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                <text>Grabdo inglés cuyo  título completo es "The Harlot´s Nurse or Modern Procuress". Incluye 8 líneas en verso: "Behold the practis'd Baud explore, / The Nymph from head to foot all O'er, / For Cupers whom shes dress'd w'th Care, / (A bait to Catch some Money'd Heir) / etc."  (véase la imagen para el resto).&#13;
&#13;
El grabado contiene una cortesana vistiéndose con ayuda de una mujer mayor que es identificada en la imagen como su criada o alcahueta. Se incluye un gato jugando con un ratón y dos cuadros en el fondo en la pared, uno de Danae y otros de una mujer con los pechos desnudos y una ardilla en la mano,</text>
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                <text>Library of Congress, Call Number: PC 3 - 1750 - Harlots nurse&#13;
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                <text>En la imagen aparece una joven sentada en una silla y un joven sentado delante de ella y cogiéndola de la mano. Al lado de la joven aparece una mujer vieja con la cabeza tapada y con su mano en el hombro de la joven. Por el título del cuadro se entiende que la mujer vieja actúa de alcahueta de la joven y el joven es su cliente. </text>
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                <text>En la imagen aparece una escena de interior donde una mujer joven aparece de pie al lado de una mesa y mirando al espectador. A sus pies un perro. Al lado de la joven aparece un hombre de pie. En la mesa se encuentran sentados dos hombres mirando a la joven. Delante de los hombres aparece una mujer vieja sentada con la cabeza tapada de espaldas al espectador y que mira a la joven. Por el titulo del cuadro se entiende que la mujer vieja actúa de alcahueta de la joven y que la está presentando a los clientes. </text>
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                <text>Encontrado en Artnet www.artnet.com. Junio 14, 2016. &lt;a href="http://www.artnet.com/artists/leonardo-alenza-y-nieto/jeune-femme-au-balcon-Da6O5UxkBK_S3nK2Y8aVew2"&gt;http://www.artnet.com/artists/leonardo-alenza-y-nieto/jeune-femme-au-balcon-Da6O5UxkBK_S3nK2Y8aVew2&lt;/a&gt;</text>
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                <text>Lugar desconocido. &lt;br /&gt;&lt;br /&gt;Para m&amp;aacute;s informaci&amp;oacute;n, consulte al art&amp;iacute;culo de Rachel Schmidt: "Celestinas y majas en la obra de Goya, Alenza y Lucas Vel&amp;aacute;squez." &lt;em&gt;Celestinesca&lt;/em&gt;, 39 (2015): 275-328.&amp;nbsp;&lt;span&gt;Figura 1, p. 304.&lt;/span&gt;&lt;br /&gt;&lt;a href="http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf"&gt;https://web.archive.org/web/20180429075512/http://parnaseo.uv.es/Celestinesca/Celestinesca39/08_Schmidt_Rachel.pdf&lt;/a&gt;</text>
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                <text>A la venta en www.amazon.com. Junio 15, 2016. &lt;a href="https://www.amazon.com/Framed-Print-Louys-bilitis-1894/dp/B00HS6SQCI/182-6517939-6353136?ie=UTF8&amp;amp;*Version*=1&amp;amp;*entries*=0"&gt;https://www.amazon.com/Framed-Print-Louys-bilitis-1894/dp/B00HS6SQCI/182-6517939-6353136?ie=UTF8&amp;amp;*Version*=1&amp;amp;*entries*=0&lt;/a&gt;</text>
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                <text>Encontrado el 19 de junio 2016 en Magnolia Box:&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.magnoliabox.com/search?q=the+return+of+the+sailor+prostitutes+proposition+a+returning&amp;amp;type=product"&gt;https://www.magnoliabox.com/search?q=the+return+of+the+sailor+prostitutes+proposition+a+returning&amp;amp;type=product&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Se vende copia en Art.com:&lt;br /&gt;&lt;a href="https://www.art.com/products/p36992987432-sa-i9638926/the-return-of-the-sailor-prostitutes-proposition-a-returning-sailor-in-a-port-city-after-an-18th.htm"&gt;https://www.art.com/products/p36992987432-sa-i9638926/the-return-of-the-sailor-prostitutes-proposition-a-returning-sailor-in-a-port-city-after-an-18th.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;36992987432A&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Seg&amp;uacute;n la descripci&amp;oacute;n en Art.com, el grabado se encuentra en el libro&amp;nbsp;&lt;span&gt;&lt;em&gt;Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart&lt;/em&gt; de Eduard Fuchs publicado en una Colecci&amp;oacute;n Privada Ken Welsh Bridgeman Images&lt;/span&gt;</text>
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                <text>Autor anónimo, atribuido a la escuela holandesa de principios del siglo XVII. &lt;br /&gt;&lt;br /&gt;En el borde aparece una atribución antigua en tiza negra que lee "Jan Boucchorst". (ver la página web Sotheby's: &lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;En la imagen aparece una escena de interior, donde una mujer joven aparece sentada en frente de una mujer vieja con garrote. La mujer vieja parece actuar de alcahueta de la joven.</text>
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                <text>Encontrado en la página web Sotheby's:&lt;br /&gt;&lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210124231121/https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://web.archive.org/web/20210124231121/https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;</text>
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&#13;
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                <text>Encontrado en la página web MutualArt:&lt;br /&gt;&lt;a href="https://www.mutualart.com/Artwork/La-alcahueta/586B85DCD79134EB"&gt;https://www.mutualart.com/Artwork/La-alcahueta/586B85DCD79134EB&lt;/a&gt;</text>
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                <text>&lt;span&gt;Centro de apoyo a la investigación, de la Fundación Juan March:&lt;br /&gt;&lt;a href="https://abnopac.march.es/abnopac/abnetcl.exe?TITN=153773"&gt;https://abnopac.march.es/abnopac/abnetcl.exe?TITN=153773&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20221202013131/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=153773"&gt;https://web.archive.org/web/20221202013131/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=153773&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>&lt;span&gt;Centro de apoyo a la investigación, de la Fundación Juan March:&lt;br /&gt;&lt;a href="https://abnopac.march.es/abnopac/abnetcl.exe?TITN=160173"&gt;https://abnopac.march.es/abnopac/abnetcl.exe?TITN=160173&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20221202023908/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=160173"&gt;https://web.archive.org/web/20221202023908/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=160173&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Caricatura &lt;span&gt;que aparece en la&amp;nbsp;&lt;/span&gt;&lt;span&gt;Crítica teatral de "La Celestina" adaptada por Camilo José Cela y dirigida por José&amp;nbsp;Tamayo en&amp;nbsp;&lt;em&gt;ABC&lt;/em&gt;, Madrid titulada "Una gran versión literaria de "La Celestina"", de &lt;/span&gt;Lorenzo &lt;span&gt;López Sancho, el 4 de febrero de 1978.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Debajo de la caricatura aparecen los nombres del adaptador, director y cinco de los actores de la representación (Camilo José Cela, José Tamayo, Terele Pávez,&amp;nbsp;&lt;/span&gt;Teresa Rabal, &lt;span&gt;I&lt;/span&gt;&lt;span&gt;rene Gutiérrez Caba, Joaquín Kremel y Paco Guijar). Puede que las caricaturas correspondan a las figuras de la representación. Nótese a la figura que representa a Celestina en el centro, que aparece con arrugas visibles en la cara y la cabeza tapada siguiendo la tradición celestinesca.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Centro de apoyo a la investigación, de la Fundación Juan March:&lt;br /&gt;&lt;a href="https://abnopac.march.es/abnopac/abnetcl.exe?TITN=200298"&gt;https://abnopac.march.es/abnopac/abnetcl.exe?TITN=200298&lt;/a&gt;: enlace inactivo en marzo de 2026&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20221203200607/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=200298"&gt;https://web.archive.org/web/20221203200607/https://abnopac.march.es/abnopac/abnetcl.exe?TITN=200298&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>&lt;span&gt;Caricatura&amp;nbsp;&lt;/span&gt;&lt;span&gt;que aparece en la&amp;nbsp;&lt;/span&gt;&lt;span&gt;Crítica teatral de "La Celestina" adaptada por Gonzalo Torrente Ballester y dirigida por Adolfo Marsillach en &lt;em&gt;ABC&lt;/em&gt;, Madrid titulada "Otra versión de "La Celestina" en el Centro Dramático Nacional", de&amp;nbsp;&lt;/span&gt;&lt;span&gt;Lorenzo&amp;nbsp;&lt;/span&gt;&lt;span&gt;López Sancho, el 19 de abril de 1988.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;En la caricatura aparecen Calixto y Melibea acompañados de Celestina. Celestina aparece sentada mirando a la pareja y con la cabeza tapada siguiendo la tradición celestinesca.&lt;/span&gt;</text>
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                <text>Encontrado en la página web MutualArt:&lt;br /&gt;&lt;a href="https://www.mutualart.com/Artwork/Liebespaar-mit-Kupplerin/ECEEBC66ACE854E2"&gt;https://www.mutualart.com/Artwork/Liebespaar-mit-Kupplerin/ECEEBC66ACE854E2&lt;/a&gt;</text>
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                <text>Titulo original: Liebespaar mit kupplerin ("Amantes con alcahueta").&#13;
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Cuadro de autor perteneciente a La Escuela Holandesa.&#13;
&#13;
En la imagen aparecen tres figuras, una pareja de jóvenes donde el hombre se acerca a la joven mientras esta se aparta y una mujer vieja detrás de ellos. Por el título del cuadro se entiende que el trio representa a prostituta, cliente y alcahueta. </text>
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                <text>&lt;span&gt;Museo Carnavalet, París, Francia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Encontrado en la página web de los museos de París:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes"&gt;https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200608030157/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes"&gt;https://web.archive.org/web/20200608030157/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Numero de inventario: P619&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg"&gt;https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210322020251/https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg"&gt;https://web.archive.org/web/20210322020251/https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg&lt;/a&gt;</text>
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                <text>Título original: "L'Enfant prodigue chez les courtisanes" ("El hijo pródigo entre las cortesanas").&#13;
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                <text>Museo Estatal de Artes Pl&amp;aacute;sticas Pushkin, Mosc&amp;uacute;, Rusia&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399"&gt;http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200505185758/http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399"&gt;https://web.archive.org/web/20200505185758/http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Encontrado en www.artnet.com. Junio 8, 2016 &lt;a href="http://www.artnet.com/artists/eugenio-lucas-vel%C3%A1zquez/la-reprimenda-the-reprimand-L6R8Mqp5NSCaMCXneRkQFA2"&gt;http://www.artnet.com/artists/eugenio-lucas-vel%C3%A1zquez/la-reprimenda-the-reprimand-L6R8Mqp5NSCaMCXneRkQFA2&lt;/a&gt;</text>
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                <text>&lt;span&gt;Museo estatal de Mainz, Mainz, Alemania.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número de inventario: 108&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Encontrado en la página web Essential Vermeer:&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;</text>
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Fresco de alcahueta negociando con un soldado. </text>
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                <text>W&amp;uuml;rzburg, Ehemalige f&amp;uuml;rstbisch&amp;ouml;fliche Residenz, Westwand, Napoleonzimmer.&lt;br /&gt;De la Deutsche Digitable Bibliotheke en l&amp;iacute;nea:&lt;br /&gt;&lt;a href="https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en"&gt;https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201224163145/https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en"&gt;https://web.archive.org/web/20201224163145/https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en&lt;/a&gt;</text>
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                <text>Ver hoja adjunta (en alemán)</text>
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                <text>&lt;span&gt;The Royal Collection Trust&lt;/span&gt;:&lt;br /&gt;&lt;a href="https://www.rct.uk/collection/991251/the-procuress"&gt;https://www.rct.uk/collection/991251/the-procuress&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220119224811/https://www.rct.uk/collection/991251/the-procuress"&gt;https://web.archive.org/web/20220119224811/https://www.rct.uk/collection/991251/the-procuress&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;RCIN 991251&lt;/span&gt;</text>
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                <text>Encontrado el 19 junio 2016 en: &lt;a href="http://amare-habeo.tumblr.com/post/115040334834/emile-bernard-french-1868-1941-three-women"&gt;http://amare-habeo.tumblr.com/post/115040334834/emile-bernard-french-1868-1941-three-women&lt;/a&gt;</text>
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                <text>Grabado en un libro sobre diferentes personajes del carnaval de  Venecia. Abajo identifica a Ruffiana, personaje de la comedia dell'arte en conversación con Pantaleone, llamado aquí el Magnifico</text>
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                <text>&lt;span&gt;Revoltella Civico Museo, Galería de Arte Moderno, Trieste, Italia.&lt;br /&gt;&lt;br /&gt;Número de inventario:&amp;nbsp;222&lt;br /&gt;&lt;br /&gt;Encontrado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.pinterest.com/pin/435934438909983842/"&gt;https://www.pinterest.com/pin/435934438909983842/&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Óleo sobre lienzo.&#13;
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                <text>&lt;p&gt;Casa Fabiola-Donación Mariano Bellver, Sevilla, España.&lt;br /&gt;&lt;br /&gt;Encontrado en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Damitas_y_estudiantes,_Gonzalo_Bilbao_Mart%C3%ADnez.jpg"&gt;https://commons.wikimedia.org/wiki/File:Damitas_y_estudiantes,_Gonzalo_Bilbao_Mart%C3%ADnez.jpg&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Encontrado en www.liveinternet.ru. El 23 de febrero 2017.&lt;/p&gt;&#13;
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                <text>&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.britishmuseum.org/collection/object/P_1838-0420-103"&gt;https://www.britishmuseum.org/collection/object/P_1838-0420-103&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210520211247/https://www.britishmuseum.org/collection/object/P_1838-0420-103"&gt;https://web.archive.org/web/20210520211247/https://www.britishmuseum.org/collection/object/P_1838-0420-103&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;© The Trustees of The British Museum&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número de activo: 226727001&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número del museo:&amp;nbsp;1838,0420.103&lt;/span&gt;</text>
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                <text>Encontrado en www.artnet.com 13 junio 2017 &lt;a href="http://www.artnet.com/artists/pieter-brueghel-the-younger/m%C3%B6nch-mit-nonne-und-kupplerin-oder-martin-luther-RqquJOVXJT8jvNTm94Rh7g2%20"&gt;http://www.artnet.com/artists/pieter-brueghel-the-younger/m%C3%B6nch-mit-nonne-und-kupplerin-oder-martin-luther-RqquJOVXJT8jvNTm94Rh7g2 &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en: &lt;br /&gt;&lt;a href="https://web.archive.org/web/20170613143935/http://www.artnet.com/artists/pieter-brueghel-the-younger/m%C3%B6nch-mit-nonne-und-kupplerin-oder-martin-luther-RqquJOVXJT8jvNTm94Rh7g2"&gt;https://web.archive.org/web/20170613143935/http://www.artnet.com/artists/pieter-brueghel-the-younger/m%C3%B6nch-mit-nonne-und-kupplerin-oder-martin-luther-RqquJOVXJT8jvNTm94Rh7g2&lt;/a&gt;</text>
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                <text>Título original: Mönch mit Nonne und Kupplerin oder Martin Luther mit seiner Gefährtin Katharina von Bora ("Monje con monja y alcahueta, o Martín Lutero con su consorte Catalina de Bora").&#13;
&#13;
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                <text>&lt;span lang="es"&gt;Atonius Mauclerc y Kohannes Theodro Bry, Nueva descripci&amp;oacute;n artificial del mundo que es un centenar de piezas de arte selectas Francofurti, 1614&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en www.emblematica.grainger.illinios.edu 13 junio 2017 &lt;br /&gt;&lt;a href="http://emblematica.grainger.illinois.edu/detail/emblem/E011744"&gt;http://emblematica.grainger.illinois.edu/detail/emblem/E011744&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Enlace permanente:&lt;br /&gt;&lt;a href="http://uri.hab.de/instance/emblem/E011744.html"&gt;http://uri.hab.de/instance/emblem/E011744.html&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200617221507/http://uri.hab.de/instance/emblem/E011744.html"&gt;https://web.archive.org/web/20200617221507/http://uri.hab.de/instance/emblem/E011744.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Emblema: E011744&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Emblema con el lema en tres lenguas:&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Latin&lt;/span&gt;: Sperne Voluptatem annalem ut retia vites, Quae certam noxam per niciema ereant. Lena, canes, pisces volucres Cupidia, porcus Quam multos multis implicuere modis. &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Alem&amp;aacute;n (Original)&lt;/span&gt;: Der wollust Netz vnd Fleisches garn Fle&amp;uuml;ch wilt nicht ims verderben fahrn Fischn, v&amp;ouml;geln, Iage vnd sonst naschen, Hat manchm gel&amp;auml;hrt sein hauss vnd taschen &lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Franc&amp;eacute;s&lt;/span&gt;: Charnelle volupt&amp;eacute; fuij tantqu`ilt`est possible: Si tu ne veux tomber en sarets tant nuissible: La chasse, &amp;amp; Friandise Maquerelle &amp;amp; Pourceau. Aplusieurs ont fait perdre la bour se: &amp;amp; le cerueau.&lt;br /&gt;&lt;br /&gt;Emblema en el libro (t&amp;iacute;tulo completo):&amp;nbsp;&lt;em&gt;Sperne Voluptatem annalem ut retia vites, Quae certam noxam per niciema ereant. Lena, canes, pisces volucres Cupidia, porcus Quam multos multis implicuere modis&lt;/em&gt;, de Jakob de Zetter (1614)&amp;nbsp;&lt;br /&gt;Disponible en:&lt;br /&gt;&lt;a href="http://opac.lbs-braunschweig.gbv.de/DB=2/PPN?PPN=656268778"&gt;http://opac.lbs-braunschweig.gbv.de/DB=2/PPN?PPN=656268778&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200617220638/http://opac.lbs-braunschweig.gbv.de/DB=2/PPN?PPN=656268778"&gt;https://web.archive.org/web/20200617220638/http://opac.lbs-braunschweig.gbv.de/DB=2/PPN?PPN=656268778&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Identificador:&amp;nbsp;&lt;span&gt;URN: urn: nbn: de: gbv: 23-drucke / 39-7-geom-2s5&lt;/span&gt;</text>
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                <text>La muerte, como una ¨tapada¨ llega a casa de un joven caballero, con todos los objetos propios de un hombre joven en la mesa. No es propiamente una alcahueta pero se conecta con el tema de prostitución por las costumbres de las prostitutas y a veces de las alcahuetas de ir tapadas.&lt;br /&gt;&lt;br /&gt;Bibliografía:&#13;
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                <text>&lt;span&gt;Cuadro de Canals, propiedad del Museo de Barcelona que aparece en la revista &lt;em&gt;La Humanitat&lt;/em&gt;, año 3, no. 406, Barcelona, 27 de febrero de 1933, página 10 (&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=34555"&gt;https://arca.bnc.cat/arcabib_pro/ca/publicaciones/verNumero.do?idNumero=34555&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Encontrado en el Arxiu de Revistes Catalanes Antigues, Biblioteca de Catalunya:&lt;br /&gt;&lt;a href="https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1068484&amp;amp;presentacion=pagina&amp;amp;posicion=10&amp;amp;registrardownload=0"&gt;https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1068484&amp;amp;presentacion=pagina&amp;amp;posicion=10&amp;amp;registrardownload=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220308212549/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1068484&amp;amp;presentacion=pagina&amp;amp;posicion=10&amp;amp;registrardownload=0"&gt;https://web.archive.org/web/20220308212549/https://arca.bnc.cat/arcabib_pro/ca/catalogo_imagenes/grupo.do?path=1068484&amp;amp;presentacion=pagina&amp;amp;posicion=10&amp;amp;registrardownload=0&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>En la imagen aparecen cinco mujeres jóvenes vestidas de forma similar. A la derecha aparecen otras tres figuras, dos hombres y una joven, con una estética diferente al de las otras jóvenes. En medio de las jóvenes aparece una mujer vieja mirando al espectador y con un garrote. La vieja recuerda a la celestina y en esta representación puede actuar de alcahueta de las otras jóvenes. La estética del cuadro recuerda a la obra de Goya y también tiene influencias japonesas. </text>
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                <text>&lt;p id="firstHeading" class="firstHeading" lang="es"&gt;Galer&amp;iacute;a Nacional de Arte Antiguo,&amp;nbsp;&lt;span&gt;Palazzo Barberini&lt;/span&gt;, Roma&lt;br /&gt;&lt;a href="https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/"&gt;https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200418183517/https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/"&gt;https://web.archive.org/web/20200418183517/https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons: &lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Judith_Beheading_Holofernes-Caravaggio_%28c.1598-9%29.jpg"&gt;https://commons.wikimedia.org/wiki/File:Judith_Beheading_Holofernes-Caravaggio_%28c.1598-9%29.jpg&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;N&amp;uacute;mero de inventario: 2533</text>
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                <text>Aunque evidentemente la criada no es una celestina o alcahueta, est&amp;aacute; representada con los rasgos t&amp;iacute;picos de este personaje. El trio mujer joven, mujer vieja y hombre es el t&amp;iacute;pico de las escenas de celestina con el cliente y la protegida. &lt;br /&gt;&lt;br /&gt;"Esta sirvienta tambi&amp;eacute;n cambia su apariencia y deberes de un per&amp;iacute;odo y de un siglo a otro, de la misma manera que Judith y David lo hacen, como veremos. En la Edad Media por lo general se la muestra como una joven doncella o mujer al lado de Judith a menudo cargando un saco; durante el Renacimiento viste ropas de moda de la &amp;eacute;poca (pero menos coloridas que las de Judith) y a menudo se la retrata como una negra o mulata al lado de su se&amp;ntilde;ora sosteniendo abierto el saco mientras Judith deposita la cabeza cortada en &amp;eacute;l. A finales de los siglos XVI y XVII, se la representa como una vieja bruja (a menudo con la apariencia de una alcahueta) o como una igual que ayuda a Judith a sujetar el cuerpo de Holofernes mientras Judith lo asesina cruelmente. En el siglo XVIII, por lo general, est&amp;aacute; detr&amp;aacute;s de Judith en un papel subsidiario, mientras que en el siglo XIX desaparece por completo de las im&amp;aacute;genes a medida que los artistas se concentran en los aspectos m&amp;aacute;s abiertamente sexuales de la historia." (Cita traducida de&amp;nbsp;&lt;span&gt;Philpot, E. (1999).&amp;nbsp;&lt;/span&gt;&lt;em&gt;A comparative study between the images of Judith and Holofernes and David and Goliath in the history of European art with special reference to the period 1400-1700.&lt;/em&gt;&lt;span&gt;&amp;nbsp;(&lt;/span&gt;&lt;span&gt;N&amp;uacute;mero de publicaci&amp;oacute;n.&lt;/span&gt;&lt;span&gt;&amp;nbsp;10392503) [Tesis de Maestr&amp;iacute;a, Universidad de Glasgow].&amp;nbsp;ProQuest LLC. pp. 40-41).&lt;br /&gt;&lt;br /&gt;"A diferencia de las pinturas espacialmente expansivas del Renacimiento, Caravaggio coloca las figuras de su escena mucho m&amp;aacute;s cerca del plano de la imagen en un interior oscurecido, no solo para enfatizar la naturaleza clandestina de su operaci&amp;oacute;n, sino tambi&amp;eacute;n para realzar la presencia f&amp;iacute;sica y psicol&amp;oacute;gica de los personajes. Los presenta como opuestos fuertes, tanto en edad como en apariencia, en consonancia con la teor&amp;iacute;a del &lt;em&gt;contrapposto&lt;/em&gt; del Renacimiento tard&amp;iacute;o. (17) En el hombro izquierdo de Judith se encuentra una vieja bruja arrugada que sostiene su falda lista para recibir la cabeza del general, en agudo contraste con la digna Judith, que a su vez es la ant&amp;iacute;tesis del musculoso y viril Holofernes. En esta yuxtaposici&amp;oacute;n de anciana y fea con joven y bella Caravaggio segu&amp;iacute;a las recomendaciones expuestas por Gregorio Comanini en su tratado &lt;em&gt;Il Figino&lt;/em&gt; de 1591, que dice: "Y como el poeta juega con la ant&amp;iacute;tesis, o con el contrapposti, as&amp;iacute; el pintor contrapone en uno pintando figuras de mujeres y hombres, infantes y ancianos .... junto a una hermosa ni&amp;ntilde;a una mujer fea." (18) Lo que tambi&amp;eacute;n ha hecho Caravaggio es retratar a la sirvienta en el papel de una alcahueta." (Cita traducida de&amp;nbsp;Philpot, E. (1999).&amp;nbsp;&lt;em&gt;A comparative study between the images of Judith and Holofernes and David and Goliath in the history of European art with special reference to the period 1400-1700.&lt;/em&gt;&amp;nbsp;(N&amp;uacute;mero de publicaci&amp;oacute;n.&amp;nbsp;10392503) [Tesis de Maestr&amp;iacute;a, Universidad de Glasgow].&amp;nbsp;ProQuest LLC. pp. &lt;span&gt;131-132&lt;/span&gt;).&lt;/span&gt;</text>
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                <text>Parte de la colecci&amp;oacute;n de Tesoros de la Hispanic Society of America, expuesta en el museo del Prado. &lt;br /&gt;Encontrado en&amp;nbsp;&lt;a href="https://www.evangelizarconelarte.com/"&gt;https://www.evangelizarconelarte.com/&lt;/a&gt;&amp;nbsp;&lt;br /&gt;El 8 de Agosto 2017&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.evangelizarconelarte.com/exposiciones-visitadas/tesoros-de-la-hispanic-society-of-america-museo-del-prado-hasta-el-10-de-septiembre-2017/"&gt;https://www.evangelizarconelarte.com/exposiciones-visitadas/tesoros-de-la-hispanic-society-of-america-museo-del-prado-hasta-el-10-de-septiembre-2017/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190116100230/https://www.evangelizarconelarte.com/"&gt;https://web.archive.org/web/20190116100230/https://www.evangelizarconelarte.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200610193306/https://www.evangelizarconelarte.com/exposiciones-visitadas/tesoros-de-la-hispanic-society-of-america-museo-del-prado-hasta-el-10-de-septiembre-2017/"&gt;https://web.archive.org/web/20200610193306/https://www.evangelizarconelarte.com/exposiciones-visitadas/tesoros-de-la-hispanic-society-of-america-museo-del-prado-hasta-el-10-de-septiembre-2017/&lt;/a&gt;</text>
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                <text>&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;br /&gt;&lt;a href="https://www.britishmuseum.org/collection/object/P_1847-1009-37"&gt;https://www.britishmuseum.org/collection/object/P_1847-1009-37&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210503164319/https://www.britishmuseum.org/collection/object/P_1847-1009-37"&gt;https://web.archive.org/web/20210503164319/https://www.britishmuseum.org/collection/object/P_1847-1009-37&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;© The Trustees of The British Museum&lt;br /&gt;Número de activo: 77128001&lt;br /&gt;Número del museo:&amp;nbsp;&lt;/span&gt;1847,1009.37</text>
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                <text>Triángulo cliente, prostituta y alcahueta. Bolsa de dinero en las manos de cliente y alcahueta y jarra de bebida en las de la prostituta.&#13;
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                <text>Colecciones de arte Veste Coburgo, Coburgo, Alemania &lt;br /&gt;&lt;a href="http://lucascranach.org/DE_KSVC_M010"&gt;http://lucascranach.org/DE_KSVC_M010&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Archivado en: &lt;a href="https://web.archive.org/web/20200504152957/http://lucascranach.org/DE_KSVC_M010"&gt;https://web.archive.org/web/20200504152957/http://lucascranach.org/DE_KSVC_M010&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario DE_KSVC_M010</text>
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                <text>National Portrait Gallery, London, England.&#13;
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        <src>https://www.celestinavisual.org/files/original/bc2266e8632ae8928b14377c95ce82e3.jpg</src>
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                <name>Title</name>
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                    <text>Mujer joven, mujer vieja, de Danto (1960)</text>
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                  <text>Cuadros y grabados con alcahuetas</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;em&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>Danto, Arthur C.</text>
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            <name>Date</name>
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                <text>Representación xilográfica inspirada en la obra de Goya: Maja y Celestina de 1824-25, que presenta una alcahueta y su  protegida.</text>
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                <text>Wayne State University Art Collection, Detroit, Michigan, USA, #UAC4149. &lt;a href="http://artcollection.wayne.edu/exhibitions/REIMAGINING_SPIRIT.php"&gt;http://artcollection.wayne.edu/exhibitions/REIMAGINING_SPIRIT.php&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200307221506if_/https://artcollection.wayne.edu/exhibitions/reimagining-spirit"&gt;https://web.archive.org/web/20200307221506if_/https://artcollection.wayne.edu/exhibitions/reimagining-spirit&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.celestinavisual.org/admin/items/show/id/760"&gt;http://www.celestinavisual.org/admin/items/show/id/760&lt;/a&gt;</text>
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                <text>Xilografía. 63.5 x 47 cm.</text>
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