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                    <text>La Inquisición o El santo oficio, de Goya (1820)</text>
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                  <text>Cuadros y grabados con alcahuetas</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text> El santo oficio o La Inquisición, de Goya (1820, c.)</text>
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                <text>Goya, Francisco José de (1746-1828)</text>
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                <text>Metodo mitxo en mural transferido a lienzo.&#13;
Este cuadro está en exhibición en el Museo del Prado, en la colleción de "pinturas negras", la descripción del cuadro previsto por el museo en la exhibición describe a las mujeres dibujadas como "vestido de la manera de las viejas alcahuetas."</text>
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                <text>Museo del Prado, Madrid &lt;br /&gt;&lt;a href="https://www.museodelprado.es/coleccion/obra-de-arte/el-santo-oficio/00d854fa-9279-477b-b82d-219602d3f3a1"&gt;https://www.museodelprado.es/coleccion/obra-de-arte/el-santo-oficio/00d854fa-9279-477b-b82d-219602d3f3a1&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200608150555/https://www.museodelprado.es/coleccion/obra-de-arte/el-santo-oficio/00d854fa-9279-477b-b82d-219602d3f3a1"&gt;https://web.archive.org/web/20200608150555/https://www.museodelprado.es/coleccion/obra-de-arte/el-santo-oficio/00d854fa-9279-477b-b82d-219602d3f3a1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Foto usada encontrada en el sitio:&amp;nbsp;&lt;a href="http://pasionpormadrid.blogspot.com.es/2012/05/peregrinacion-la-fuente-de-san-isidro.html"&gt;http://pasionpormadrid.blogspot.com.es/2012/05/peregrinacion-la-fuente-de-san-isidro.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200608151341/https://www.pasionpormadrid.com/2012/05/peregrinacion-la-fuente-de-san-isidro.html"&gt;https://web.archive.org/web/20200608151341/https://www.pasionpormadrid.com/2012/05/peregrinacion-la-fuente-de-san-isidro.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;P000755&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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Dimensiones: 127 × 266 cm</text>
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                <text>Galeria Nacional de Arte, Washington, EEUU &lt;br /&gt;&lt;a href="https://www.nga.gov/collection/art-object-page.7452.html"&gt;https://www.nga.gov/collection/art-object-page.7452.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200609194908/https://www.nga.gov/collection/art-object-page.7452.html"&gt;https://web.archive.org/web/20200609194908/https://www.nga.gov/collection/art-object-page.7452.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en www.artsy.net. El 14 de febrero 2017.&lt;br /&gt;&lt;a href="https://www.artsy.net/artwork/francisco-de-goya-quien-mas-rendido-which-of-them-is-the-more-overcome"&gt;https://www.artsy.net/artwork/francisco-de-goya-quien-mas-rendido-which-of-them-is-the-more-overcome&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200609193937/https://www.artsy.net/artwork/francisco-de-goya-quien-mas-rendido-which-of-them-is-the-more-overcome"&gt;https://web.archive.org/web/20200609193937/https://www.artsy.net/artwork/francisco-de-goya-quien-mas-rendido-which-of-them-is-the-more-overcome&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;1943.3.4711.aa&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Aguafuerte, aguatinta y punta seca.&#13;
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>Encontrado en Celestinesca, 1987, Vol. 11, Num. 1, p. 52. El 30 de septiembre 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;</text>
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                <text>"El vuelo de Calixto" Ensoñación artística para el Jardín de Melibea en Salamanca, de d’Ors (2010)</text>
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                <text>d’Ors, Esperanza (1949-)&#13;
Castelló, Chema (Fotógrafo)</text>
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                <text>Con permiso de la autora. </text>
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                <text>Descripción de la obra por parte de la autora: "Como habrá podido ver en mi web trabajo a partir de la mitología considerando dicha fuente inacabable para la reflexión sobre lo que somos y las aspiraciones latentes de todo ser humano. Es decir como arquetipos de comportamiento humano. De todos mis mitos que siempre permanecen abiertos, Ícaro ha sido el que ha tenido mejor acogida a lo largo ya de cuarenta años de esculturas. Ícaro somos todos porque queremos volar con nuestros sueños. Y como dice Borges &lt;br /&gt;"No habrá nunca una puerta &lt;br /&gt;Estas adentro, y el alcázar abarca el universo &lt;br /&gt;Y no tiene anverso ni reverso &lt;br /&gt;Ni estrecho muro &lt;br /&gt;Ni secreto centro." El deseo de volar del que nos habla también Foucault... &lt;br /&gt;Como los griegos creo que el arte es público o no es, por lo que centro mis esfuerzos en la introducción de esculturas en la cuidad contemporánea. Visité Salamanca y el Jardín de Melibea y realicé esta ensoñación que titulé "El vuelo de Calixto," conocedora del trágico final de dicha pareja. Nunca se ha realizado como obra pública pero si se vendieron los 6 originales del boceto pequeño fundido en bronce." (Correspondencia particular con la autora). &lt;br /&gt;&lt;br /&gt;Para más información, véase: &lt;a href="https://www.laescena.es/lo-que-yace-en-la-ciudad/"&gt;https://www.laescena.es/lo-que-yace-en-la-ciudad/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210102124748/https://www.laescena.es/lo-que-yace-en-la-ciudad/"&gt;https://web.archive.org/web/20210102124748/https://www.laescena.es/lo-que-yace-en-la-ciudad/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Web de la autora: &lt;a href="http://www.esperanzadors.com/biografia.html"&gt;http://www.esperanzadors.com/biografia.html&lt;/a&gt;</text>
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                <text>&lt;span&gt;Otras obras que también se situan o inspiran en el jardín de Melibea en Salamanca incluyen:&amp;nbsp;&lt;/span&gt;&lt;span&gt;&lt;a href="http://celestinavisual.org/items/show/3285"&gt;Cupón de lotería de la ONCE El Huerto de Calixto y Melibea, Ayuntamiento de Salamanca (2017)&lt;/a&gt;,&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/59"&gt;Estatua de la Celestina en el Huerto de Calisto y Melibea, Salamanca, de Casillas (1976)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/2200"&gt;Fotoserie&amp;nbsp;&lt;em&gt;La historia de Melibea,&amp;nbsp;&lt;/em&gt;de Constantinou (2014, c.)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/2199"&gt;Foto en el Huerto de Calixto y Melibea, de Culla (2016)&lt;/a&gt; y&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2912"&gt;Representación del programa turístico-cultural Salamanca Plazas y Patios, Salamanca (2017)&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>Ilustraci&amp;oacute;n en la edici&amp;oacute;n de Marcel Andrade, ilustrado por G. Armstrong, en &lt;em&gt;Celestinesca&lt;/em&gt;, vol. 11, num. 1, p. 50-52.</text>
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                <text>Encontrado en&amp;nbsp;&lt;em&gt;Celestinesca&lt;/em&gt;, 1987, vol. 11, num. 1, p. 65. El 30 de septiembre 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf"&gt;https://web.archive.org/web/20180504043431/http://parnaseo.uv.es/Celestinesca/Numeros/1987/VOL%2011/NUM%201/NUM%201.pdf&lt;/a&gt;</text>
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                    <text>&lt;span&gt;Imagen de la obra "Los polvos de la madre Celestina", Teatro Español, Madrid, 1922, remozada por&amp;nbsp;&lt;/span&gt;&lt;span&gt;Angel&amp;nbsp;&lt;/span&gt;&lt;span&gt;Torres del Alamo y&amp;nbsp;&lt;/span&gt;&lt;span&gt;Antonio&amp;nbsp;&lt;/span&gt;&lt;span&gt;Asenjo, q&lt;/span&gt;&lt;span&gt;ue aparece en la&amp;nbsp;&lt;/span&gt;&lt;span&gt;Crítica teatral en&amp;nbsp;&lt;em&gt;ABC&lt;/em&gt;, Madrid titulada "Informaciones y noticias teatrales: "Los polvos de la madre Celestina"",&amp;nbsp;&lt;/span&gt;&lt;span&gt;el 21 de diciembre de 1922.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Autor: Juan Eugenio&amp;nbsp;&lt;/span&gt;&lt;span&gt;Hartzenbusch&lt;/span&gt;&lt;span&gt;&lt;br /&gt;Refundición de: Angel Torres del Alamo y&amp;nbsp;Antonio&amp;nbsp;Asenjo&lt;br /&gt;Escenografía: Fernando Mignoni&lt;br /&gt;&lt;br /&gt;Elenco: Fernando Porredón, Josefina Roca, Mercedes Sampedro y Rafael y Luis Calvo.&lt;br /&gt;&lt;br /&gt;Foto: Duque&lt;/span&gt;</text>
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                    <text>&lt;span&gt;Centro de apoyo a la investigación, de la Fundación Juan March:&lt;br /&gt;&lt;a href="https://abnopac.march.es/abnopac/abnetcl.exe?TITN=145128"&gt;https://abnopac.march.es/abnopac/abnetcl.exe?TITN=145128&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20221205015148/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=145128"&gt;https://web.archive.org/web/20221205015148/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=145128&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Encontrado en la página web del Festival Celestina - La España de Rojas:&lt;br /&gt;&lt;a href="https://festivalcelestina.com/obras-teatro/melibea-nueve/"&gt;https://festivalcelestina.com/obras-teatro/melibea-nueve/&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20221211205134/https://festivalcelestina.com/obras-teatro/melibea-nueve/"&gt;https://web.archive.org/web/20221211205134/https://festivalcelestina.com/obras-teatro/melibea-nueve/&lt;/a&gt;</text>
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                <text>Parte de un tr&amp;iacute;ptico, este cuadro representa a una joven seguida o requerida por una mujer mayor de tipo de alcahueta. El resto del triptico se puede ver en &lt;a href="https://commons.wikimedia.org/wiki/File:T%C3%B3th_Beauty,_Money,_Mind_C_1894.jpg"&gt;https://commons.wikimedia.org/wiki/File:T%C3%B3th_Beauty,_Money,_Mind_C_1894.jpg&lt;/a&gt;</text>
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                <text>&lt;p&gt;Obra de Alonso Jer&amp;oacute;nimo de Salas Barbadillo llevada a la pantalla chica en la miniserie &lt;em&gt;Las p&amp;iacute;caras&lt;/em&gt; de Televisi&amp;oacute;n Espa&amp;ntilde;ola. Serie con elementos de corte er&amp;oacute;tico y amoroso. &lt;br /&gt;&lt;br /&gt;Adaptaci&amp;oacute;n libre: Emilio Romero&lt;br /&gt;Productor: Jos&amp;eacute; Frade &lt;br /&gt;Director de producci&amp;oacute;n: Jos&amp;eacute; Sarcedo&lt;br /&gt;Vestuario: Gumersindo Andr&amp;eacute;s&lt;br /&gt;Decoraci&amp;oacute;n: Jos&amp;eacute; Luis Galicia&lt;br /&gt;M&amp;uacute;sica: Teddy Bautista&lt;br /&gt;Montaje: Mercedes Alonso&lt;br /&gt;Fotograf&amp;iacute;a: Jorge Herrero&lt;/p&gt;&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                <text>Encontrado en: &lt;a href="http://movie.mtime.com/60143/posters_and_images/1319262/"&gt;http://movie.mtime.com/60143/posters_and_images/1319262/&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200610170845/http://movie.mtime.com/60143/posters_and_images/1319262/"&gt;https://web.archive.org/web/20200610170845/http://movie.mtime.com/60143/posters_and_images/1319262/&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Pa&amp;iacute;s:&lt;/strong&gt; Espa&amp;ntilde;a &lt;br /&gt;&lt;strong&gt;Producci&amp;oacute;n:&lt;/strong&gt; Lolafilms, Iberoamericana Films y Sogetel &lt;br /&gt;&lt;strong&gt;Productores:&lt;/strong&gt; Andr&amp;eacute;s Vicente G&amp;oacute;mez, Antonio Saura y Fernando Garcill&amp;aacute;n. &lt;br /&gt;&lt;strong&gt;Gui&amp;oacute;n:&lt;/strong&gt; Rafael Azcona, Gerardo Vera, Fernando de Rojas &lt;br /&gt;&lt;strong&gt;Duraci&amp;oacute;n&lt;/strong&gt;: 92 mins. &lt;br /&gt;&lt;strong&gt;Formato:&lt;/strong&gt; Film.&lt;br /&gt;&lt;strong&gt;G&amp;eacute;nero:&lt;/strong&gt; Drama.&lt;br /&gt; &lt;strong&gt;Fotograf&amp;iacute;a:&lt;/strong&gt; Jos&amp;eacute; Luis L&amp;oacute;pez Linares.&lt;br /&gt;&lt;strong&gt;Edici&amp;oacute;n:&lt;/strong&gt; Pedro del Rey.&lt;br /&gt; &lt;strong&gt;M&amp;uacute;sica:&lt;/strong&gt; Alejandro Mas&amp;oacute;.&lt;br /&gt; &lt;strong&gt;Sonido:&lt;/strong&gt; Miguel Rejas.&lt;br /&gt;&lt;strong&gt;Dise&amp;ntilde;o:&lt;/strong&gt; Ana Alvar Gonz&amp;aacute;lez.&lt;br /&gt; &lt;strong&gt;Reparto:&lt;/strong&gt; &lt;br /&gt;Pen&amp;eacute;lope Cruz (1974, 22 a&amp;ntilde;os) (Melibea) &lt;br /&gt;Terele P&amp;aacute;vez (1939, 57 a&amp;ntilde;os) (Celestina) &lt;br /&gt;Juan Diego Botto (1975, 21 a&amp;ntilde;os) (Calisto) &lt;br /&gt;Maribel Verd&amp;uacute; (1970, 26 a&amp;ntilde;os) (Are&amp;uacute;sa)&lt;br /&gt; Jordi Moll&amp;agrave; (1968, 28 a&amp;ntilde;os) (P&amp;aacute;rmeno) &lt;br /&gt;Nacho Novo (1958, 38 a&amp;ntilde;os) (Sempronio) &lt;br /&gt;Nathalie Sese&amp;ntilde;a (1967, 29 a&amp;ntilde;os) (Lucrecia) &lt;br /&gt;Carlos Fuentes (1976, 20 a&amp;ntilde;os) (Sosia) &lt;br /&gt;Candela Pe&amp;ntilde;a (1973, 23 a&amp;ntilde;os) (Elicia) &lt;br /&gt;Anna Lizaran (1944,52 a&amp;ntilde;os) (Alisa) &lt;br /&gt;Sergio Villanueva (1972, 24 a&amp;ntilde;os) (Trist&amp;aacute;n) &lt;br /&gt;&amp;Aacute;ngel de Andr&amp;eacute;s L&amp;oacute;pez (1951, 45 a&amp;ntilde;os) (Centurio) &lt;br /&gt;Llu&amp;iacute;s Homar (1957, 39 a&amp;ntilde;os) (Pleberio) &lt;br /&gt;Ana Risue&amp;ntilde;o (1969, 27 a&amp;ntilde;os) (Poncia) &lt;br /&gt;Rodrigo Garc&amp;iacute;a (1959, 37 a&amp;ntilde;os) (Crito)</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                <text>Kinopoisk: &lt;br /&gt;&lt;a href="https://www.kinopoisk.ru/film/18863/%20"&gt;https://www.kinopoisk.ru/film/18863/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160801104115/https://www.kinopoisk.ru/film/18863/"&gt;https://web.archive.org/web/20160801104115/https://www.kinopoisk.ru/film/18863/&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Pa&amp;iacute;s:&lt;/strong&gt; Espa&amp;ntilde;a &lt;br /&gt;&lt;strong&gt;Producci&amp;oacute;n:&lt;/strong&gt; Lolafilms, Iberoamericana Films y Sogetel &lt;br /&gt;&lt;strong&gt;Productores:&lt;/strong&gt; Andr&amp;eacute;s Vicente G&amp;oacute;mez, Antonio Saura y Fernando Garcill&amp;aacute;n. &lt;br /&gt;&lt;strong&gt;Gui&amp;oacute;n:&lt;/strong&gt; Rafael Azcona, Gerardo Vera, Fernando de Rojas &lt;br /&gt;&lt;strong&gt;Duraci&amp;oacute;n&lt;/strong&gt;: 92 mins. &lt;br /&gt;&lt;strong&gt;Formato:&lt;/strong&gt; Film.&lt;br /&gt;&lt;strong&gt;G&amp;eacute;nero:&lt;/strong&gt; Drama.&lt;br /&gt; &lt;strong&gt;Fotograf&amp;iacute;a:&lt;/strong&gt; Jos&amp;eacute; Luis L&amp;oacute;pez Linares.&lt;br /&gt;&lt;strong&gt;Edici&amp;oacute;n:&lt;/strong&gt; Pedro del Rey.&lt;br /&gt; &lt;strong&gt;M&amp;uacute;sica:&lt;/strong&gt; Alejandro Mas&amp;oacute;.&lt;br /&gt; &lt;strong&gt;Sonido:&lt;/strong&gt; Miguel Rejas.&lt;br /&gt;&lt;strong&gt;Dise&amp;ntilde;o:&lt;/strong&gt; Ana Alvar Gonz&amp;aacute;lez.&lt;br /&gt; &lt;strong&gt;Reparto:&lt;/strong&gt; &lt;br /&gt;Pen&amp;eacute;lope Cruz (1974, 22 a&amp;ntilde;os) (Melibea) &lt;br /&gt;Terele P&amp;aacute;vez (1939, 57 a&amp;ntilde;os) (Celestina) &lt;br /&gt;Juan Diego Botto (1975, 21 a&amp;ntilde;os) (Calisto) &lt;br /&gt;Maribel Verd&amp;uacute; (1970, 26 a&amp;ntilde;os) (Are&amp;uacute;sa)&lt;br /&gt; Jordi Moll&amp;agrave; (1968, 28 a&amp;ntilde;os) (P&amp;aacute;rmeno) &lt;br /&gt;Nacho Novo (1958, 38 a&amp;ntilde;os) (Sempronio) &lt;br /&gt;Nathalie Sese&amp;ntilde;a (1967, 29 a&amp;ntilde;os) (Lucrecia) &lt;br /&gt;Carlos Fuentes (1976, 20 a&amp;ntilde;os) (Sosia) &lt;br /&gt;Candela Pe&amp;ntilde;a (1973, 23 a&amp;ntilde;os) (Elicia) &lt;br /&gt;Anna Lizaran (1944,52 a&amp;ntilde;os) (Alisa) &lt;br /&gt;Sergio Villanueva (1972, 24 a&amp;ntilde;os) (Trist&amp;aacute;n) &lt;br /&gt;&amp;Aacute;ngel de Andr&amp;eacute;s L&amp;oacute;pez (1951, 45 a&amp;ntilde;os) (Centurio) &lt;br /&gt;Llu&amp;iacute;s Homar (1957, 39 a&amp;ntilde;os) (Pleberio) &lt;br /&gt;Ana Risue&amp;ntilde;o (1969, 27 a&amp;ntilde;os) (Poncia) &lt;br /&gt;Rodrigo Garc&amp;iacute;a (1959, 37 a&amp;ntilde;os) (Crito)</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                    <text>&lt;span&gt;Imagen de la página web de La Locandiera teatro:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://lalocandierateatro.es/enelc/"&gt;http://lalocandierateatro.es/enelc/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20230529222818/http://lalocandierateatro.es/enelc/"&gt;https://web.archive.org/web/20230529222818/http://lalocandierateatro.es/enelc/&lt;/a&gt;</text>
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                    <text>Encontrado en &lt;span&gt;la página web de Archivell.es:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.archivell.es/2022/06/esto-no-es-la-celestina.html"&gt;https://www.archivell.es/2022/06/esto-no-es-la-celestina.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20230327165217/https://www.archivell.es/2022/06/esto-no-es-la-celestina.html"&gt;https://web.archive.org/web/20230327165217/https://www.archivell.es/2022/06/esto-no-es-la-celestina.html&lt;/a&gt;</text>
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&lt;li&gt;&lt;a href="http://hdl.loc.gov/loc.gmd/g3200m.gct00128a"&gt;http://hdl.loc.gov/loc.gmd/g3200m.gct00128a&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="http://hdl.loc.gov/loc.gmd/g3200m.gct00128b"&gt;http://hdl.loc.gov/loc.gmd/g3200m.gct00128b&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="http://hdl.loc.gov/loc.gmd/g3200m.gct00128c"&gt;http://hdl.loc.gov/loc.gmd/g3200m.gct00128c&lt;/a&gt;&lt;/li&gt;&#13;
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&#13;
Otro título: Kuppeleiszene</text>
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                <text>A la venta en www.amazon.com. Junio 15, 2016. &lt;a href="https://www.amazon.com/Framed-Print-Louys-bilitis-1894/dp/B00HS6SQCI/182-6517939-6353136?ie=UTF8&amp;amp;*Version*=1&amp;amp;*entries*=0"&gt;https://www.amazon.com/Framed-Print-Louys-bilitis-1894/dp/B00HS6SQCI/182-6517939-6353136?ie=UTF8&amp;amp;*Version*=1&amp;amp;*entries*=0&lt;/a&gt;</text>
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                <text>Mueso de Arte de Philadelphia, Philadelphia, EEUU. El 26 de Octubre 2016.&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.philamuseum.org/collections/permanent/77191.html?mulR=864417504|1"&gt;https://www.philamuseum.org/collections/permanent/77191.html?mulR=864417504|1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200609162048/https://www.philamuseum.org/collections/permanent/77191.html?mulR=864417504|1"&gt;https://web.archive.org/web/20200609162048/https://www.philamuseum.org/collections/permanent/77191.html?mulR=864417504|1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;1985-52-11124&lt;/span&gt;&lt;/span&gt;</text>
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                <text>&lt;span&gt;Encontrado en la página web www.invaluable.com el 29 de enero, 2022:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.invaluable.com/auction-lot/wellenstein-walter-dortmund-berlin-1898-1970-304-c-53b41e680c"&gt;https://www.invaluable.com/auction-lot/wellenstein-walter-dortmund-berlin-1898-1970-304-c-53b41e680c&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220129210951/https://www.invaluable.com/auction-lot/wellenstein-walter-dortmund-berlin-1898-1970-304-c-53b41e680c"&gt;https://web.archive.org/web/20220129210951/https://www.invaluable.com/auction-lot/wellenstein-walter-dortmund-berlin-1898-1970-304-c-53b41e680c&lt;/a&gt;</text>
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                <text>Encontrado en la página web MutualArt:&lt;br /&gt;&lt;a href="https://www.mutualart.com/Artwork/PROCURESS/9C5B10F2E339E6EE"&gt;https://www.mutualart.com/Artwork/PROCURESS/9C5B10F2E339E6EE&lt;/a&gt;</text>
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                <text>Aunque es un claro caso de Vanitas, con la calavera, el espejo y las pompas de jabón, el personaje de la mujer que la peina lleva un tocado orientalizante común en retratos de alcahuetas en la pintura holandesa de la época. Además, la joven contempla un anillo que parece ser un regalo de un pretendiente. Los instrumentos en la pared, sobre todo el laud, palabra que en holandés significaba también vagina, así como las flautas y clarinetes con resonancias fálicas apuntan a un subtexto sexual.</text>
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                <text>&lt;span&gt;Städel Museum, Frankfurt am Main.&lt;br /&gt;&lt;a href="https://sammlung.staedelmuseum.de/en/work/merry-company"&gt;https://sammlung.staedelmuseum.de/en/work/merry-company&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20230130074612/https://sammlung.staedelmuseum.de/en/work/merry-company"&gt;https://web.archive.org/web/20230130074612/https://sammlung.staedelmuseum.de/en/work/merry-company&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: 1587&lt;/span&gt;</text>
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                <text>La imagen muestra una escena de exterior donde hombres y mujeres jóvenes aparecen alrededor de una mesa en una terraza. Nótese la mujer vieja que aparece en el centro con la cabeza cubierta siguiendo la tradición celestinesca que puede tratarse de la alcahueta de las jóvenes.</text>
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                <text>Escena inspirada en la tradición del hijo pródigo. Influencias de Caravaggio. &lt;br /&gt;&lt;br /&gt;"La pintura de género de Honthorst se relaciona con el tema retratado por su compañero Utrecht Caravaggisti. Representa una escena provocativa de un estudiante desenfrenado (¿el hijo pródigo?) en compañía de dos prostitutas y una alcahueta que lleva un bebé. Las páginas de un inmenso folio abierto sobre la mesa están brillantemente iluminadas por la luz de las velas, al igual que el torso semidesnudo de la prostituta tocando el theorbo. Una de las páginas ilustra a un hombre mayor y un niño desnudo, probablemente Cupido, golpeando a una mujer que sostiene un libro grande. La página opuesta muestra un poema en latín." (Descripción traducida de&amp;nbsp;la&amp;nbsp;Galería de Arte de la Web,&amp;nbsp;&lt;a href="https://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;https://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;&lt;span&gt;,&amp;nbsp;Archivado en:&amp;nbsp;&lt;/span&gt;&lt;a href="https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;&lt;span&gt;&lt;span&gt;)&lt;br /&gt;&lt;br /&gt;Otro título: &lt;/span&gt;&lt;/span&gt;Der liederliche Student</text>
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                <text>&lt;span&gt;Bayerische Staatsgemäldesammlungen - Alte Pinakothek München, Alemania&lt;br /&gt;&lt;a href="https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo"&gt;https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210610192218/https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo/gerard-van-honthorst/der-liederliche-student"&gt;https://web.archive.org/web/20210610192218/https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo/gerard-van-honthorst/der-liederliche-student&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Número de inventorio: &lt;span&gt;391&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la Galería de Arte de la Web:&lt;br /&gt;&lt;a href="http://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;http://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;</text>
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                <text>Encontrado en la página web MutualArt:&lt;br /&gt;&lt;a href="https://www.mutualart.com/Artwork/Liebespaar-mit-Kupplerin/ECEEBC66ACE854E2"&gt;https://www.mutualart.com/Artwork/Liebespaar-mit-Kupplerin/ECEEBC66ACE854E2&lt;/a&gt;</text>
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                <text>Titulo original: Liebespaar mit kupplerin ("Amantes con alcahueta").&#13;
&#13;
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&#13;
En la imagen aparecen tres figuras, una pareja de jóvenes donde el hombre se acerca a la joven mientras esta se aparta y una mujer vieja detrás de ellos. Por el título del cuadro se entiende que el trio representa a prostituta, cliente y alcahueta. </text>
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                <text>Encontrado en www.artnet.com. El 8 de Noviembre 2016.&amp;nbsp;&lt;a href="http://www.artnet.com/artists/gerrit-van-honthorst/old-woman-counting-money-allegory-of-avarice-KOrD4hAJhQ7hBq27N1miRg2"&gt;http://www.artnet.com/artists/gerrit-van-honthorst/old-woman-counting-money-allegory-of-avarice-KOrD4hAJhQ7hBq27N1miRg2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200609165459/http://www.artnet.com/artists/gerrit-van-honthorst/old-woman-counting-money-allegory-of-avarice-KOrD4hAJhQ7hBq27N1miRg2"&gt;https://web.archive.org/web/20200609165459/http://www.artnet.com/artists/gerrit-van-honthorst/old-woman-counting-money-allegory-of-avarice-KOrD4hAJhQ7hBq27N1miRg2&lt;/a&gt;</text>
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                <text>Óleo sobre lienzo. &#13;
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                    <text>&lt;span&gt;Anuncio del calendario de &lt;/span&gt;&lt;i&gt;Los polvos de la madre Celestina&lt;/i&gt;&lt;span&gt;, de Blanquel (1857)&lt;/span&gt;</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>&lt;p class="x_MsoNormal"&gt;&lt;i&gt;&lt;span lang="ES-MX"&gt;Diario de Avisos&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span lang="ES-MX"&gt;del 28 de enero de 1857, México.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="x_MsoNormal"&gt;&lt;span lang="ES"&gt;Encontrado en la Hemeroteca Nacional Digital de México, &lt;span&gt;Universidad Nacional Autónoma de México (UNAM)&lt;/span&gt;:&lt;br /&gt;&lt;a href="http://www.hndm.unam.mx/consulta/resultados/visualizar/558a32ef7d1ed64f168d3ebe?resultado=62&amp;amp;tipo=pagina&amp;amp;intPagina=4&amp;amp;palabras=los_polvos_de_la_madre_celestina" target="_blank" rel="noopener noreferrer" data-auth="NotApplicable" data-linkindex="0"&gt;http://www.hndm.unam.mx/consulta/resultados/visualizar/558a32ef7d1ed64f168d3ebe?resultado=62&amp;amp;tipo=pagina&amp;amp;intPagina=4&amp;amp;palabras=los_polvos_de_la_madre_celestina&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="x_MsoNormal"&gt;&lt;span lang="ES"&gt;Identificado por Laurette Godinas&lt;br /&gt;&lt;br /&gt;Ver también como referencia a los calendarios Mexicanos y la reproducción del anuncio el libro Mexicanos en su tinta: Calendarios, de Isabel Quiñónez. &lt;span&gt;&lt;em&gt;Calendario histórico, 1858&lt;/em&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;Editado por Instituto Nacional de Antropología e Historia. México D. F.: Colección Obra Diversa, 1994. ISBN968-29-3777-9. Encontrado en &lt;span&gt;Mediateca INAH (Instituto Nacional de Antropología e Historia) &lt;/span&gt;de México:&lt;br /&gt;&lt;a href="https://mediateca.inah.gob.mx/repositorio/islandora/object/libro%3A506"&gt;https://mediateca.inah.gob.mx/repositorio/islandora/object/libro%3A506&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;/p&gt;</text>
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                <text>La imagen es probablemente una litografía de una escena de la obra representada en el Gran Teatro Nacional (de México), de la que se dice que se incluyen seis escenas de magia en este calendario (calendario de &lt;i&gt;Los polvos de la madre Celestina&lt;/i&gt;) anunciado a la venta en este periódico (Diario de Avisos) por el impresor Simón Blanquel.</text>
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                <text>&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;br /&gt;&lt;a href="https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;© The Trustees of The British Museum&lt;br /&gt;Número de activo: 562293001&lt;br /&gt;Número del museo: 1914,0214.233&lt;br /&gt;&lt;/span&gt;</text>
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                <text>"Escena nocturna de interior, con Apolo, disfrazado de la anciana Eurinome, acariciando la barbilla de Leucótea; en marco ornamentado, con cabezas de Diana y Apolo, impresas de una placa separada" (Descripción traducida de &lt;span&gt;El Museo Británico, Londres, Reino Unido, &lt;a href="https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;, Archivado en: &lt;a href="https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233"&gt;https://web.archive.org/web/20210507151538/https://www.britishmuseum.org/collection/object/P_1914-0214-233&lt;/a&gt;)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Según el mito de Leucótea, Apolo se enamora de la joven. Éste se transforma en la madre de&amp;nbsp;Leucótea (Eurinome) y entra en su habitación para seducirla. Después del encuentro, Clitia, que estaba enamorada de Apolo, cuenta la aventura al padre de Leucótea quien entierra a la joven y eventualmente Leucótea se convierte en un girasol.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;La imagen, recuerda a la escena de Areúsa y Celestina. Puesto que en este caso Apolo hace de mujer vieja y hombre para seducir a la joven, es un caso curioso de pretendiente y Celestina en un solo personaje.</text>
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                    <text>&lt;em&gt;Are&amp;uacute;sa, P&amp;aacute;rmeno y Celestina,&amp;nbsp;&lt;/em&gt;de Acedo (2008 c.)</text>
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                  <text>&lt;p&gt;Cuadros y grabados inspirados en &lt;em&gt;La Celestina &lt;/em&gt;o con la palabra "celestina"&lt;/p&gt;</text>
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                <text>Por gentileza de Wendy Lee-Warne.&lt;br /&gt;&lt;a href="http://wendyleewarne.com/blogpost/2015/05/25/blue"&gt;http://wendyleewarne.com/blogpost/2015/05/25/blue&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190207235217/http://wendyleewarne.com/blogpost/2015/05/25/blue"&gt;https://web.archive.org/web/20190207235217/http://wendyleewarne.com/blogpost/2015/05/25/blue&lt;/a&gt;</text>
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                <text>ELENCO&#13;
baile	Shoji kojima&#13;
Cristian Lozano&#13;
Tamara López&#13;
Pablo Fraile&#13;
Francisco Morgado&#13;
Ángel Sánchez Fariña&#13;
&#13;
Ballet Shoji Kojima Flamenco:&#13;
Chiharu Okano, Kanako Maeda, Ayumi Yanagiya&#13;
Harumitsu Seki, Tomoya Matsuda&#13;
Satoyo Kamata, Etsuko Kiuchi, Tamaki Kinoshita&#13;
Yumiko Kojima, Yoko Saito, Moegi Hata&#13;
Ayako Obayashi, Haruna Kubota, Yayoi Seki&#13;
Junko Takeuchi, Konomi Tsumori, Mitsuko Hamamoto&#13;
cante	Pedro Obregón, El Londro&#13;
guitarra	Chicuelo, Salva de María&#13;
violín	Olvido Lanza&#13;
violoncello	Lito Iglesias&#13;
percusión	Pedro Manuel Navarro Grimaldi&#13;
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                  <text>Libre adaptación de la historia de La Celestina a formato de comedia italiana&#13;
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Guión: Sandro De Feo, Massimo Franciosa, Carlo Lizzani, Luigi Magni, Assia Noris, Girogio Stegani&#13;
Duración: 105 mins.&#13;
Formato: Película en B/N&#13;
Género: Comedia&#13;
Música: Piero Umiliani&#13;
Fotografía: Oberdan Trojani&#13;
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                <text>Imagen de Amazon Italia www.amazon.it.com:&lt;br /&gt;&lt;a href="https://www.amazon.it/Celestina-Nico-Fidenco/dp/B01F2MLK18/ref=sr_1_72?ie=UTF8&amp;amp;qid=1494771136&amp;amp;sr=8-72&amp;amp;keywords=la+celestina"&gt;https://www.amazon.it/Celestina-Nico-Fidenco/dp/B01F2MLK18/ref=sr_1_72?ie=UTF8&amp;amp;qid=1494771136&amp;amp;sr=8-72&amp;amp;keywords=la+celestina&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200618163908/https://www.amazon.it/Celestina-Nico-Fidenco/dp/B01F2MLK18/ref=sr_1_72?ie=UTF8&amp;amp;qid=1494771136&amp;amp;sr=8-72&amp;amp;keywords=la+celestina"&gt;https://web.archive.org/web/20200618163908/https://www.amazon.it/Celestina-Nico-Fidenco/dp/B01F2MLK18/ref=sr_1_72?ie=UTF8&amp;amp;qid=1494771136&amp;amp;sr=8-72&amp;amp;keywords=la+celestina&lt;/a&gt;</text>
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                <text>Disco de vinilo. &#13;
Etiqueta: RCA &#13;
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                  <text>Adaptaci&amp;oacute;n teatral para programa de televisi&amp;oacute;n &lt;br /&gt;&lt;strong&gt;Producci&amp;oacute;n:&lt;/strong&gt; TVE (Teatro de siempre).&lt;br /&gt; &lt;strong&gt;Gui&amp;oacute;n:&lt;/strong&gt; Fernando Rojas, &lt;strong&gt;adaptaci&amp;oacute;n&lt;/strong&gt; de Jos&amp;eacute; Vila Selma. &lt;strong&gt;Duraci&amp;oacute;n:&lt;/strong&gt; 122 mins. &lt;br /&gt;&lt;strong&gt;Formato:&lt;/strong&gt; Teatro para la televisi&amp;oacute;n.&lt;br /&gt; &lt;strong&gt;G&amp;eacute;nero:&lt;/strong&gt; Drama.&lt;br /&gt; &lt;strong&gt;M&amp;uacute;sica (de la &amp;eacute;poca):&lt;/strong&gt; Alejandro Mass&amp;oacute; (conductor) y Marta Santa-Olalla (selecci&amp;oacute;n de m&amp;uacute;sica). Interpretaci&amp;oacute;n por la Agrupaci&amp;oacute;n Antigua de Madrid. &lt;br /&gt;&lt;strong&gt;Sonido:&lt;/strong&gt; Pedro G. Horrillo. &lt;br /&gt;&lt;strong&gt;Maquillaje:&lt;/strong&gt; Goyo. &lt;br /&gt;&lt;strong&gt;Vestuario:&lt;/strong&gt; Pilar S. Muro. &lt;br /&gt;&lt;strong&gt;Reparto:&lt;/strong&gt; &lt;br /&gt;Francisco Guijar (Calixto) &lt;br /&gt;Lolita Herrera (1935, 32 a&amp;ntilde;os) (Melibea) &lt;br /&gt;Julio Mu&amp;ntilde;oz (Sempronio) &lt;br /&gt;Lola Gaos (1921, 46 a&amp;ntilde;os) (Celestina)&lt;br /&gt; Gloria Lafuente (Elicia) &lt;br /&gt;Francisco Portes (1940, 27 a&amp;ntilde;os) (P&amp;aacute;rmeno) &lt;br /&gt;Asunci&amp;oacute;n Villamil (1926, 41 a&amp;ntilde;os) (Lucrecia) &lt;br /&gt;Mar&amp;iacute;a Rus (Alisa) &lt;br /&gt;Manuel Pe&amp;ntilde;a (Tristanico) &lt;br /&gt;Rafael D&amp;iacute;az (Sosia)&lt;br /&gt;Mari Paz Y&amp;aacute;&amp;ntilde;ez (Are&amp;uacute;sa) &lt;br /&gt;Mario Moreno (Pleberio)</text>
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                  <text>Derechos reservados TVE&#13;
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                <text>Celestina (Lola Gaos) bebiendo vino y contándole a Elicia (Gloria Lafuente) sus  buenos tiempos. Curiosamente en esta versión se ha suprimido, quizá por razones de censura, el banquete y sus aspecto orgiásitico e irreverente.</text>
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