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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>Dueño, dueña y el perro (pareja de dueños guardas), de Henri de Toulouse-Lautrec (1894)</text>
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                <text>de Toulouse-Lautrec, Henri (1864-1901)</text>
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                <text>1894</text>
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                <text>Un hombre y una mujer, que se supone son los encargados de un burdel, se sientan juntos en un sofá. El hombre está sentado de frente, mientras la mujer parece mirar a la derecha, sosteniendo un perro pequeño en brazos. &#13;
La pintura al óleo. 48x60cm. </text>
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                <text>Encontrado en:&lt;br /&gt;&lt;a href="https://www.wikiart.org/en/henri-de-toulouse-lautrec/monsieur-madame-and-the-dog-coupled-brothel-keepers"&gt;https://www.wikiart.org/en/henri-de-toulouse-lautrec/monsieur-madame-and-the-dog-coupled-brothel-keepers&lt;/a&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/save/https://www.wikiart.org/en/henri-de-toulouse-lautrec/monsieur-madame-and-the-dog-coupled-brothel-keepers"&gt;https://web.archive.org/save/https://www.wikiart.org/en/henri-de-toulouse-lautrec/monsieur-madame-and-the-dog-coupled-brothel-keepers&lt;/a&gt;</text>
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                    <text>Duquesa di Montejasi con sus hijas, Elena y Camilla, de Degas, (1876, c.)</text>
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                  <text>Cuadros y grabados con alcahuetas</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;em&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>Degas, Edgar (1834-1917)</text>
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                <text>1876, c.</text>
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                <text>Museo de Bellas Artes, Boston, Estados Unidos&lt;br /&gt;&lt;a href="http://www.mfa.org/collections/object/duchessa-di-montejasi-with-her-daughters-elena-and-camilla-397941"&gt;http://www.mfa.org/collections/object/duchessa-di-montejasi-with-her-daughters-elena-and-camilla-397941&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200625003054/https://collections.mfa.org/objects/397941"&gt;https://web.archive.org/web/20200625003054/https://collections.mfa.org/objects/397941&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;2003.250&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Aunque es un retrato, la disposici&amp;oacute;n de conjunto con la madre y las hijas de edad casadera recuerda algunas composiciones de alcahuetas o madamas y sus pupilas. &lt;br /&gt;&lt;br /&gt;"Este es el &amp;uacute;ltimo de los grandes retratos familiares de Degas. Tambi&amp;eacute;n se encuentra entre los m&amp;aacute;s sorprendentes. La representaci&amp;oacute;n de la t&amp;iacute;a Fanny del artista es sin adulaciones, delicadamente equilibrada entre austeridad y empat&amp;iacute;a. Su imagen frontal, est&amp;aacute;tica y enfocada contrasta con el porte animado de sus hijas, cuya sensaci&amp;oacute;n de movimiento se ve incrementada por la forma en que el artista pint&amp;oacute; y luego borr&amp;oacute; sus retratos." (Descripci&amp;oacute;n traducida del Museo de Bellas Artes, Boston, Estados Unidos,&amp;nbsp;&lt;a href="http://www.mfa.org/collections/object/duchessa-di-montejasi-with-her-daughters-elena-and-camilla-397941"&gt;http://www.mfa.org/collections/object/duchessa-di-montejasi-with-her-daughters-elena-and-camilla-397941&lt;/a&gt;, Archivado en:&amp;nbsp;&lt;a href="https://web.archive.org/web/20200625003054/https://collections.mfa.org/objects/397941"&gt;https://web.archive.org/web/20200625003054/https://collections.mfa.org/objects/397941&lt;/a&gt;)</text>
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                <text>Óleo sobre lienzo.&#13;
Dimensiones: 66 × 97.8 cm</text>
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                    <text>Égloga de Plácida y Vitoriano, de Juan del Encina (1518.c)</text>
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                  <text>Varia celestinesca</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Égloga de Plácida y Vitoriano, de Encina (1518, c.)</text>
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                <text>Encina, Juan del (1469-1529) &#13;
Alonso de Melgar (ed.) &#13;
Ilustrador anónimo</text>
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                <text>1518, c.</text>
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                <text>Pliego que reproduce la misma imagen del argumento de la edición de Burgos, 1499, de la Comedia  de Calisto y Melibea impresa por Fadrique de Basilea.&#13;
&#13;
Otro título: Egloga nueuame[n]te trobada por juan d[e]l enzina : En la qual se introduzen dos enamorados llamada ella Placida y el Vitoriano</text>
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                <text>Hay un ejemplar en el Cat&amp;aacute;logo de la Biblioteca Nacional de Espa&amp;ntilde;a, Madrid, Espa&amp;ntilde;a&lt;br /&gt;&lt;a href="http://catalogo.bne.es/uhtbin/cgisirsi/x/0/0/57/5/3?searchdata1=4828787{CKEY}&amp;amp;searchfield1=GENERAL^SUBJECT^GENERAL^^&amp;amp;user_id=WEBSERVER#ejemplares"&gt;http://catalogo.bne.es/uhtbin/cgisirsi/x/0/0/57/5/3?searchdata1=4828787{CKEY}&amp;amp;searchfield1=GENERAL^SUBJECT^GENERAL^^&amp;amp;user_id=WEBSERVER#ejemplares&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;R/4888&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200611153541/http://catalogo.bne.es/uhtbin/cgisirsi/x/0/0/57/5/3?searchdata1=4828787%7BCKEY%7D&amp;amp;searchfield1=GENERAL%5ESUBJECT%5EGENERAL%5E%5E&amp;amp;user_id=WEBSERVER%23ejemplares"&gt;/web/20200611153541/http://catalogo.bne.es/uhtbin/cgisirsi/x/0/0/57/5/3?searchdata1=4828787%7BCKEY%7D&amp;amp;searchfield1=GENERAL%5ESUBJECT%5EGENERAL%5E%5E&amp;amp;user_id=WEBSERVER%23ejemplares&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Biblioteca Digital Hisp&amp;aacute;nica (p. 11)&lt;br /&gt;&lt;a href="http://bdh-rd.bne.es/viewer.vm?id=0000242180&amp;amp;page=1"&gt;http://bdh-rd.bne.es/viewer.vm?id=0000242180&amp;amp;page=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200611153650/http://bdh-rd.bne.es/viewer.vm?id=0000242180&amp;amp;page=1"&gt;https://web.archive.org/web/20200611153650/http://bdh-rd.bne.es/viewer.vm?id=0000242180&amp;amp;page=1&lt;/a&gt;</text>
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                    <text>El anciano feliz, de Wille y Aveline (el joven) (1781, c.)</text>
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                  <text>Varia celestinesca</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>El anciano feliz, de Wille y Aveline (el joven) (1781, c.)</text>
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                <text>Wille, Pierre Alexandre (1748-1821) (ilustrador)&#13;
Aveline (el joven), Jean-Alexandre (1739 - 1781) (grabador)</text>
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                <text>&lt;span&gt;Museos estatales de Berlín&amp;nbsp;(Stattliche Museen zur Berlin), Biblioteca de arte (Kunstbibliothek) / Anna Russ:&lt;br /&gt;&lt;a href="https://id.smb.museum/object/1956124"&gt;https://id.smb.museum/object/1956124&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20250119223607/https://recherche.smb.museum/detail/1956124/lheureux-vieillard"&gt;https://web.archive.org/web/20250119223607/https://recherche.smb.museum/detail/1956124/lheureux-vieillard&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: 14136310&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Escena de interior. En la imagen aparecen tres figuras; un hombre viejo con un garrote sentado en una silla a la izquierda del grabado, al centro una mujer vieja mirando al hombre con la cabeza tapada siguiendo la tradición celestinescauna y señalando a una joven a la derecha que mira al hombre. La vieja puede actuar de alcahueta de la joven y el viejo de cliente, formando el trio conocido de prostituta, cliente y alcahueta. </text>
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                <text>Grabado en cobre.&#13;
Dimensiones: 36.3 × 26.5 cm</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>"Honthorst's genre pictures of light-hearted gatherings had a great impact in Utrecht. He made such pictures while he was still in Italy. His Supper Party, painted during his last months in Italy, set a precedent for similar scenes done in the 1620s at Utrecht where artists favoured the erotic as well as the ascetic side of Baroque art. This is already evident in Honthorst's Supper Party where the person who covers the light has the effect of 'repoussoir': the large dark figure in the foreground causes, by contrast, the merrymakers behind him to recede in space, and thus enhances the illusion of depth. The second advantage is the vivid reflection of light thrown on the figures and, in particular, on their faces, which are painted in reddish-yellow colours. This helps Honthorst to overcome the harshness found in the work of other Caravaggio followers. " (descripción de la página web Web Gallery of Art: &lt;a href="http://www.wga.hu/html_m/h/honthors/1/05supper.html"&gt;http://www.wga.hu/html_m/h/honthors/1/05supper.html&lt;/a&gt;)</text>
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                <text>Galleria degli Uffizi, Florencia, Italia.&lt;br /&gt;&lt;br /&gt;Encontrado en la Web Gallery of Art: &lt;a href="http://www.wga.hu/html_m/h/honthors/1/05supper.html"&gt;http://www.wga.hu/html_m/h/honthors/1/05supper.html&lt;/a&gt;</text>
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                <text>Óleo sobre lienzo. &#13;
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>La muerte, como una ¨tapada¨ llega a casa de un joven caballero, con todos los objetos propios de un hombre joven en la mesa. No es propiamente una alcahueta pero se conecta con el tema de prostitución por las costumbres de las prostitutas y a veces de las alcahuetas de ir tapadas.&lt;br /&gt;&lt;br /&gt;Bibliografía:&#13;
&lt;p&gt;Argüello&amp;nbsp; del&amp;nbsp; Canto,&amp;nbsp; Candelas:&amp;nbsp; “«Las&amp;nbsp; tapadas».&amp;nbsp; Una&amp;nbsp; propuesta&amp;nbsp; sobre&amp;nbsp; la&amp;nbsp; representación de la prostitución en la pintura del Siglo de Oro”, BSAA 83 (2017): 235- 252.&lt;br /&gt;&amp;nbsp;&lt;a href="https://revistas.uva.es/index.php/bsaaarte/article/view/1070/914"&gt;https://revistas.uva.es/index.php/bsaaarte/article/view/1070/914&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200611161746/https://revistas.uva.es/index.php/bsaaarte/article/view/1070/914"&gt;https://web.archive.org/web/20200611161746/https://revistas.uva.es/index.php/bsaaarte/article/view/1070/914&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Colección Hospital de la Caridad, Sevilla, España&amp;nbsp;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Camprobin-el_caballero_y_la_muerte.jpg"&gt;https://commons.wikimedia.org/wiki/File:Camprobin-el_caballero_y_la_muerte.jpg&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200611162000/https://commons.wikimedia.org/wiki/File:Camprobin-el_caballero_y_la_muerte.jpg"&gt;https://web.archive.org/web/20200611162000/https://commons.wikimedia.org/wiki/File:Camprobin-el_caballero_y_la_muerte.jpg&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>1916, c.</text>
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                <text>Cuadro de &lt;span&gt;&lt;span&gt;Díaz Domínguez presentado&amp;nbsp;&lt;/span&gt;&lt;/span&gt;en el Museo de Zaragoza &lt;span&gt;&lt;span&gt;en la inauguración de la exposición ‘Zuloaga y los artistas aragoneses’ en homenaje a Goya, el 13 de mayo de 1916. Ahora parte de la Colección Laborda/Lázaro.&lt;br /&gt;&lt;br /&gt;Encontrado en la página web de Heraldo, noticia de Eduardo Laborda (13/05/2021):&lt;br /&gt;&lt;a href="https://www.heraldo.es/noticias/ocio-y-cultura/2021/05/13/el-capricho-del-pintor-angel-diaz-dominguez-en-el-homenaje-a-zuloaga-de-1916-1491741.html"&gt;https://www.heraldo.es/noticias/ocio-y-cultura/2021/05/13/el-capricho-del-pintor-angel-diaz-dominguez-en-el-homenaje-a-zuloaga-de-1916-1491741.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210513075046/https://www.heraldo.es/noticias/ocio-y-cultura/2021/05/13/el-capricho-del-pintor-angel-diaz-dominguez-en-el-homenaje-a-zuloaga-de-1916-1491741.html"&gt;https://web.archive.org/web/20210513075046/https://www.heraldo.es/noticias/ocio-y-cultura/2021/05/13/el-capricho-del-pintor-angel-diaz-dominguez-en-el-homenaje-a-zuloaga-de-1916-1491741.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;También encontrado en "Alcahuetas, ventaneras y majas de paseo: Imágenes de celestinas en la pintura de género española (1868-1931)&lt;em&gt;"&lt;/em&gt;, de Guillermo Juberías Gracia, &lt;em&gt;Celestinesca&lt;/em&gt;, Vol. 47, (2023): pp. 229-271. (&lt;a id="pub-id::doi" href="https://doi.org/10.7203/Celestinesca.47.26741"&gt;https://doi.org/10.7203/Celestinesca.47.26741&lt;/a&gt;):&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;div data-canvas-width="335.37854688532616"&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/div&gt;&#13;
&lt;span&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/span&gt;</text>
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                <text>En el cuadro aparecen tres figuras: en el centro, una joven con mantilla negra mirando al espectador, a la derecha aparece otra mujer con flores en la cabeza, sosteniendo un abanico y mirando a la joven. Por último, una mujer vieja con la cabeza tapada a modo de Celestina que puede actuar de alcahueta de la joven.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;La imagen también se comenta en &lt;span&gt;"&lt;/span&gt;Alcahuetas, ventaneras y majas de paseo: Imágenes de celestinas en la pintura de género española (1868-1931)&lt;em&gt;"&lt;/em&gt;, de Guillermo Juberías Gracia, &lt;em&gt;Celestinesca&lt;/em&gt;, Vol. 47, (2023): pp. 229-271. (&lt;a id="pub-id::doi" href="https://doi.org/10.7203/Celestinesca.47.26741"&gt;https://doi.org/10.7203/Celestinesca.47.26741&lt;/a&gt;):&lt;br /&gt;&#13;
&lt;div data-canvas-width="335.37854688532616"&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/div&gt;&#13;
&lt;span&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/span&gt;</text>
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                    <text>Encontrado en la p&amp;aacute;gina web Regard eloigne:&lt;br /&gt;&lt;a href="https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html"&gt;https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200622002315/https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html"&gt;https://web.archive.org/web/20200622002315/https://agoras.typepad.fr/regard_eloigne/2010/08/noa-noaun-livre-poir-lire-et-voirpaul-gauguin-et-le-primitivismesuite.html&lt;/a&gt;</text>
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&#13;
La segunda imagen es una hoja de la página del cuaderno Noa Noa del artista. Nótese que el tema de un personaje misterioso femenino se repite en otras de sus imágenes de Tahiti y a veces recuerdan a las alcahuetas pintadas en Europa en la época. </text>
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                  <text>Derechos reservados TVE&#13;
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                <text>Alisa y Pleberio discuten el futuro de Melibea. Pleberio tiene una lista de jóvenes interesados en esposar a su hija.</text>
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                <text>En el dibujo aparece una mujer vieja con la cabeza tapada, un tenedor en la mano y mirando hacia arriba. En la parte de arriba aparece un animal en una nube con líneas discontinuas en el cuerpo. El dibujo parece representar con la imagen de los diferentes cortes de carne la dificultad de decidir a qué género pertenece La Celestina. </text>
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                <text>Dibujo de Rubén para el artículo "La Celestina" de Ernesto Jiménez Hernández publicado en el periódico El Sol de Tampico, 25 de enero 2022.</text>
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&#13;
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                <text>Museo de Arte de Cleveland, Ohio, EEUU&lt;br /&gt;&lt;a href="https://www.clevelandart.org/art/1958.45"&gt;https://www.clevelandart.org/art/1958.45&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200222030341/https://www.clevelandart.org/art/1958.45"&gt;https://web.archive.org/web/20200222030341/https://www.clevelandart.org/art/1958.45&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikiart:&lt;br /&gt;&lt;a href="https://www.wikiart.org/en/pablo-picasso/the-harem-1906"&gt;https://www.wikiart.org/en/pablo-picasso/the-harem-1906&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190414143059/https://www.wikiart.org/en/pablo-picasso/the-harem-1906#!/web/20190414143059mp_/https://www.wikiart.org/"&gt;https://web.archive.org/web/20190414143059/https://www.wikiart.org/en/pablo-picasso/the-harem-1906#!/web/20190414143059mp_/https://www.wikiart.org/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario&lt;/span&gt;:&amp;nbsp;1958.45&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;meros de cat&amp;aacute;logos:&lt;/span&gt;&amp;nbsp;OPP.06:038; DB.XV:40; LD:274; P.I:1266; PP.06:073; Z.I:321</text>
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                <text>Óleo sobre lienzo.&#13;
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                  <text>Cuadros y grabados con alcahuetas</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>van de Passe el Viejo, Crispijn (c. 1564-1637)</text>
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                <text>Título original: De verloren zoon verkwist zijn geld ("El hijo pródigo desperdiciando su dinero").&#13;
&#13;
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                <text>Museo Rijks, Paises Bajos.&lt;br /&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-1894-A-18594C"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-1894-A-18594C&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191216073509/https://www.rijksmuseum.nl/nl/collectie/RP-P-1894-A-18594C"&gt;https://web.archive.org/web/20191216073509/https://www.rijksmuseum.nl/nl/collectie/RP-P-1894-A-18594C&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Identificador:&lt;br /&gt;&lt;a href="http://hdl.handle.net/10934/RM0001.COLLECT.161470"&gt;http://hdl.handle.net/10934/RM0001.COLLECT.161470&lt;/a&gt; ; &lt;span&gt;RP-P-1894-A-18594C&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg"&gt;https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210318023402/https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg"&gt;https://web.archive.org/web/20210318023402/https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg&lt;/a&gt;</text>
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                <text>Grabado.&#13;
Dimensiones: 23.2 × 18.5 cm</text>
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        <name>El hijo prodigo/the prodigal son</name>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>En el Museo &lt;span&gt;Rijks, Países Bajos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la página web &lt;span&gt;Essential Vermeer 3.0:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;</text>
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                <text>El hijo pródigo en un burdel, de anónimo (1580, c.)</text>
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                <text>Anónimo, siguiendo a Lucas van Leyden (1512–1583)</text>
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                <text>Grabado.&#13;
Dimensiones: 39 × 23 cm</text>
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                <text>El grabado muestra una escena de burdel donde se encuentra una joven sosteniendo la barbilla de un joven como seduciéndolo. A la derecha de la joven se encuentra una mujer vieja, actuando como alcahueta, y bebiendo de una copa de vino mientras un joven le da una bolsa en la mano. </text>
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                <text>El hijo pródigo entre cortesanas, de Pourbus el Viejo (1580, c.)</text>
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                <text>Pourbus el Viejo, Frans (1545-1581)</text>
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                <text>1580, c.</text>
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                <text>Esta pintura representa la historia bíblica del hijo pródigo en la casa de las prostitutas. En en cuadro, mujeres jóvenes se mezclan con hombres alrededor de una mesa. A la derecha aparece una mujer vieja, actuando como alcahueta.</text>
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                <text>&lt;span&gt;Museo Mayer van den Bergh, Amberes&lt;/span&gt;&lt;span&gt;, Bélgica&lt;/span&gt;&lt;span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg"&gt;https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20151129083456/https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg"&gt;https://web.archive.org/web/20151129083456/https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg&lt;/a&gt;</text>
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                <text>&lt;span&gt;Museo Carnavalet, París, Francia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Encontrado en la página web de los museos de París:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes"&gt;https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200608030157/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes"&gt;https://web.archive.org/web/20200608030157/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Numero de inventario: P619&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg"&gt;https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210322020251/https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg"&gt;https://web.archive.org/web/20210322020251/https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg&lt;/a&gt;</text>
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                <text>Título original: "L'Enfant prodigue chez les courtisanes" ("El hijo pródigo entre las cortesanas").&#13;
&#13;
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                <text>Óleo sobre tabla.&#13;
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                <text>Título original: L'enfant prodigue chez les courtisanes ("El hijo pródigo entre las cortesanas")&#13;
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                <text>Museo Louvre, París, Francia.&lt;br /&gt;Encontrado en L'agence photo:&lt;br /&gt;&lt;a rel="nofollow" class="external free" href="http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html"&gt;http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160304212149/http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html"&gt;https://web.archive.org/web/20160304212149/http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Identificador del sistema:&amp;nbsp;13-562850&lt;br /&gt;Numero de inventario:&amp;nbsp;Inv1981 ; Inv20384&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg"&gt;https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210320032306/https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg"&gt;https://web.archive.org/web/20210320032306/https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg&lt;/a&gt;</text>
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                <text>Óleo sobre madera.&#13;
Dimensiones: 71 × 104 cm</text>
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                    <text>&lt;span&gt;Título original:&amp;nbsp;&lt;/span&gt;&lt;em&gt;De verdrijving van de verloren zoon&lt;/em&gt;&lt;span&gt; ("La expulsión del hijo pródigo").&amp;nbsp;&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Museo Rijks, Amsterdam, Países Bajos:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220823204915/https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301"&gt;https://web.archive.org/web/20220823204915/https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de objeto: RP-P-OB-2301; http://hdl.handle.net/10934/RM0001.COLLECT.37326&lt;/span&gt;</text>
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                    <text>Papel.&#13;
Dimensiones: 27.2 × 21.1 cm</text>
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                    <text>El hijo pródigo ahuyentado de las prostitutas, de van de Passe (1580, c.)</text>
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                <name>Creator</name>
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                    <text>van de Passe, Crispijn (1564-1637)</text>
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                    <text>&lt;span&gt;Título original:&amp;nbsp;&lt;/span&gt;&lt;em&gt;De verloren zoon weggejaagd bij de hoeren&lt;/em&gt;&lt;span&gt;&amp;nbsp;("El hijo pródigo ahuyentado de las prostitutas").&amp;nbsp;&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Museo Rijks, Amsterdam, Países Bajos:&lt;br /&gt;&lt;/span&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220823212226/https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29"&gt;https://web.archive.org/web/20220823212226/https://www.rijksmuseum.nl/en/collection/RP-P-1983-45-29&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de objeto:&amp;nbsp;RP-P-1983-45-29; http://hdl.handle.net/10934/RM0001.COLLECT.420476&lt;/span&gt;</text>
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                    <text>Grabado.&#13;
Dimensiones: 23.1 × 18.3 cm</text>
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                <text>&lt;p&gt;Imagen 1: &lt;span&gt;Título original:&amp;nbsp;&lt;em&gt;De verdrijving van de verloren zoon&lt;/em&gt; ("La expulsión del hijo pródigo").&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Museo Rijks, Amsterdam, Países Bajos:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220823204915/https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301"&gt;https://web.archive.org/web/20220823204915/https://www.rijksmuseum.nl/en/collection/RP-P-OB-2301&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de objeto: RP-P-OB-2301; http://hdl.handle.net/10934/RM0001.COLLECT.37326&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Imagen 2:&amp;nbsp;&lt;span&gt;Título original:&amp;nbsp;&lt;em&gt;De verloren zoon weggejaagd bij de hoeren&lt;/em&gt;&amp;nbsp;("El hijo pródigo ahuyentado de las prostitutas").&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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Imagen 2: 1580, c.</text>
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Papel.&#13;
Dimensiones: 27.2 × 21.1 cm&#13;
&#13;
Imagen 2:&#13;
Grabado.&#13;
Dimensiones: 23.1 × 18.3 cm</text>
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                <text>Las imágenes representan la parábola bíblica del hijo pródigo. En ambas imágenes aparece una figura que representa una alcahueta. En la primera imagen, la mujer vieja con la cabeza tapada que aparece a la derecha, se puede interpretar como la alcahueta de las prostitutas. En la segunda imagen la mujer vieja con la cabeza tapada que aparece en el centro y ahuyentando al hijo pródigo con una escoba.</text>
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                <text>El hijo pródigo expulsado de la casa de las prostitutas, de Murillo (1660, c.)</text>
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                <text>En la parte izquierda en la sombra se deja entrever un personaje de aspecto celestinesco.  &#13;
&#13;
Véase TAGGARD, MINDY NANCARROW. “A Source for the Interpretation of Murillo’s ‘Parable of the Prodigal Son’: The Golden Age Stage.” RACAR: Revue d’art Canadienne / Canadian Art Review, vol. 14, no. 1/2, 1987, pp. 90–95. &#13;
Dorival, Bernard. “Callot, Modèle de Murillo.” La Revue Des Arts, 1951, pp. 94–101.&#13;
&#13;
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                <text>&lt;span&gt;Galería&amp;nbsp;&lt;/span&gt;Nacional de&lt;span&gt;&amp;nbsp;Irlanda, Dublin&lt;/span&gt;&lt;br /&gt;&lt;a href="http://onlinecollection.nationalgallery.ie/objects/8715/the-prodigal-son-driven-out?ctx=b9ec974b-7b41-4194-869a-03b4d4a1553d&amp;amp;idx=7"&gt;http://onlinecollection.nationalgallery.ie/objects/8715/the-prodigal-son-driven-out?ctx=b9ec974b-7b41-4194-869a-03b4d4a1553d&amp;amp;idx=7&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200611152634/http://onlinecollection.nationalgallery.ie/objects/8715/the-prodigal-son-driven-out?ctx=b9ec974b-7b41-4194-869a-03b4d4a1553d&amp;amp;idx=7"&gt;https://web.archive.org/web/20200611152634/http://onlinecollection.nationalgallery.ie/objects/8715/the-prodigal-son-driven-out?ctx=b9ec974b-7b41-4194-869a-03b4d4a1553d&amp;amp;idx=7&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikiart:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.wikiart.org/en/bartolome-esteban-murillo/the-prodigal-son-driven-out-1660"&gt;https://www.wikiart.org/en/bartolome-esteban-murillo/the-prodigal-son-driven-out-1660&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160308103804/https://www.wikiart.org/en/bartolome-esteban-murillo/the-prodigal-son-driven-out-1660"&gt;https://web.archive.org/web/20160308103804/https://www.wikiart.org/en/bartolome-esteban-murillo/the-prodigal-son-driven-out-1660&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número del objeto&amp;nbsp;&lt;/span&gt;&lt;span&gt;NGI.4543&lt;/span&gt;</text>
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                <text>Óleo sobre lienzo.&#13;
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        <name>El hijo prodigo/the prodigal son</name>
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                <text>Una escena de la parabola del hijo pródigo, en la esquina detrás del cuadro una mujer vieja aparece sentada con un aparato que asemeja un ábaco, dándola la imagen de ser la alcahueta calculando el dinero que va a ganar.&#13;
&#13;
Otro título: Der Verlorene Sohn unter den Dirnen</text>
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                <text>Encontrado en el sitio Artnet www.artnet.com el 14 de Agosto 2016. &lt;br /&gt;&lt;a href="http://www.artnet.com/artists/franz-christoph-janneck/der-verlorene-sohn-unter-den-dirnen-b4WqeXeL3_gmMIe9j4n0-Q2"&gt;http://www.artnet.com/artists/franz-christoph-janneck/der-verlorene-sohn-unter-den-dirnen-b4WqeXeL3_gmMIe9j4n0-Q2&lt;/a&gt;</text>
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                <text>Óleo sobre cobre. &#13;
Dimensiones: 38.2 × 52.8 cm</text>
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        <name>El hijo prodigo/the prodigal son</name>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>Janneck, Franz Christoph (1703-1761)</text>
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                <text>1732, c.</text>
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                <text>Encontrado en la página web Arte bíblica www.artebiblica.com el 10 de Agosto 2016. &lt;br /&gt;&lt;a href="http://artebiblica.blogspot.ca/2015/08/parabola-del-hijo-prodigo.html"&gt;http://artebiblica.blogspot.ca/2015/08/parabola-del-hijo-prodigo.html&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191114110140/http://artebiblica.blogspot.com/2015/08/parabola-del-hijo-prodigo.html"&gt;https://web.archive.org/web/20191114110140/http://artebiblica.blogspot.com/2015/08/parabola-del-hijo-prodigo.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la página web Sotheby's (&lt;a href="http://www.sothebys.com/"&gt;http://www.sothebys.com/&lt;/a&gt;):&lt;br /&gt;&lt;a href="http://www.sothebys.com/en/auctions/ecatalogue/lot.41.html/2015/tale-two-cities-venice-dresden-l15320"&gt;http://www.sothebys.com/en/auctions/ecatalogue/lot.41.html/2015/tale-two-cities-venice-dresden-l15320&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg"&gt;https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200622195322/https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg"&gt;https://web.archive.org/web/20200622195322/https://en.wikipedia.org/wiki/File:Franz_Christoph_Janneck_-_The_Prodigal_Son_Spending_his_Money_in_Riotous_Living.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Más información disponible en: &lt;br /&gt;&lt;a href="http://quod.lib.umich.edu/m/moa/abx9651.0001.001/58?rgn=full+text;view=image;q1=Franz+Christoph+Janneck"&gt;http://quod.lib.umich.edu/m/moa/abx9651.0001.001/58?rgn=full+text;view=image;q1=Franz+Christoph+Janneck&lt;/a&gt;</text>
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                <text>Óleo sobre cobre.&#13;
Dimensiones: 31.2 × 45 cm</text>
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                <text>En una habitación, un hombre joven sentado y cogiendo de la mano a una mujer joven. Entre estos dos personajes, una mujer vieja actúa como alcahueta presentado a la joven.</text>
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        <name>El hijo prodigo/the prodigal son</name>
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                    <text>El hijo pródigo, atribuido a un seguidor de Frans Francken (Fecha desconocida)</text>
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                <text>Escena con contenido típico de obras con alcahuetas y temas celestinescos. Una mujer vieja parece como una alcahueta alentando a las parejas que están en la mesa, mientras que da instrucciones a un chico joven que parece que la ayude.&#13;
&#13;
Otro título: Der verlorene Sohn</text>
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                <text>&lt;span&gt;Artnet Worldwide Corporation&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.artnet.com/artists/frans-francken-the-younger/der-verlorene-sohn-gZlK8Hl0mKgW0DoLxBHE_w2"&gt;http://www.artnet.com/artists/frans-francken-the-younger/der-verlorene-sohn-gZlK8Hl0mKgW0DoLxBHE_w2&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;Archivado en&lt;/span&gt;:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200430205149/http://www.artnet.com/artists/frans-francken-the-younger/der-verlorene-sohn-gZlK8Hl0mKgW0DoLxBHE_w2"&gt;https://web.archive.org/web/20200430205149/http://www.artnet.com/artists/frans-francken-the-younger/der-verlorene-sohn-gZlK8Hl0mKgW0DoLxBHE_w2&lt;/a&gt;</text>
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                <text>Óleo sobre madera. &#13;
Dimensiones: 26 × 36 cm</text>
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                <text>Cuadro holandés de género basado en la parábola del mismo título. Nótese la vieja en primer plano, que, a manera de judas, lleva la mano al pan.&#13;
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                <text>Museo Kunsthistorisches, Viena, Austria&lt;br /&gt;&lt;a href="https://www.khm.at/en/objectdb/detail/1833/?offset=0&amp;amp;lv=list"&gt;https://www.khm.at/en/objectdb/detail/1833/?offset=0&amp;amp;lv=list&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200522172221/https://www.khm.at/en/objectdb/detail/1833/?offset=0&amp;amp;lv=list"&gt;https://web.archive.org/web/20200522172221/https://www.khm.at/en/objectdb/detail/1833/?offset=0&amp;amp;lv=list&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Jan_Steen_-_Beware_of_Luxury_(%E2%80%9CIn_Weelde_Siet_Toe%E2%80%9D)_-_Google_Art_Project.jpg"&gt;https://commons.wikimedia.org/wiki/File:Jan_Steen_-_Beware_of_Luxury_(%E2%80%9CIn_Weelde_Siet_Toe%E2%80%9D)_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&lt;span&gt;GG_791&lt;/span&gt;&lt;/span&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Jan_Steen_-_Beware_of_Luxury_(%E2%80%9CIn_Weelde_Siet_Toe%E2%80%9D)_-_Google_Art_Project.jpg"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Ilustraci&amp;oacute;n hecho por un libro de Marcel Proust &lt;em&gt;&amp;Agrave; la recherche du temps perdu&lt;/em&gt;, publicado en 1945 por Librairie Gallimard, Paris. Parece que est&amp;aacute; fuera de imprenta pero est&amp;aacute; listado en el &lt;span&gt;Metropolitan Museum of Art, Nueva York, Estados Unidos:&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.metmuseum.org/art/collection/search/355748"&gt;www.metmuseum.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200616205843/https://www.metmuseum.org/art/collection/search/355748"&gt;https://web.archive.org/web/20200616205843/https://www.metmuseum.org/art/collection/search/355748&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Otro t&amp;iacute;tulo:&amp;nbsp;&lt;span&gt;Le narrateur et Albert Bloch &amp;agrave; la maison close. lllustration pour Proust's &amp;Agrave; la recherche du temps perdu.&lt;/span&gt;</text>
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                <text>Encontrado en Weimar (www.weimarart.blogspot.ca) 23 junio 2017&lt;br /&gt;&lt;a href="http://weimarart.blogspot.ca/2010/09/kees-van-dongen-her-body-is-my.html"&gt;http://weimarart.blogspot.ca/2010/09/kees-van-dongen-her-body-is-my.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191023005455/http://weimarart.blogspot.com/2010/09/kees-van-dongen-her-body-is-my.html"&gt;https://web.archive.org/web/20191023005455/http://weimarart.blogspot.com/2010/09/kees-van-dongen-her-body-is-my.html&lt;/a&gt;</text>
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                <text>Santasugsana i Santacreu, Ernest (1900-1964)</text>
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                <text>Ganador del Premio de Honor en la Exposiciõn de Bellas Artes de Barcelona, 1944.</text>
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                <text>Encontrado en La Casa de la Seda (www.casadelaseda.com) el 12 de Agosto 2017&lt;br /&gt;&lt;a href="https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/"&gt;https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200616204733/https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/"&gt;https://web.archive.org/web/20200616204733/https://www.casadelaseda.com/es/blog-hablando-con-las-paredes-casa-seda/&lt;/a&gt;</text>
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                <text>Encontrado en la página web Artnet.com:&lt;br /&gt;&lt;a href="http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2"&gt;http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220113020703/http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2"&gt;https://web.archive.org/web/20220113020703/http://www.artnet.com/artists/paula-rego/celestinas-prize-ii-PjI5M6Hj8tQAM3_u2HYfzQ2&lt;/a&gt;</text>
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                <text>En el grabado aparece una mujer vieja con el torso desnudo reposando encima de una mesa. Dos hombres aparecen en el grabado, uno sentado delante de la mujer y otro de pie mirándola. </text>
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                <text>Encontrado el 19 de junio 2016 en Magnolia Box:&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.magnoliabox.com/search?q=the+return+of+the+sailor+prostitutes+proposition+a+returning&amp;amp;type=product"&gt;https://www.magnoliabox.com/search?q=the+return+of+the+sailor+prostitutes+proposition+a+returning&amp;amp;type=product&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Se vende copia en Art.com:&lt;br /&gt;&lt;a href="https://www.art.com/products/p36992987432-sa-i9638926/the-return-of-the-sailor-prostitutes-proposition-a-returning-sailor-in-a-port-city-after-an-18th.htm"&gt;https://www.art.com/products/p36992987432-sa-i9638926/the-return-of-the-sailor-prostitutes-proposition-a-returning-sailor-in-a-port-city-after-an-18th.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;36992987432A&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Seg&amp;uacute;n la descripci&amp;oacute;n en Art.com, el grabado se encuentra en el libro&amp;nbsp;&lt;span&gt;&lt;em&gt;Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart&lt;/em&gt; de Eduard Fuchs publicado en una Colecci&amp;oacute;n Privada Ken Welsh Bridgeman Images&lt;/span&gt;</text>
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                <text>Título original: The Tar's Triumph or Bawdy House Battery ("El triunfo del marinero o el ataque a la casa obscena").&#13;
&#13;
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                <text>Museo Mar&amp;iacute;timo Nacional, Greenwich, Londres, Reino Unido.&lt;br /&gt;&lt;a href="http://collections.rmg.co.uk/collections/objects/157278.html"&gt;http://collections.rmg.co.uk/collections/objects/157278.html&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201225192308/https://collections.rmg.co.uk/collections/objects/157278.html"&gt;https://web.archive.org/web/20201225192308/https://collections.rmg.co.uk/collections/objects/157278.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero del objeto:&amp;nbsp;&lt;span&gt;PAI9554&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la p&amp;aacute;gina web de British Tars (21 de Abril 2017).&lt;br /&gt;&lt;a href="https://www.britishtars.com/2014/03/the-tars-triumph-or-bawdy-house-battery.html"&gt;https://www.britishtars.com/2014/03/the-tars-triumph-or-bawdy-house-battery.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200927173926/https://www.britishtars.com/2014/03/the-tars-triumph-or-bawdy-house-battery.html"&gt;https://web.archive.org/web/20200927173926/https://www.britishtars.com/2014/03/the-tars-triumph-or-bawdy-house-battery.html&lt;/a&gt;</text>
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                <text>Grabado.&#13;
Dimensiones: 22.1 × 32.1 cm</text>
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                <text>El verdugo con la cabeza de Juan el Bautista, de Dobson (1640, c.)</text>
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                <text>Galer&amp;iacute;a de Arte Walker,&amp;nbsp;&lt;span&gt;Liverpool, Reino Unido.&lt;br /&gt;&lt;a href="https://www.liverpoolmuseums.org.uk/news/press-releases/baroque-art-rome-england"&gt;https://www.liverpoolmuseums.org.uk/news/press-releases/baroque-art-rome-england&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;WAG 2993&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg"&gt;https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201223233901/https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg"&gt;https://web.archive.org/web/20201223233901/https://commons.wikimedia.org/wiki/File:William_Dobson_-_The_Executioner_with_the_Head_of_John_the_Baptist_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Este cuadro de Dobson representa a Salom&amp;eacute; recibiendo la cabeza decapitada de San Juan Bautista, seg&amp;uacute;n la escena b&amp;iacute;blica. En esta representaci&amp;oacute;n, Salom&amp;eacute; aparece a la derecha sosteniendo una bandeja, mientras que un hombre joven sostiene la cabeza de San Juan sobre la bandeja. A la derecha de Salom&amp;eacute; aparece una mujer mayor, y un ni&amp;ntilde;o ilumina la escena con una vela. Esta representaci&amp;oacute;n recuerda a im&amp;aacute;genes con temas celestinescos, ya que aparece una mujer joven, una mayor y un hombre joven.&lt;br /&gt;&lt;br /&gt;C&amp;oacute;digo de Iconclass: 73C1334&amp;nbsp;&lt;a href="http://www.iconclass.org/rkd/73C1334/"&gt;http://www.iconclass.org/rkd/73C1334/&lt;/a&gt;&lt;br /&gt;"Salome is given the head of John the Baptist by the executioner" ("Salom&amp;eacute; recibe la cabeza de Juan el Bautista por el verdugo")</text>
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                <text>&lt;span&gt;Imagen 31 del libro&amp;nbsp;&lt;/span&gt;&lt;em&gt;Nieuwen ieucht spieghel (Nuevo espejo de aire)&amp;nbsp;&lt;/em&gt;&lt;span&gt;(1617) por Desconocido.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Encontrado en la página web Emblem Project Utrecht.&lt;br /&gt;&lt;a href="https://emblems.hum.uu.nl/nj1617031.html"&gt;https://emblems.hum.uu.nl/nj1617031.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210106013808/https://emblems.hum.uu.nl/nj1617031.html"&gt;https://web.archive.org/web/20210106013808/https://emblems.hum.uu.nl/nj1617031.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Emblimatica Online - Recursos para estudios de Emblemas.&lt;br /&gt;&lt;a href="http://emblematica.library.illinois.edu/detail/emblem/E026518"&gt;http://emblematica.library.illinois.edu/detail/emblem/E026518&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Emblema de cliente pagando a la alcahueta, de Desconocido (1617)</text>
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                <text>La imagen representa una escena de burdel, donde el cliente está pagando a la alcahueta a la izquierda y la prostituta se encuentra desnuda, semi-cubierta en la cama a la derecha. Al lado de la prostituta aparece la figura del necio señalado la transacción de la alcahueta. </text>
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                <text>Imagen del libro&amp;nbsp;&lt;em&gt;Nieuwen ieucht spieghel (Nuevo espejo de aire)&amp;nbsp;&lt;/em&gt;(1617) por Desconocido.&lt;br /&gt;&lt;br /&gt;Emblimatica Online - Recursos para estudios de Emblemas.&lt;br /&gt;&lt;a href="http://emblematica.grainger.illinois.edu/oebp/ui/#/results?ekeywords=death&amp;amp;tab=emblemdetail&amp;amp;eskip=144&amp;amp;emblemid=nj1617035&amp;amp;bookid=huygens.knaw.nl_3Aemitx_3Anj1617"&gt;http://emblematica.grainger.illinois.edu/oebp/ui/#/results?ekeywords=death&amp;amp;tab=emblemdetail&amp;amp;eskip=144&amp;amp;emblemid=nj1617035&amp;amp;bookid=huygens.knaw.nl_3Aemitx_3Anj1617&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201115225737/https://emblems.hum.uu.nl/static/images/nj1617/pictura/843B24_167.jpg"&gt;https://web.archive.org/web/20201115225737/https://emblems.hum.uu.nl/static/images/nj1617/pictura/843B24_167.jpg&lt;/a&gt;</text>
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                <text>Este emblema representa una típica escena Celestinesca donde una mujer joven desnuda reposa sobre una cama mientras un hombre joven se acerca a ella de la mano de una mujer vieja que actúa de alcahueta. La descripción en Latín dice: &#13;
&#13;
"Est meretrix dicta quæ reddit verbula ficta Exterius picta verum interius maledicta, Attrahit vt viscus, sed decipit vt basiliscus. Incidit in crimen, meretricis tangere limen Qui non horrescit, imprimis dum juuenescit Scribatur portis: meretrix est janua mortis."&#13;
("Se llama prostituta la que devuelve palabritas falsas. Por fuera está toda pintada pero por dentro está maldita. Atrae como la liga pero engaña como el basilisco. Comete un delito quien se acerca a la puerta de una prostituta. El que no se horrorice, mientras sea joven, escriba sobre las puertas: la prostituta es la puerta de la muerte.")</text>
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                    <text>Emblema del prólogo de la edición de Amberes (1616)</text>
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                  <text>&lt;div&gt;&lt;a title="Amberes, 1526" href="http://celestinavisual.org/exhibits/show/amberes1616/amberes1616"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="/files/original/6d5482866b1724f9100a7151e7858b7a.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Tragicomedie van Calisto ende Melibea. Anónimo trad. TʼHantwerpen: Heyndric&amp;nbsp;Heyndricz, 1616.&lt;/p&gt;&#13;
&lt;p&gt;Traducción anónima al holandés.&lt;/p&gt;&#13;
&lt;p&gt;26 ilustraciones, incluyendo portada y emblema del impresor. Varias repetidas. Muy parecida a la edición de &lt;a href="http://celestinavisual.org/exhibits/show/amberes1574"&gt;Amberes, 1574&lt;/a&gt;, pero se han perdido varios de los grabados de la de 1574 y sustituidos por otros a veces no pertienentes y repetidos.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;La mayoria de las&amp;nbsp;ilustraciones son copias giradas de las ilustraciones de&lt;/span&gt;&lt;a title="Zaragoza, 1545" href="http://en.celestinavisual.org/exhibits/show/portadasantiguas/item/2367"&gt;&amp;nbsp;Zaragoza (1545&lt;/a&gt;)&lt;span&gt;&amp;nbsp;pero de una realización menos cuidada. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Libro completo en&amp;nbsp;&lt;a href="https://books.google.ca/books?id=h0JoAAAAcAAJ&amp;amp;pg=PP20&amp;amp;lpg=PP20&amp;amp;dq=Celestina,+een+Tragicomedie+van+Calisto+ende+Melibea&amp;amp;source=bl&amp;amp;ots=2mvhmYzlE_&amp;amp;sig=fN9qkHlMAmksktz__pQUSI1Q2LA&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjvm4a5__7RAhUByoMKHd-YDVQQ6AEIKDAC#v=onepage&amp;amp;q=Celestina%2C%20een%20Tragicomedie%20van%20Calisto%20ende%20Melibea&amp;amp;f=false"&gt;Google Books&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hay copias en la British Library,&amp;nbsp;entre ellas&amp;nbsp;&lt;strong style="margin: 0px 0.5em 0px 0px; padding: 0px; border: currentColor; text-align: left; color: #32322f; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Arial Unicode MS', Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: bold; word-spacing: 0px; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;UIN:&lt;/strong&gt;&lt;span style="text-align: left; color: #32322f; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Arial Unicode MS', Arial, sans-serif; font-size: 14px; font-style: normal; font-weight: normal; word-spacing: 0px; float: none; display: inline !important; white-space: normal; orphans: 2; widows: 2; background-color: #ffffff; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px;"&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;BLL01000574002&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Esta edición no&amp;nbsp;aparece en USTC pero sí &lt;a href="http://ustc.ac.uk/editions/411729"&gt;otras del año 1574 y 1580&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/9366"&gt;https://icocel.linhd.uned.es/s/celestina/item/9366&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;En total hay cuatro traducciones al holandés, las cuatro ilustradas con las misma imágenes: 1550 (Hans de Laert), 1574 y 1580. y esta de 1616 Véase Kathleen Kish,&amp;nbsp;&lt;a href="http://www.cervantesvirtual.com/descargaPdf/celestina-en-amberes-en-el-siglo-xvi-/"&gt;"&lt;em&gt;Celestina&lt;/em&gt; en Amberes"&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Heyndric Heyndricz e ilustrador anónimo</text>
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Joven desnuda y alcahueta de la que solo se ve una mano y la silueta</text>
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Cliente y prostituta a la mesa. Alcahueta o sirvienta al fondo. Perro en primer plano. Burdel o taberna, escuela holandesa.</text>
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                <text>Museo Nacional en Varsovia, Polonia.&lt;br /&gt;&lt;a href="https://cyfrowe.mnw.art.pl/en/catalog/505444"&gt;https://cyfrowe.mnw.art.pl/en/catalog/505444&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;M.Ob.1642 MNW&lt;br /&gt;&lt;/span&gt;</text>
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                <text>En la imagen aparecen tres figuras en un balcón: dos jóvenes, una sentada con un abanico y otra reposando sobre la primera y detrás aparece una vieja mirándolas. La imagen recuerda el famoso cuadro &lt;span&gt;&lt;a href="https://celestinavisual.org/items/show/759"&gt;Maja y Celestina al balcón, de Goya (1808)&lt;/a&gt;, donde la vieja actúa también de alcahueta de la joven.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;La imagen también se comenta en &lt;span&gt;"&lt;/span&gt;Alcahuetas, ventaneras y majas de paseo: Imágenes de celestinas en la pintura de género española (1868-1931)&lt;em&gt;"&lt;/em&gt;, de Guillermo Juberías Gracia, &lt;em&gt;Celestinesca&lt;/em&gt;, Vol. 47, (2023): pp. 229-271. (&lt;a id="pub-id::doi" href="https://doi.org/10.7203/Celestinesca.47.26741"&gt;https://doi.org/10.7203/Celestinesca.47.26741&lt;/a&gt;):&lt;br /&gt;&#13;
&lt;div data-canvas-width="335.37854688532616"&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/div&gt;&#13;
&lt;span&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Ilustración &lt;em&gt;En el balcón&lt;/em&gt; de Josep Llovera i Bofill, en la revista &lt;em&gt;Álbum Salón&lt;/em&gt;, año II, número 14, el 16 de marzo de 1898. Centro editorial artistico de Miguel Segui.&lt;br /&gt;&lt;br /&gt;Encontrado en &lt;span&gt;"&lt;/span&gt;Alcahuetas, ventaneras y majas de paseo: Imágenes de celestinas en la pintura de género española (1868-1931)&lt;em&gt;"&lt;/em&gt;, de Guillermo Juberías Gracia, &lt;em&gt;Celestinesca&lt;/em&gt;, Vol. 47, (2023): pp. 229-271. (&lt;a id="pub-id::doi" href="https://doi.org/10.7203/Celestinesca.47.26741"&gt;https://doi.org/10.7203/Celestinesca.47.26741&lt;/a&gt;):&lt;br /&gt;&#13;
&lt;div data-canvas-width="335.37854688532616"&gt;&lt;a href="https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/div&gt;&#13;
&lt;span&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608"&gt;https://web.archive.org/web/20231222193726/https://ojs.uv.es/index.php/celestinesca/article/view/26741/23608&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Ilustración.&#13;
Dimensiones: Desconocidas.</text>
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                    <text>&lt;span&gt;Museo Nacional de Arte de Cataluña, Barcelona, España.&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000"&gt;https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220316003221/https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000"&gt;https://web.archive.org/web/20220316003221/https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Numero de inventario: 010943-000&lt;/span&gt;</text>
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                <text>Imagen 1:&lt;br /&gt;Museo Nacional de Arte de Cataluña, Barcelona, España.&lt;br /&gt;&lt;a href="https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000"&gt;https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220316003221/https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000"&gt;https://web.archive.org/web/20220316003221/https://www.museunacional.cat/en/colleccio/bar/ricard-canals/010943-000&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Numero de inventario: 010943-000&lt;br /&gt;&lt;br /&gt;Imagen 2:&lt;br /&gt;&lt;span&gt;Encontrado en la página web Artnet.com:&lt;br /&gt;&lt;a href="http://www.artnet.com/artists/ricardo-canals-y-llambi/le-bar-klp2_Xeq3vYp4uSdbmvvmw2"&gt;http://www.artnet.com/artists/ricardo-canals-y-llambi/le-bar-klp2_Xeq3vYp4uSdbmvvmw2&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Museo de Bellas Artes de Bilbao, España.&lt;br /&gt;&lt;br /&gt;Encontrado en la página web del Catálogo Colectivo de los Museos de Euskadi, Departamento de Cultura y Política Lingüística, Gobierno Vasco:&lt;br /&gt;&lt;a href="https://apps.euskadi.eus/emsime/catalogo/autoria-alenza-leonardo-/titulo-escena-a-la-puerta-de-un-ventorrillo/objeto-pintura/ciuVerFicha/museo-58/ninv-69/2"&gt;https://apps.euskadi.eus/emsime/catalogo/autoria-alenza-leonardo-/titulo-escena-a-la-puerta-de-un-ventorrillo/objeto-pintura/ciuVerFicha/museo-58/ninv-69/2&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220427014655/https://apps.euskadi.eus/emsime/catalogo/autoria-alenza-leonardo-/titulo-escena-a-la-puerta-de-un-ventorrillo/objeto-pintura/ciuVerFicha/museo-58/ninv-69/2"&gt;https://web.archive.org/web/20220427014655/https://apps.euskadi.eus/emsime/catalogo/autoria-alenza-leonardo-/titulo-escena-a-la-puerta-de-un-ventorrillo/objeto-pintura/ciuVerFicha/museo-58/ninv-69/2&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Número de inventario: 69/2</text>
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                <text>En la escena aparece un grupo de personas en la puerta de un ventorrillo, un caballo, un perro y un hombre tocando la guitarra. Entre la multitud aparece una mujer joven con una mantilla y junto a ella una mujer vieja con la cabeza cubierta que recuerda a una alcahueta. </text>
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                <text>Museo del Romanticismo, Madrid España. &lt;br /&gt;Para más información, consulte al artículo de Rachel Schmidt: "Celestinas y majas en la obra de Goya, Alenza y Lucas Velásquez." &lt;em&gt;Celestinesca&lt;/em&gt;, 39 (2015): 275-328. Figura 10, p. 313.&lt;br /&gt;&lt;em&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;http://parnaseo.uv.&lt;span&gt;es&lt;/span&gt;/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;</text>
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                <text>Ilustraci&amp;oacute;n con temas Celestinescas, hecho en Alemania por un pintor solamente conocido por sus siglas como Master E.S. Escena galante en jard&amp;iacute;n con un halc&amp;oacute;n. La escena recuerda la primera escena de &lt;em&gt;La Celestina&lt;/em&gt;. En&amp;nbsp;Celestinesca, 1987, Vol. 11, Num. 1, p. 44.</text>
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                <text>Encontrado en Celestinesca, 1987, Vol. 11, Num. 1, p. 44. El 13 de septiembre 2016.&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Achivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;</text>
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                <text>Encontrado en Todocoleccion.net:&lt;br /&gt;&lt;a href="https://www.todocoleccion.net/arte-pintura-oleo/escena-celestina-calixto-melibea-oleo-s-carton-hacia-1900~x270698833"&gt;https://www.todocoleccion.net/arte-pintura-oleo/escena-celestina-calixto-melibea-oleo-s-carton-hacia-1900~x270698833&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20211223203101/https://www.todocoleccion.net/arte-pintura-oleo/escena-celestina-calixto-melibea-oleo-s-carton-hacia-1900~x270698833"&gt;https://web.archive.org/web/20211223203101/https://www.todocoleccion.net/arte-pintura-oleo/escena-celestina-calixto-melibea-oleo-s-carton-hacia-1900~x270698833&lt;/a&gt;</text>
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                <text>En la escena aparecen Calisto y Melibea mirándose fuera de una casa. Melibea se asoma por la ventana mientras que Calisto aparece fuera mirándola. En la ventana de la derecha aparece Celestina mirando a Calisto y Melibea. </text>
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                <text>&lt;p&gt;&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1493714&amp;amp;partId=1"&gt;http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1493714&amp;amp;partId=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210503161722/https://www.britishmuseum.org/collection/object/P_1869-0612-376"&gt;https://web.archive.org/web/20210503161722/https://www.britishmuseum.org/collection/object/P_1869-0612-376&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;© The Trustees of The British Museum&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número de activo: 68771001&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número del museo:&amp;nbsp;&lt;/span&gt;1869,0612.376&lt;br /&gt;&lt;br /&gt;Ver comentario en &lt;br /&gt;&lt;a href="https://www.facebook.com/180109278739808/photos/a.198208763596526.49151.180109278739808/394237357326998/"&gt;https://www.facebook.com/180109278739808/photos/a.198208763596526.49151.180109278739808/394237357326998/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="http://web.archive.org/web/20170224161409/https://www.facebook.com/180109278739808/photos/a.198208763596526.49151.180109278739808/394237357326998/"&gt;http://web.archive.org/web/20170224161409/https://www.facebook.com/180109278739808/photos/a.198208763596526.49151.180109278739808/394237357326998/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>En primer término una mujer joven roba la bolsa de un joven al que besa. Al fondo, a la derecha, mujer vieja de aspecto celestinesco con instrumento musical. Debajo una inscirpición en latín: "Sic Hispana Venus loculos excantat amando. Sic fucata rapit basia stultus amans." ( Así encanta la Venus española sus cubículos amando. Así roba el estúpido amante besos fingidos). &#13;
&#13;
Otro título: A Spanish feast</text>
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                <text>&lt;span&gt;Encontrado en&amp;nbsp;&lt;/span&gt;&lt;span&gt;Sotheby's:&lt;br /&gt;&lt;a href="http://www.sothebys.com/en/auctions/ecatalogue/lot.624.html/2015/master-paintings-19th-century-european-art-n09459"&gt;http://www.sothebys.com/en/auctions/ecatalogue/lot.624.html/2015/master-paintings-19th-century-european-art-n09459&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:%27A_Banquet_Scene,_An_Allegory_on_Love_and_Lust%27_by_Hieronymus_Francken_I.jpg"&gt;https://commons.wikimedia.org/wiki/File:%27A_Banquet_Scene,_An_Allegory_on_Love_and_Lust%27_by_Hieronymus_Francken_I.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160801073501/https://commons.wikimedia.org/wiki/File:'A_Banquet_Scene,_An_Allegory_on_Love_and_Lust'_by_Hieronymus_Francken_I.jpg"&gt;https://web.archive.org/web/20160801073501/https://commons.wikimedia.org/wiki/File:'A_Banquet_Scene,_An_Allegory_on_Love_and_Lust'_by_Hieronymus_Francken_I.jpg&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Esta pintura representa la historia bíblica del hijo pródigo en la casa de las prostitutas. La pintura representa una escena de banquete con mujeres jóvenes y sus clientes. Fíjese en la mujer mayor de la izquierda que actúa como alcahueta y supervisa a la joven pareja.</text>
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                <text>Otro título: Sueño con cosquillas.&#13;
&#13;
En la imagen aparece una pareja durmiendo en una escena de burdel. Una mujer vieja que actúa como alcahueta se encuentra al lado del cliente y le arrima un objeto a la cara para despertarlo. </text>
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                <text>Galer&amp;iacute;a Nacional, Londres, Inglaterra.&lt;br /&gt;&lt;a href="https://www.nationalgallery.org.uk/paintings/hendrick-pot-a-merry-company-at-table"&gt;https://www.nationalgallery.org.uk/paintings/hendrick-pot-a-merry-company-at-table&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160808101314/https://www.nationalgallery.org.uk/paintings/hendrick-pot-a-merry-company-at-table"&gt;https://web.archive.org/web/20160808101314/https://www.nationalgallery.org.uk/paintings/hendrick-pot-a-merry-company-at-table&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventorio:&amp;nbsp;&lt;span&gt;NG1278&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Encontrado en "The Whore, the Bawd, and the Artist: The Reality and Imagery of Seventeenth-Century Dutch Prostitution" de&amp;nbsp;&lt;span&gt;Lotte C. van der Pol en&amp;nbsp;&lt;/span&gt;&lt;em&gt;Journal of Historians of Netherlandish Art&lt;/em&gt; Vol. 2.1-2.&amp;nbsp;&lt;span&gt;DOI:&amp;nbsp;&lt;/span&gt;&lt;a href="https://doi.org/10.5092/jhna.2010.2.1.3"&gt;10.5092/jhna.2010.2.1.3&lt;/a&gt;&amp;nbsp;www.jhna.org. Junio 15, 2016. (Figura 15).&lt;br /&gt;&lt;a href="http://www.jhna.org/index.php/past-issues/volume-2-issue-1-2/116-the-whore-the-bawd-and-the-artist"&gt;http://www.jhna.org/index.php/past-issues/volume-2-issue-1-2/116-the-whore-the-bawd-and-the-artist&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200301153414/https://jhna.org/articles/whore-bawd-artist-reality-imagery-seventeenth-century-dutch-prostitution/"&gt;https://web.archive.org/web/20200301153414/https://jhna.org/articles/whore-bawd-artist-reality-imagery-seventeenth-century-dutch-prostitution/&lt;/a&gt;</text>
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                <text>Una habitación con una mesa con un mantel rojo. A la izquierda, una mujer joven cerca de un hombre y a su lado una mujer vieja que parece que actúe como una alcahueta. </text>
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                <text>&lt;span&gt;Encontrado en el sitio web www.invaluable.com el 24 de enero 2022:&lt;br /&gt;&lt;a href="https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee"&gt;https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220125013605/https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee"&gt;https://web.archive.org/web/20220125013605/https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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Dimensiones: 26.5 × 34.2 cm</text>
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                <text>En la imagen aparece una mujer vieja con la cabeza tapada cogiendo monedas que están encima de una mesa mientras con la otra mano abre un cofre que contiene monedas. A la derecha aparece una pareja de jóvenes, la mujer coge de la mano al joven mientras éste mira las monedas y mete la otra mano en un bolso. Por el titulo se entiende que la mujer vieja actúa de alcahueta de la joven y el joven de su cliente. </text>
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                <text>Título completo: Bordellszene, die junge Frau bietet den im Hintergrund stehenden Freiern ein Glas Wein an, die Kupplerin umklammert mit einer erotischen Geste den Flaschenhals ("Escena de burdel, la joven ofrece a los pretendientes de pie en el fondo una copa de vino, la alcahueta agarrando el cuello de la botella con un gesto erótico").&#13;
&#13;
El cuadro representa una escena típica con tema celestinesco, en la que aparecen una mujer joven, una vieja y un un hombre. La mujer vieja actúa como alcahueta como se puede ver en el título. </text>
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                <text>&lt;p&gt;Encontrado en www.liveinternet.ru. El 23 de febrero 2017.&lt;/p&gt;&#13;
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Otro título: Estudios de figuras</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Estatua en bronce de mujer mayor y una placa con los amantes Calisto y Melibea en la escena del halcón. El siguiente fragmento sacado del texto de la obra se ha grabado debajo: 'Soy una vieja cual Dios me hizo, no peor que todas …. Si bien o mal vivo, Dios es el testigo de mi corazón (&lt;em&gt;Celestina&lt;/em&gt;, acto XII).' Nótese que se ha suprimido entre las dos frases un párrafo que enfatiza su actividad profesional: 'Vivo de mi oficio, como cada cual oficial del suyo, muy limpiamente. A quien no me quiere no lo busco; de mi casa me vienen a sacar, en mi casa me ruegan de Celestina'.&lt;br /&gt;&lt;br /&gt;Se puede ver video explicativo en&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=b4Z2xDYRPWc"&gt;https://www.youtube.com/watch?v=b4Z2xDYRPWc&lt;/a&gt;</text>
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                <text>En 2014 se instaló otra versión de esta estatua en el teatro Juan del Enzina en la Universidad de Salamanca Más información &lt;a href="https://web.archive.org/web/20140222005855/http://www.europapress.es/castilla-y-leon/noticia-escultura-celestina-dara-bienvenida-espectadores-teatro-juan-enzina-salamanca-20140218172029.html"&gt;aquí&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Otras obras que también se situan o inspiran en el jardín de Melibea en Salamanca incluyen:&amp;nbsp;&lt;/span&gt;&lt;span&gt;&lt;a href="http://celestinavisual.org/items/show/3285"&gt;Cupón de lotería de la ONCE El Huerto de Calixto y Melibea, Ayuntamiento de Salamanca (2017)&lt;/a&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2200"&gt;Fotoserie&amp;nbsp;&lt;em&gt;La historia de Melibea,&amp;nbsp;&lt;/em&gt;de Constantinou (2014, c.)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/2199"&gt;Foto en el Huerto de Calixto y Melibea, de Culla (2016)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/3280"&gt;"El vuelo de Calixto" Ensoñación artística para el Jardín de Melibea en Salamanca, de d’Ors (2010)&lt;/a&gt; y&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2912"&gt;Representación del programa turístico-cultural Salamanca Plazas y Patios, Salamanca (2017)&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>Retrato de una mujer vieja.</text>
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                <text>The Metropolitan Museum of Art, Nueva York, Estados Unidos Encontrado el 30 de agosto, 2017 &lt;br /&gt;&lt;a href="https://www.metmuseum.org/art/collection/search/336022"&gt;https://www.metmuseum.org/art/collection/search/336022&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200616185130/https://www.metmuseum.org/art/collection/search/336022"&gt;https://web.archive.org/web/20200616185130/https://www.metmuseum.org/art/collection/search/336022&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;/span&gt;56.648.40&lt;br /&gt;&lt;br /&gt;Imagen de&amp;nbsp;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg"&gt;https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200616185427/https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg"&gt;https://web.archive.org/web/20200616185427/https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg&lt;/a&gt;</text>
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                <text>Etiqueta que representa una inusual imagen de una Celestina con la parte inferior del cuerpo como una culebra enrollada a un matraz y enarbolando una flecha a manera de lanza, flanqueada por las palabras "carpe diem". &lt;br /&gt;Debajo, el nombre del vino: &lt;em&gt;La Celestina&lt;/em&gt; y la fecha aparecen entre comillas. Las palabras de Celestina durante la invitaci&amp;oacute;n del acto IX "Sub&amp;iacute; para descender, florec&amp;iacute; para secarme, goc&amp;eacute; para entristecerme, nac&amp;iacute; para vivir, viv&amp;iacute; para crecer, crec&amp;iacute; para envejecer, envejec&amp;iacute; para morirme".</text>
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                <text>Botella de vino de la Ribera del Duero a la venta por 9.90 Euros en 2014. &lt;br /&gt;&lt;a href="https://elgustoporelvino.com/shop/d-o-ribera-del-duero-2/la-celestina/"&gt;https://elgustoporelvino.com/shop/d-o-ribera-del-duero-2/la-celestina/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripci&amp;oacute;n comercial: "La Celestina 2014 es un Vino Tinto de la Denominaci&amp;oacute;n de Origen Ribera del Duero elaborado por Atalayas de Golb&amp;aacute;n con uva Tinto Fino (Tempranillo). La uva procede de vi&amp;ntilde;edos con edades comprendidas entre los 60 y 80 a&amp;ntilde;os que est&amp;aacute;n asentados sobre suelos franco-arenoso con cantos en superficie y con fondo arcilloso calc&amp;aacute;reo. Este vino tiene una crianza de 12 meses en barrica de roble franc&amp;eacute;s, de la cual el 30% como m&amp;iacute;nimo es nueva. " &lt;br /&gt;"Con vistas a Somosierra, el monte de Urbi&amp;oacute;n y el Moncayo, las vi&amp;ntilde;as est&amp;aacute;n en lo que tiempo atr&amp;aacute;s fue el arroyo de Golb&amp;aacute;n, y conviven con &amp;aacute;rboles, hierbas arom&amp;aacute;ticas, como el tomillo y el romero, huertas, setas, y animales. Un ecosistema que luego se trasladar&amp;aacute; al vino por pura interacci&amp;oacute;n de todos los elementos. Y es que en esta bodega se ha optado por la elaboraci&amp;oacute;n biodin&amp;aacute;mica. La edad de las cepas no baja de los 60 a&amp;ntilde;os, junto a otras tantas que superan el siglo y medio, y el 80% son pre-filox&amp;eacute;ricas."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190319034338/http://elgustoporelvino.com/shop/d-o-ribera-del-duero-2/la-celestina/"&gt;https://web.archive.org/web/20190319034338/http://elgustoporelvino.com/shop/d-o-ribera-del-duero-2/la-celestina/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;SKU:&amp;nbsp;&lt;/span&gt;&lt;span class="sku"&gt;2214638&lt;/span&gt;</text>
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                <text>Etiqueta del vino Tempranillo Melibea, de Vinos Melibea (2024)</text>
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                <text>Etiqueta de vino que representa a Melibea de forma colorida. Diferentes tipos y colores de flores representan su cabello y cuerpo, con mariposas volando de sus dedos. </text>
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                <text>Botella de vino tinto tempranillo, vendida por 8,48 euros en 2024.&lt;a href="https://www.vinello.fr/tempranillo-melibea?number=74410-ES-RW-TE-00101-23.1"&gt;https://www.vinello.fr/tempranillo-melibea?number=74410-ES-RW-TE-00101-23.1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción comercial: "en el vidrio, el Tempranillo-Melibea exhibe un luminoso remolino rojo rubí, un aroma complejo se eleva. Las frambuesas maduras y las grosellas rojas son claramente evidentes. Una nota balsámica completa recuerda al delicado vinagre balsámico, maderas finas y un toque de eucalipto. Sutiles toques de cereza, hierbas secas y un toque de vainilla redondean la nariz" &lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20260129205850/https%3A%2F%2Fwww.vinello.fr%2Ftempranillo-melibea%3Fnumber%3D74410-ES-RW-TE-00101-23.1"&gt;https://web.archive.org/web/20260129205850/https%3A%2F%2Fwww.vinello.fr%2Ftempranillo-melibea%3Fnumber%3D74410-ES-RW-TE-00101-23.1&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;em&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>&lt;p id="firstHeading" class="firstHeading" lang="es"&gt;Galería Nacional de Arte de Karlsruhe, Alemania&lt;br /&gt;&lt;a href="https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/"&gt;https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201226144651/https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/"&gt;https://web.archive.org/web/20201226144651/https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;152&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg"&gt;https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200626174022/https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg"&gt;https://web.archive.org/web/20200626174022/https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;También en Wikipedia:&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/Genre_art#/media/File:Jan_Sanders_van_Hemessen_002.jpg"&gt;https://en.wikipedia.org/wiki/Genre_art#/media/File:Jan_Sanders_van_Hemessen_002.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200624232701/https://en.wikipedia.org/wiki/Genre_art"&gt;https://web.archive.org/web/20200624232701/https://en.wikipedia.org/wiki/Genre_art&lt;/a&gt;&lt;/p&gt;&#13;
Véase artículo &lt;br /&gt;&lt;span style="color: #990000;"&gt;Lotte C. van de Pol, "The Whore, the Bawd, and the Artist: The Reality and Imagery of Seventeenth-Century Dutch Prostitution,"&lt;em&gt;&amp;nbsp;JHNA&lt;/em&gt;&amp;nbsp;2:1-2 (2010), DOI: 10.5092/jhna.2010.2.1.3&lt;/span&gt;</text>
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                <text>Pintura holandesa, genre painting or merry company.  &#13;
Nótese la vieja en primer término con la jarra de vino o cerveza.&#13;
&#13;
Título original: Lockere Gesellschaft&#13;
Otro título: Escena de burdel</text>
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                <text>Encontrado en la página web de Trajes Medievales:&lt;br /&gt;&lt;a href="https://www.trajes-medievales.com/gb/faldas-medievales-y-regionales--sayas--refajos--sayas-de-baile-/353-26017-saya-celestina-color-7.html"&gt;https://www.trajes-medievales.com/gb/faldas-medievales-y-regionales--sayas--refajos--sayas-de-baile-/353-26017-saya-celestina-color-7.html&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20231029003926/https://www.trajes-medievales.com/gb/faldas-medievales-y-regionales--sayas--refajos--sayas-de-baile-/353-26017-saya-celestina-color-7.html"&gt;https://web.archive.org/web/20231029003926/https://www.trajes-medievales.com/gb/faldas-medievales-y-regionales--sayas--refajos--sayas-de-baile-/353-26017-saya-celestina-color-7.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Referencia: &lt;span&gt;SYLCC7&lt;/span&gt;</text>
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                <text>Falda saya medieval a cuadros azules descrita como "La Celestina" de confección artesanal distribuida por Trajes Medievales Mari Carmen Milián Repullés, Teruel, España.</text>
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                  <text>Encontrado en www.behance.net el 29 de mayo 2017.&lt;br /&gt;&lt;a href="https://www.behance.net/gallery/19531345/Fernando-de-Rojas-Selestina"&gt;https://www.behance.net/gallery/19531345/Fernando-de-Rojas-Selestina&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20170613155052/https://www.behance.net/gallery/19531345/Fernando-de-Rojas-Selestina"&gt;https://web.archive.org/web/20170613155052/https://www.behance.net/gallery/19531345/Fernando-de-Rojas-Selestina&lt;/a&gt;</text>
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                <text>Encontrado en www. malditoinsolente.com. El 31 de octubre 2016. &lt;a href="http://www.malditoinsolente.com/index.php/hablemos/insolentes/elogio-del-rebuzno/6538-huerto-de-calixto-y-melibea-2"&gt;http://www.malditoinsolente.com/index.php/hablemos/insolentes/elogio-del-rebuzno/6538-huerto-de-calixto-y-melibea-2&lt;br /&gt;&lt;br /&gt;&lt;/a&gt; Página&amp;nbsp;del blog del 2 de noviembre de 2016: &lt;br /&gt;&lt;a href="https://web.archive.org/web/20161102140627/http://www.malditoinsolente.com/index.php"&gt;https://web.archive.org/web/20161102140627/http://www.malditoinsolente.com/index.php&lt;/a&gt;</text>
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                <text>&lt;span&gt;Otras obras que también se situan o inspiran en el jardín de Melibea en Salamanca incluyen:&amp;nbsp;&lt;/span&gt;&lt;span&gt;&lt;a href="http://celestinavisual.org/items/show/3285"&gt;Cupón de lotería de la ONCE El Huerto de Calixto y Melibea, Ayuntamiento de Salamanca (2017)&lt;/a&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/59"&gt;Estatua de la Celestina en el Huerto de Calisto y Melibea, Salamanca, de Casillas (1976)&lt;/a&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2200"&gt;Fotoserie&amp;nbsp;&lt;em&gt;La historia de Melibea,&amp;nbsp;&lt;/em&gt;de Constantinou (2014, c.)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/3280"&gt;"El vuelo de Calixto" Ensoñación artística para el Jardín de Melibea en Salamanca, de d’Ors (2010)&lt;/a&gt; y&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2912"&gt;Representación del programa turístico-cultural Salamanca Plazas y Patios, Salamanca (2017)&lt;/a&gt;.&lt;/span&gt;</text>
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