ntilde;a (1967, 29 a&amp;ntilde;os) (Lucrecia) &lt;br /&gt;Carlos Fuentes (1976, 20 a&amp;ntilde;os) (Sosia) &lt;br /&gt;Candela Pe&amp;ntilde;a (1973, 23 a&amp;ntilde;os) (Elicia) &lt;br /&gt;Anna Lizaran (1944,52 a&amp;ntilde;os) (Alisa) &lt;br /&gt;Sergio Villanueva (1972, 24 a&amp;ntilde;os) (Trist&amp;aacute;n) &lt;br /&gt;&amp;Aacute;ngel de Andr&amp;eacute;s L&amp;oacute;pez (1951, 45 a&amp;ntilde;os) (Centurio) &lt;br /&gt;Llu&amp;iacute;s Homar (1957, 39 a&amp;ntilde;os) (Pleberio) &lt;br /&gt;Ana Risue&amp;ntilde;o (1969, 27 a&amp;ntilde;os) (Poncia) &lt;br /&gt;Rodrigo Garc&amp;iacute;a (1959, 37 a&amp;ntilde;os) (Crito)</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                    <text>Encontrado en:&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-rRSqFrX_2XU/T4eXbq0sQtI/AAAAAAAAFcQ/YA3v1XZAGhA/s640/419063_375569235794096_100000230670535_1442760_890276230_n.jpg"&gt;http://1.bp.blogspot.com/-rRSqFrX_2XU/T4eXbq0sQtI/AAAAAAAAFcQ/YA3v1XZAGhA/s640/419063_375569235794096_100000230670535_1442760_890276230_n.jpg&lt;/a&gt;</text>
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                  <text>Programas, carteles anunciadores, recortes de prensa, fotos y otras im&amp;aacute;genes de representaciones dram&amp;aacute;ticas y adaptaciones musicales de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Representación dirigida por Carlos Giménez de la fundación Rajatabla (Venezuela) gira 1987-1989. Recortes de críticas teatrales con fotos de los actores de los periódicos &lt;em&gt;El Público, Boletín, &lt;/em&gt;y&lt;em&gt; La Prensa&lt;/em&gt;.&lt;br /&gt;&#13;
&lt;p&gt;Versión de Carlos Giménez basada en la adaptación de Miguel Sabido y Margarita Villaseñor&lt;br /&gt;Fundación Rajatabla&lt;br /&gt;Iluminación: David Blanco&lt;br /&gt;Sonido: Eduardo Bolívar&lt;br /&gt;Música original: Federico Ruiz&lt;br /&gt;Realización escenografía: Freddy Belisario&lt;br /&gt;Asistente de producción artística: Roberto Tarzieris&lt;br /&gt;Producción artística: Armano Africano&lt;br /&gt;Producción general: William López&lt;br /&gt;Asistente de dirección: Roberto Stoppello&lt;br /&gt;Escenografía y vestuario: Rafael Reyeros&lt;/p&gt;&#13;
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                    <text>Galleta La Celestina de Ginger Galletas, 2017</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Galleta decorada con imagen de Celestina, que proviene de un dibujo hecho por Thecarlosmal (seudónimo) como modelo.&#13;
Commentario del autor: "La Celestina", obra de Fernando de Rojas, fue realizada como parte de un regalo personalizado, para una profesora de Literatura Medieval Española. Cada galleta tuvo un significado especial en el cual el cliente pensó detenidamente. Fue otro desafío importante. ¡Gracias por confiar en Ginger una vez más! #gingergalletasdeensueño #galletasdecoradas #regalosoriginales</text>
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                <text>Encontrado en www.pictaram.club el 11 de mayo, 2017 &lt;a href="http://www.pictaram.club/share/BTItnMvhZve"&gt;http://www.pictaram.club/share/BTItnMvhZve&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Copia en Internet Archive&lt;br /&gt;&lt;a href="https://web.archive.org/web/20170518010902/http://www.pictaram.club/share/BTItnMvhZve"&gt;https://web.archive.org/web/20170518010902/http://www.pictaram.club/share/BTItnMvhZve&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>Patrimonio Ingl&amp;eacute;s (English Heritage), La colecci&amp;oacute;n &lt;span&gt;Wellington&lt;/span&gt;, Casa Apsley, Londres, Reino Unido&lt;br /&gt;&lt;a href="https://artuk.org/discover/artworks/samson-and-delilah-144177"&gt;https://artuk.org/discover/artworks/samson-and-delilah-144177&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200819222514/https://artuk.org/discover/artworks/samson-and-delilah-144177"&gt;https://web.archive.org/web/20200819222514/https://artuk.org/discover/artworks/samson-and-delilah-144177&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&lt;/span&gt;&amp;nbsp;&lt;span&gt;WM.1631-1948&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Registro en el Inventario Nacional de Pinturas de Europa Continental:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://vads.ac.uk/large.php?uid=190640"&gt;https://vads.ac.uk/large.php?uid=190640&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200820224219/https://vads.ac.uk/large.php?uid=190640"&gt;https://web.archive.org/web/20200820224219/https://vads.ac.uk/large.php?uid=190640&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>&lt;span&gt;Este cuadro representa la famosa escena b&amp;iacute;blica de Dalila cort&amp;aacute;ndole el pelo a Sans&amp;oacute;n.&amp;nbsp;En esta representaci&amp;oacute;n de la escena, Sans&amp;oacute;n se acuesta en el regazo de Dalila&amp;nbsp;mientras los soldados se acercan a ellos. N&amp;oacute;tese la criada que aparece a la izquierda cerca de&amp;nbsp;Dalila&amp;nbsp;en la escena. La criada se parece a la alcahueta representada en el cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit decapitando a Holofernes, de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>Óleo sobre lienzo.&#13;
Dimensiones: 56 × 147 cm</text>
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                <text>Encontrado Mayo 23, 2016 en: &lt;a href="http://artebiblica.blogspot.ca/2015/08/parabola-del-hijo-prodigo.html"&gt;http://artebiblica.blogspot.ca/2015/08/parabola-del-hijo-prodigo.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210318024916/http://artebiblica.blogspot.com/2015/08/parabola-del-hijo-prodigo.html"&gt;https://web.archive.org/web/20210318024916/http://artebiblica.blogspot.com/2015/08/parabola-del-hijo-prodigo.html&lt;/a&gt;</text>
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                <text>Es la misma que la de &lt;a href="http://celestinavisual.org/exhibits/show/portadasantiguas/item/384"&gt;Sevilla, 1523.&lt;/a&gt;</text>
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                <text>&lt;em&gt;Celestina, tragicomedia de Calisto y Melibea&lt;/em&gt; (traducci&amp;oacute;n italiana de Alphonso Hordognez). Venecia: Giovanni Antonio e Pietro de Niccolini da Sabio, 1541&lt;br /&gt;&lt;br /&gt;EDIT16&lt;br /&gt;&lt;a href="http://edit16.iccu.sbn.it/edit16_imgs/032352P01Frontespizio.jpg"&gt;http://edit16.iccu.sbn.it/edit16_imgs/032352P01Frontespizio.jpg&lt;/a&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Cinco factotums y encima escritos todos los nombres de los personajes del acto, repitiéndose el de Calisto dos veces para indicar que es el que habla primero en el acto. El nombre de Calisto es el único que coincide con el factotum de una imagen, aunque no sea necesariamente el que lo representa. Los otros no llevan nombre aunque es evidente que Celestina es el segundo factotum, que representa una vieja con el rosario.</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Cuatro factotums de personajes y uno de casas. Encima sólo los nombres de Calisto, Sempronio y Pármeno, que no coinciden con los personajes sobre los que están situados.</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto VIII de la edición de Venecia (1541)</text>
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                <text>Cuatro factotums de personajes --tres hombres y una mujer--y casas. Encima los nombres Pármeno, Areúsa, Sempronio, Calisto, y repetido Pármeno, el que empieza a hablar en este acto.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto IX de la edición de Venecia (1541)</text>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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                <text>1541</text>
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                <text>Cinco factotums y encima los nombres de los personajes que intervienen en el acto: Sempronio, Pármeno, Elicia, Celestina y Lucrecia, y luego repetido Sempronio para indicar que es el primero que habla en el acto.</text>
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                    <text>Ilustración del acto X de la edición de Venecia (1541)</text>
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                  <text>Venecia (1541)</text>
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            <element elementId="39">
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                  <text>Giovanni, Antonio y Pietro Nicolini da Sabbio</text>
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                  <text>1541</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto X de la edición de Venecia (1541)</text>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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                <text>Cuatro factotums y casas. Encima cuatro nombres: Melibea, Celestina, Lucrecia, Elisa y repetido Melibea para indicar que es la primera que habla en el acto. Hay un personaje masculino entre las imágenes.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Cinco factotums y encima los nombres Celestina, Sempronio, Calisto, Pármeno y Elicia, que parecen coincidir con los imágenes en orden. El nombre de Celestina repetido dos veces por ser la primera que interviene en el acto.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto XII de la edición de Venecia (1541)</text>
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                <text>Cinco factotums y encima los nombres de Calisto, Sempronio, Pármeno, Lucrecia, Melibea, Pleberio, Alisa, Celestina, Elicia, y repetido Calisto por ser el primero que habla en el acto.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Ilustración del acto XIII de la edición de Venecia (1541)</text>
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                <text>Giovanni Antonio, Pietro de Niccolini da Sabio, Alphonso Hordognez e ilustrador anónimo</text>
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          <element elementId="41">
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              <elementText elementTextId="18069">
                <text>Cinco factotums de casas, tres presonajes y árbol. Encima los nombres Calisto, Tristanico, Sosia y repetido Calisto, por ser el primero que habla en el acto. Uno de los factotums es una mujer.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Biblioteca Digital Hispánica&lt;br /&gt;&lt;a href="http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer"&gt;http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=2709011&amp;amp;custom_att_2=simple_viewer&lt;/a&gt;</text>
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                <text>Cinco factotums de personajes, dos mujeres y tres hombres, y encima los nombres de Melibea, Lucrecia, Sosia, Trístanico, Calisto y Melibea repetida por ser la primera que habla en el acto. El orden de los personajes parece coincidir, pero la primera mujer está cubierta y no puede ser Melibea.</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Cuatro factotums de personajes (tres mujeres y un hombre) y casas. Encima los nombres Elisa, Areúsa y Sosia, y Elicia repetido por ser la primera que habla en el acto.</text>
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                  <text>&lt;div&gt;&lt;a title="Venecia, 1541" href="http://celestinavisual.org/exhibits/show/venecia1541/venecia1541"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/ecd39017fa8da9e6fce54688cd405184.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Cuatro factotums de personas (tres mujeres y un hombre) y casas. Encima escrito Elicia, Centurione ruffiano [sic] y Areúsa, y el nombre de Elicia repetido por ser la primera en hablar en el acto.</text>
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 17 grabados (16 y portada).&lt;/p&gt;&#13;
&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Ver ficha en &lt;a title="ustc852870" href="http://ustc.ac.uk/editions/852870"&gt;USTC&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/3138"&gt;https://icocel.linhd.uned.es/s/celestina/item/3138&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Antonio, Giovanni y Pietro di Nicolini da Sabio, Tragicomedia di Calisto e Melibea. Venecia: 1541.&lt;/p&gt;&#13;
&lt;p&gt;Título completo, que contiene referencia a las imágenes que incluye: "Celestina. Tragicomedia de Calisto et Melibea nuovamente tradotta de lingua castigliana in italiano idioma. Dapoi ogni altra impressione nuovissimamente corretta, distinta, ordinata, et in più commoda forma ridotta&lt;em&gt;. Adornata di tutte le sue figure aogni atto corrispondenti lequal cose nelle altre impressione non si trovava"&lt;/em&gt;&lt;/p&gt;&#13;
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                <text>&lt;span&gt;Es la misma que la de &lt;a href="http://celestinavisual.org/exhibits/show/portadasantiguas/item/384"&gt;Sevilla (1523).&lt;/a&gt;&amp;nbsp;&lt;span&gt;Variante de las portadas sevillanas de Cromberger &lt;a title="Sevilla 1511 (1502)" href="http://celestinavisual.org/items/show/379"&gt;Sevilla (1511) (1502)&lt;/a&gt;, pero redise&amp;ntilde;ada completamente. Ahora incluye adem&amp;aacute;s un perro y las iniciales de Sempronio y Celestina se han a&amp;ntilde;adido encima de los personajes correspondientes.&lt;/span&gt;&lt;/span&gt;</text>
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&lt;div&gt;&lt;span&gt;La Celestina. Almadraba Editorial, Barcelona, 2013.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Fernando de Rojas (Autor), David Guirao (Ilustrador), Josep Huerto (Editor), Jos&amp;eacute; Huerto (Contribuye)&lt;/span&gt;&lt;/div&gt;&#13;
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