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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>The Cleveland Museum of Art, the USA&lt;br /&gt;&lt;a href="https://www.clevelandart.org/art/2001.47"&gt;https://www.clevelandart.org/art/2001.47&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archived in:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191229005850/https://www.clevelandart.org/art/2001.47"&gt;https://web.archive.org/web/20191229005850/https://www.clevelandart.org/art/2001.47&lt;/a&gt;</text>
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                <text>Sansón tomado por los filisteos en la casa de Delila, de Bonnet (1767)</text>
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                <text>La imagen representa la escena b&amp;iacute;blica de los filisteos tomando Sans&amp;oacute;n en casa de Delila. Ambos personajes aparecen desnudos solamente cubiertos por una t&amp;uacute;nica.&amp;nbsp;&lt;span&gt;N&amp;oacute;tese la criada que aparece a la izquierda cerca de Delila. La criada se parece a la alcahueta representada en el cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit decapitando a Holofernes, de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>Aguafuerte y grabado a la tiza impreso en blanco y negro sobre papel azul.&#13;
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                <text>El Museo de Arte de Cleveland, EEUU&lt;br /&gt;&lt;a href="https://www.clevelandart.org/art/1968.23"&gt;https://www.clevelandart.org/art/1968.23&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200812151331/https://www.clevelandart.org/art/1968.23"&gt;https://web.archive.org/web/20200812151331/https://www.clevelandart.org/art/1968.23&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;1968.23&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Samson_et_Dalila.JPG"&gt;https://commons.wikimedia.org/wiki/File:Samson_et_Dalila.JPG&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200819221210/https://commons.wikimedia.org/wiki/File:Samson_et_Dalila.JPG"&gt;https://web.archive.org/web/20200819221210/https://commons.wikimedia.org/wiki/File:Samson_et_Dalila.JPG&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Óleo sobre lienzo.&#13;
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                <text>Este cuadro representa la famosa escena b&amp;iacute;blica de Dalila cort&amp;aacute;ndole el pelo a Sans&amp;oacute;n. N&amp;oacute;tese la criada que aparece a la izquierda sosteniendo la vela en la escena. La criada se parece a la alcahueta representada en el cuadro de &lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit decapitando a Holofernes, de Caravaggio (1598, c.)&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Ayuntamiento de la Puebla de Montalbán</text>
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                <text>Ciudad Noticias, Castilla la Mancha (18 agosto 2020):&lt;br /&gt;&lt;a href="https://ciudadnoticias.es/el-festival-celestina-se-adapta-a-la-pandemia-para-celebrar-una-nueva-edicion-del-21-al-23-de-agosto/"&gt;https://ciudadnoticias.es/el-festival-celestina-se-adapta-a-la-pandemia-para-celebrar-una-nueva-edicion-del-21-al-23-de-agosto/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200818213717/https://ciudadnoticias.es/el-festival-celestina-se-adapta-a-la-pandemia-para-celebrar-una-nueva-edicion-del-21-al-23-de-agosto/"&gt;https://web.archive.org/web/20200818213717/https://ciudadnoticias.es/el-festival-celestina-se-adapta-a-la-pandemia-para-celebrar-una-nueva-edicion-del-21-al-23-de-agosto/&lt;/a&gt;</text>
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                <text>Poster anunciador del Festival Celestina 2020, donde se representarán obras de varios artistas, entre otras, las obras de Teo Puebla. </text>
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                <text>Representación de la parábola del hijo pródigo en la casa de las prostitutas. Observe a la anciana o la alcahueta en el lado derecho de la pintura cuando el hijo pródigo es expulsado de la casa. Observe el loro enjaulado en la puerta (segunda imagen ampliada), usado para indicar desde el exterior que era un burdel.</text>
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                <text>&lt;span&gt;Museo de Historia del Arte, Viena, Austria.&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.khm.at/de/object/491442df5f/" target="_top"&gt;www.khm.at/de/object/491442df5f/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180516112343/https://www.khm.at/objektdb/detail/1203/"&gt;https://web.archive.org/web/20180516112343/https://www.khm.at/objektdb/detail/1203/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de registro:&amp;nbsp;&lt;/span&gt;&lt;span&gt;Gemäldegalerie, 986&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:Meister_des_Verlorenen_Sohnes_-_Das_Gleichnis_vom_Verlorenen_Sohn.jpg"&gt;https://en.wikipedia.org/wiki/File:Meister_des_Verlorenen_Sohnes_-_Das_Gleichnis_vom_Verlorenen_Sohn.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200718160116/https://en.wikipedia.org/wiki/File:Meister_des_Verlorenen_Sohnes_-_Das_Gleichnis_vom_Verlorenen_Sohn.jpg"&gt;https://web.archive.org/web/20200718160116/https://en.wikipedia.org/wiki/File:Meister_des_Verlorenen_Sohnes_-_Das_Gleichnis_vom_Verlorenen_Sohn.jpg&lt;/a&gt;</text>
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Escenario: Giacomo Andricò&#13;
VHS: 135 min.&#13;
Vestuario: Anne Marie Heindreich&#13;
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&#13;
Intérpretes: &#13;
Isa Danieli (Celestina) (1937, 62 años)&#13;
Pia Lanciotti (Melibea) (1974, 25 años)&#13;
Sergio Albelli (Calisto) (1965, 34 años)&#13;
Daniele Griggio (Sempronio) &#13;
Peppino Mazzotta (Pármeno) (1971, 28 años)&#13;
Adriano Mottola (Sicario)&#13;
 Maria Ariis (Elicia) (1967, 32 años)&#13;
Beatrice Visibelli (Areúsa) (1966, 33 años)&#13;
Elena Carloni (Lucrezia)&#13;
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                <text>Cl&amp;aacute;sicos Espa&amp;ntilde;oles&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;ISBN 10:&lt;/strong&gt;&amp;nbsp;8496390969&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ISBN 13:&lt;/strong&gt;&amp;nbsp;9788496390966&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OCLC:&lt;/strong&gt;&amp;nbsp;628702724</text>
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                <text>N&amp;oacute;tese que el diablo toma la forma de una alcahueta que intenta tentar a San Antonio ofreci&amp;eacute;ndole una joven. El mismo pintor o su c&amp;iacute;rculo tienen otras versiones de este mismo cuadro, como la que se encuentra en National Museum of Western Art, Tokyo, y existen otras.&lt;br /&gt;&lt;br /&gt;Influido por Bosch.&amp;nbsp;&lt;br /&gt;&#13;
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&lt;p&gt;Ver CUTTLER, CHARLES D.&amp;nbsp;&lt;em&gt;The Temptations Of Saint Anthony In Art From Earliest Times To The First Quarter Of The Sixteenth-century&lt;/em&gt;, New York University, Ann Arbor, 1952&lt;em&gt;. ProQuest&lt;/em&gt;,&amp;nbsp;&lt;a href="http://uml.idm.oclc.org/login?url=https://search-proquest-com.uml.idm.oclc.org/docview/301981968?accountid=14569."&gt;http://uml.idm.oclc.org/login?url=https://search-proquest-com.uml.idm.oclc.org/docview/301981968?accountid=14569.&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Imagen 1 encontrada en la página web de la Cartelera de Teatro de México:&lt;br /&gt;&lt;a href="https://carteleradeteatro.mx/2019/la-celestina-el-reflejo-de-una-vision-creadora-y-sensible/"&gt;https://carteleradeteatro.mx/2019/la-celestina-el-reflejo-de-una-vision-creadora-y-sensible/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20240530212204/https://carteleradeteatro.mx/2019/la-celestina-el-reflejo-de-una-vision-creadora-y-sensible/"&gt;https://web.archive.org/web/20240530212204/https://carteleradeteatro.mx/2019/la-celestina-el-reflejo-de-una-vision-creadora-y-sensible/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imágenes 2-9 encontradas en la página web Entretenia. Artículo por&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="author" itemprop="author"&gt;Juan Carlos Araujo, el 6 de junio, 2019 como crítica Sala Héctor Mendoza:&lt;br /&gt;&lt;a href="https://entretenia.com/la-celestina/"&gt;https://entretenia.com/la-celestina/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20230324153120/https://entretenia.com/la-celestina/"&gt;https://web.archive.org/web/20230324153120/https://entretenia.com/la-celestina/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imágenes 10-13 encontradas en la página web del Periódico Correo:&lt;br /&gt;&lt;a href="https://periodicocorreo.com.mx/la-celestina-una-obra-vigente/"&gt;https://periodicocorreo.com.mx/la-celestina-una-obra-vigente/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190609120510/https://periodicocorreo.com.mx/la-celestina-una-obra-vigente/"&gt;https://web.archive.org/web/20190609120510/https://periodicocorreo.com.mx/la-celestina-una-obra-vigente/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imágenes 14-15 encontradas en la página web del INBAL (Instituto Nacional de Bellas Artes y Literatura):&lt;br /&gt;&lt;a href="https://inba.gob.mx/prensa/12368/la-celestina-se-presentar-aacute-en-la-primera-edici-oacuten-de-liber-festival-en-le-oacuten"&gt;https://inba.gob.mx/prensa/12368/la-celestina-se-presentar-aacute-en-la-primera-edici-oacuten-de-liber-festival-en-le-oacuten&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20240617051114/https://inba.gob.mx/prensa/12368/la-celestina-se-presentar-aacute-en-la-primera-edici-oacuten-de-liber-festival-en-le-oacuten"&gt;https://web.archive.org/web/20240617051114/https://inba.gob.mx/prensa/12368/la-celestina-se-presentar-aacute-en-la-primera-edici-oacuten-de-liber-festival-en-le-oacuten&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imagen 16 encontrada en la página web Cartelera de Teatro de México:&lt;br /&gt;&lt;a href="https://carteleradeteatro.mx/2019/la-celestina/"&gt;https://carteleradeteatro.mx/2019/la-celestina/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20240805190414/https://carteleradeteatro.mx/2019/la-celestina/"&gt;https://web.archive.org/web/20240805190414/https://carteleradeteatro.mx/2019/la-celestina/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imágenes 17-18 encontradas en la página web del INBAL (Instituto Nacional de Bellas Artes y Literatura):&lt;br /&gt;&lt;a href="https://inba.gob.mx/prensa/13824/la-celestinacon-version-de-rosenda-monteros-llegara-al-teatro-del-bosquejulio-castillo"&gt;https://inba.gob.mx/prensa/13824/la-celestinacon-version-de-rosenda-monteros-llegara-al-teatro-del-bosquejulio-castillo&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20230904212346/https://inba.gob.mx/prensa/13824/la-celestinacon-version-de-rosenda-monteros-llegara-al-teatro-del-bosquejulio-castillo"&gt;https://web.archive.org/web/20230904212346/https://inba.gob.mx/prensa/13824/la-celestinacon-version-de-rosenda-monteros-llegara-al-teatro-del-bosquejulio-castillo&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imagen 19 encontrada en la página web del INBAL (Instituto Nacional de Bellas Artes y Literatura):&lt;br /&gt;&lt;a href="https://inba.gob.mx/Actividad/8432"&gt;https://inba.gob.mx/Actividad/8432&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20250125202653/https://inba.gob.mx/Actividad/8432"&gt;https://web.archive.org/web/20250125202653/https://inba.gob.mx/Actividad/8432&lt;/a&gt;</text>
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                <text>Se pueden ver todos en Bildindex der Kunst and Architektur&lt;br /&gt;&lt;a href="https://www.bildindex.de/document/obj30128624"&gt;https://www.bildindex.de/document/obj30128624&lt;br /&gt;&lt;/a&gt;Archivafos en&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/save/https://www.bildindex.de/document/obj30128624"&gt;https://web.archive.org/save/https://www.bildindex.de/document/obj30128624&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;Parece que faltan algunas de las im&amp;aacute;genes del total.&lt;br /&gt;&lt;br /&gt;</text>
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1851 (Imagen 2)</text>
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&#13;
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                <text>&lt;span&gt;Imagen 1:&lt;br /&gt;Hamburger Kunsthalle&lt;/span&gt;, Hamburgo, Alemania&lt;br /&gt;&lt;a href="https://www.hamburger-kunsthalle.de/"&gt;https://www.hamburger-kunsthalle.de/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Fundación Goya en Aragón&lt;br /&gt;&lt;a href="https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072"&gt;https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;/span&gt;&lt;a href="https://web.archive.org/save/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072"&gt;https://web.archive.org/save/https://fundaciongoyaenaragon.es/obra/maja-y-celestina-esperando-debajo-de-un-arco/1072&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imagen 2:&lt;br /&gt;&lt;span&gt;Museo Lázaro Galdiano&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en www.ceres.mcu.es:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://ceres.mcu.es/pages/Viewer?accion=4&amp;amp;AMuseo=MLGM&amp;amp;Ninv=10617"&gt;http://ceres.mcu.es/pages/Viewer?accion=4&amp;amp;AMuseo=MLGM&amp;amp;Ninv=10617&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;10617&lt;/span&gt;</text>
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                <text>Imagen 1:&#13;
Aguada, tinta china, sobre papel.&#13;
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&#13;
Imagen 2:&#13;
Tinta aguada sobre papel verjurado.&#13;
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>Episodio de la expulsión del hijo pródigo de la casa de las prostitutas. Obsérvese la alcahueta en la escalinata. Es parte de una serie de cinco grabados de este episodio bíblico, pero es el único que presenta una alcahueta. Influyó en el cuadro de Murillo del mismo tema.&lt;br /&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Otros títulos: La ruina, El Hijo Pródigo está arruinado (&lt;/span&gt;&lt;/span&gt;L'Enfant Prodigue est ruiné).&lt;/p&gt;</text>
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                <text>Galeria Nacional de Victoria, Melburne&lt;br /&gt;&lt;a href="https://www.ngv.vic.gov.au/explore/collection/work/41060/"&gt;https://www.ngv.vic.gov.au/explore/collection/work/41060/&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/save/https://www.ngv.vic.gov.au/explore/collection/work/41060/"&gt;https://web.archive.org/save/https://www.ngv.vic.gov.au/explore/collection/work/41060/&lt;/a&gt;</text>
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                <text>Grabado.&#13;
Dimensiones: 6.2 × 8.2 cm (plato), 6.5 × 8.6 cm (hoja)</text>
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                <text>Murillo, Bartolomé Esteban (1617-1682)</text>
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                <text>1660, c.</text>
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                <text>En la parte izquierda en la sombra se deja entrever un personaje de aspecto celestinesco.  &#13;
&#13;
Véase TAGGARD, MINDY NANCARROW. “A Source for the Interpretation of Murillo’s ‘Parable of the Prodigal Son’: The Golden Age Stage.” RACAR: Revue d’art Canadienne / Canadian Art Review, vol. 14, no. 1/2, 1987, pp. 90–95. &#13;
Dorival, Bernard. “Callot, Modèle de Murillo.” La Revue Des Arts, 1951, pp. 94–101.&#13;
&#13;
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: left;"&gt;&amp;nbsp;&lt;br /&gt;&lt;span class="searchword"&gt;Tragicomedia&lt;/span&gt;&lt;span&gt;&amp;nbsp;de Calisto y melibea. Enla q̄l se cōtiene de mas de su agradable  dulce estilo muchas sentēncias filosofales:  auisosmuy necessarios a mācebos ...  nueuamente añadido el tractado de Centurio. Medina del Campo, sin fecha. 1530?? o 1541??&lt;br /&gt;&lt;br /&gt;25 ilustraciones más una de portada. La mayoría factotums.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Probablemente posterior a 1530, incluso de 1541, ya que las imágenes parecen copias poco cuidadas de la edición de la versión en verso Sedeño de La Celestina publicada en &lt;a href="http://celestinavisual.org/exhibits/show/salamanca1540"&gt;Salamanca, 1540&lt;/a&gt;, por Pedro de Castro. Sin embargo las dos podrían ser copia de una versión perdida anterior.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Marciales, I, p. 8 la atribuye tentaivamente a Pedro Tovans, 1541.&lt;br /&gt;&lt;br /&gt;Hay un ejemplar en la Biblioteca Nacional R3801 y otro en la British Library, del que se reproducen aquí las imágenes.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://explore.bl.uk/BLVU1:LSCOP-ALL:BLL01000573931"&gt;Ficha en la British Library, &lt;/a&gt;&lt;span class="EXLDetailsDisplayVal"&gt;&lt;a href="http://explore.bl.uk/BLVU1:LSCOP-ALL:BLL01000573931"&gt;243.a.8&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;Por cortesía de la Britsh Library y Amaranta Saguar.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>1530</text>
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                <text>Ilustración primera del acto 14 de Medina del Campo, 1530</text>
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                <text>Factotums de Meliba, Lucrecia y Calisto</text>
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