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&#13;
Otro título: Erotic scenes</text>
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                <text>&lt;p&gt;&lt;span&gt;Palazzo del Podest&amp;agrave;, San Gimignano, Bolonia, Italia&lt;br /&gt;&lt;br /&gt;Galeria de Arte Web:&lt;br /&gt;&lt;a href="https://www.wga.hu/frames-e.html?/html/m/memmo/eroticsc.html"&gt;https://www.wga.hu/frames-e.html?/html/m/memmo/eroticsc.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Memmo_Di_Filippuccio_-_Erotic_scenes_-_WGA15023.jpg"&gt;https://commons.wikimedia.org/wiki/File:Memmo_Di_Filippuccio_-_Erotic_scenes_-_WGA15023.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190411231636/https://commons.wikimedia.org/wiki/File:Memmo_Di_Filippuccio_-_Erotic_scenes_-_WGA15023.jpg"&gt;https://web.archive.org/web/20190411231636/https://commons.wikimedia.org/wiki/File:Memmo_Di_Filippuccio_-_Erotic_scenes_-_WGA15023.jpg&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pintura al fresco.</text>
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                <text>Universit&amp;auml;tsbibliothek Heidelberg&lt;br /&gt;&lt;a href="https://www.deutsche-digitale-bibliothek.de/item/IJADKREFDSRZUTP3SMTS55BKKJIEB6FI"&gt;https://www.deutsche-digitale-bibliothek.de/item/IJADKREFDSRZUTP3SMTS55BKKJIEB6FI&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;/span&gt;Cod. Pal. germ. 471, Bl. 027r</text>
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                <text>&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;br /&gt;&lt;a href="https://www.britishmuseum.org/collection/object/P_1845-0809-305"&gt;https://www.britishmuseum.org/collection/object/P_1845-0809-305&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220123164449/https://www.britishmuseum.org/collection/object/P_1845-0809-305"&gt;https://web.archive.org/web/20220123164449/https://www.britishmuseum.org/collection/object/P_1845-0809-305&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;© The Trustees of The British Museum&lt;br /&gt;Número de activo: 46778001&lt;br /&gt;Número del museo: 1845,0809.305&lt;/span&gt;</text>
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                <text>En el grabado aparece una pareja de jóvenes mirándose el uno al otro, mientras una mujer vieja con un turbante en la cabeza aparece en medio de los dos y mirando a la joven. Por el título del grabado se intuye que la mujer vieja actúa de alcahueta de la joven y el joven de cliente de ésta.</text>
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                <text>Un hombre en casa de una hilandera. La posici&amp;oacute;n de la espada, la presencia del gato y la profesi&amp;oacute;n de hilandera parecen indicar que se trata de una prostituta o alcahueta. V&amp;eacute;ase Carol Salus,&amp;nbsp;&lt;span id="productTitle" class="a-size-large"&gt;&lt;em&gt;Picasso and Celestina: The Artist's Vision of the Procuress&lt;/em&gt;. Juan de La Cuesta 2015 pg. 57.&lt;br /&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;Otro t&amp;iacute;tulo:&amp;nbsp;Woman Spinning and Visitor&lt;br /&gt;&lt;/span&gt;</text>
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                  <text>&lt;p&gt;Pinturas y grabados inspirados en la tradici&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>Detalle de Las tentaciones de San Antonio, del Bosco (1501)</text>
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                <text>&lt;p&gt;Fragmento del panel izquierdo del tríptico&lt;em&gt; Las tentaciones de San Antonio.&lt;/em&gt; Nótese que este fragmento presenta varios personajes femeninos, como la mujer coronada con sombrero eclesiástico o la que se ve por la ventana y la que apenas se vislumbra en el interior, que se pueden interpretar como alcahuetas, como han hecho pintores seguidores del Bosco, como &lt;a href="/items/show/3161"&gt;Teniers.&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Jeroen_Bosch_(ca._1450-1516)_-_De_verzoeking_van_de_heilige_Antonius_(ca.1500)_-_Lissabon_Museu_Nacional_de_Arte_Antiga_19-10-2010_16-21-31.jpg"&gt;Cuadro completo&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Escena de cliente robado mientras negocia con prostituta y alcahueta al fondo. </text>
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                <text>&lt;span&gt;El Museo Británico, Londres, Reino Unido&lt;br /&gt;&lt;a href="https://www.britishmuseum.org/collection/object/P_1847-1009-37"&gt;https://www.britishmuseum.org/collection/object/P_1847-1009-37&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210503164319/https://www.britishmuseum.org/collection/object/P_1847-1009-37"&gt;https://web.archive.org/web/20210503164319/https://www.britishmuseum.org/collection/object/P_1847-1009-37&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;© The Trustees of The British Museum&lt;br /&gt;Número de activo: 77128001&lt;br /&gt;Número del museo:&amp;nbsp;&lt;/span&gt;1847,1009.37</text>
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                <text>Grabado.&#13;
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                <text>Título original: Der Narrenkäfig ("La jaula de los necios").&#13;
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                <text>&lt;span&gt;Colecciones de arte estatal de Dresde, Alemania.&lt;br /&gt;&lt;a href="https://skd-online-collection.skd.museum/Details/Index/548334"&gt;https://skd-online-collection.skd.museum/Details/Index/548334&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201225201601/https://skd-online-collection.skd.museum/Details/Index/548334"&gt;https://web.archive.org/web/20201225201601/https://skd-online-collection.skd.museum/Details/Index/548334&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;A 129741&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>"Esta pintura de&amp;nbsp;Giulio Romano es una narrativa visual de Alexander, su amante Roxanne y una vieja (o alcahueta). En la pintura, podemos ver a los dos amantes abrazándose a punto de intercambiar un tierno beso&amp;nbsp;mientras la vieja echa una ojeada, comprobando como la situación progresa, desde la esquina con sus llaves tintineantes. Los amantes se encuentran entrelazados en una mirada sensual de la que nada les puede liberar. La iconografía de esta pintura está llena de narrativa y una fuerza impulsora sensual. Mientras Roxanne intenta colocar las sábanas sobre su amante, Alexander la acerca recogiéndola con sus brazos perfectos y cuerpo idealizado. Las pantuflas en el banquillo y el batín cerca de la cama de los amantes le dan a la habitación una atmosfera apasionada reflejando el acalorado momento. Mientras los amantes se acercan, la espectadora casi puede escuchar el crujido de la cama de madera mientras se intercambian los pesos en ella y las sábanas arrugadas debajo de los cuerpos esculturales. Romano detalla casa momento sensorial de la escena desde los pliegues de las cortinas, hasta los mechones finos del pelo de Roxanne que flotan sobre el pecho de Alexander." (Texto traducido de:&amp;nbsp;&lt;a href="http://mossinthefur.tumblr.com/post/3708260344/due-amanti-giulio-romano-1523-this-painting-done"&gt;http://mossinthefur.tumblr.com/post/3708260344/due-amanti-giulio-romano-1523-this-painting-done&lt;/a&gt;)</text>
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                <text>The Hermitage Museum, St. Petersburg.&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.%20paintings/30438/!ut/p/z1/04_Sj9CPykssy0xPLMnMz0vMAfIjo8zi_R0dzQyNnQ28_J1NXQwc_YMCTIOc_dwNDE30w8EKDHAARwP9KGL041EQhd94L0IWAH1gVOTr7JuuH1WQWJKhm5mXlq8fYWCop1CQmJlXkpmXXqwfYWxgYmwBdEsUmmme3uZA00JMPfz9w5yNnE2gCvC4pyA3NKLKx8Mg01FREQAhGVnd/dz/d5/L2dBISEvZ0FBIS9nQSEh/?lng=en"&gt;https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.%20paintings/30438/!ut/p/z1/04_Sj9CPykssy0xPLMnMz0vMAfIjo8zi_R0dzQyNnQ28_J1NXQwc_YMCTIOc_dwNDE30w8EKDHAARwP9KGL041EQhd94L0IWAH1gVOTr7JuuH1WQWJKhm5mXlq8fYWCop1CQmJlXkpmXXqwfYWxgYmwBdEsUmmme3uZA00JMPfz9w5yNnE2gCvC4pyA3NKLKx8Mg01FREQAhGVnd/dz/d5/L2dBISEvZ0FBIS9nQSEh/?lng=en&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200423164406/https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.%20paintings/30438/%21ut/p/z1/04_Sj9CPykssy0xPLMnMz0vMAfIjo8zi_R0dzQyNnQ28_J1NXQwc_YMCTIOc_dwNDE30w8EKDHAARwP9KGL041EQhd94L0IWAH1gVOTr7JuuH1WQWJKhm5mXlq8fYWCop1CQmJlXkpmXXqwfYWxgYmwBdEsUmmme3uZA00JMPfz9w5yNnE2gCvC4pyA3NKLKx8Mg01FREQAhGVnd/dz/d5/L2dBISEvZ0FBIS9nQSEh/?lng=en"&gt;https://web.archive.org/web/20200423164406/https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/01.%20paintings/30438/%21ut/p/z1/04_Sj9CPykssy0xPLMnMz0vMAfIjo8zi_R0dzQyNnQ28_J1NXQwc_YMCTIOc_dwNDE30w8EKDHAARwP9KGL041EQhd94L0IWAH1gVOTr7JuuH1WQWJKhm5mXlq8fYWCop1CQmJlXkpmXXqwfYWxgYmwBdEsUmmme3uZA00JMPfz9w5yNnE2gCvC4pyA3NKLKx8Mg01FREQAhGVnd/dz/d5/L2dBISEvZ0FBIS9nQSEh/?lng=en&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de inventario: &lt;/span&gt;&lt;span&gt;ГЭ-223&lt;/span&gt;</text>
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                <text>La parábola bíblica del hijo pródigo está representada en este tapiz. Aparece el hijo pródigo en el centro con una joven a la izquierda. Una mujer mayor presenta a la joven al hijo pródigo, lo que podría indicar que está actuando como la alcahueta.</text>
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                <text>Tapiz de la parábola del hijo pródigo. En Bourgogne-Franche-Comté, Francia.&lt;br /&gt;&lt;span&gt;Encontrado en la Plataforma abierta del patrimonio, Ministerio de Cultura de Francia:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.pop.culture.gouv.fr/notice/palissy/PM21000222"&gt;https://www.pop.culture.gouv.fr/notice/palissy/PM21000222&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210325011330if_/https://www.pop.culture.gouv.fr/notice/palissy/PM21000222"&gt;https://web.archive.org/web/20210325011330if_/https://www.pop.culture.gouv.fr/notice/palissy/PM21000222&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Referencia manual:&amp;nbsp;&lt;/span&gt;&lt;span&gt;PM21000222&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg"&gt;https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210325011027/https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg"&gt;https://web.archive.org/web/20210325011027/https://commons.wikimedia.org/wiki/File:PMa_000024_F_Beaune.jpg&lt;/a&gt;</text>
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                <text>&lt;span&gt;Museo Carnavalet, París, Francia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Encontrado en la página web de los museos de París:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes"&gt;https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200608030157/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes"&gt;https://web.archive.org/web/20200608030157/https://www.parismuseescollections.paris.fr/fr/musee-carnavalet/oeuvres/l-enfant-prodigue-chez-les-courtisanes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Numero de inventario: P619&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg"&gt;https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210322020251/https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg"&gt;https://web.archive.org/web/20210322020251/https://commons.wikimedia.org/wiki/File:L%27Enfant_prodigue_chez_les_courtisanes.jpg&lt;/a&gt;</text>
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                <text>Título original: "L'Enfant prodigue chez les courtisanes" ("El hijo pródigo entre las cortesanas").&#13;
&#13;
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                <text>Un cliente es distraído por una prostituta mientras la alcahueta pasa una bolsa de dinero a otra sirvienta. En la tradición de los necios del Narrenschiff, un necio con capirote en la ventana identifica al cliente como tal.&#13;
&#13;
Otro título: Schule der Kupplerin</text>
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                <text>Zeno.org &lt;br /&gt;&lt;a href="http://www.zeno.org/nid/20004287215"&gt;http://www.zeno.org/nid/20004287215&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200423151345/http://www.zeno.org/Kunstwerke/B/Schoen,+Erhard:+Schule+der+Kupplerin"&gt;https://web.archive.org/web/20200423151345/http://www.zeno.org/Kunstwerke/B/Schoen,+Erhard:+Schule+der+Kupplerin&lt;/a&gt;</text>
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                <text>En primer término una mujer joven roba la bolsa de un joven al que besa. Al fondo, a la derecha, mujer vieja de aspecto celestinesco con instrumento musical. Debajo una inscirpición en latín: "Sic Hispana Venus loculos excantat amando. Sic fucata rapit basia stultus amans." ( Así encanta la Venus española sus cubículos amando. Así roba el estúpido amante besos fingidos). &#13;
&#13;
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                <text>&lt;p id="firstHeading" class="firstHeading" lang="es"&gt;Galería Nacional de Arte de Karlsruhe, Alemania&lt;br /&gt;&lt;a href="https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/"&gt;https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201226144651/https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/"&gt;https://web.archive.org/web/20201226144651/https://www.kunsthalle-karlsruhe.de/kunstwerke/Jan-van-Hemessen/Lockere-Gesellschaft/F89E75D645149E3B2802E7B7FE79755C/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;152&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg"&gt;https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200626174022/https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg"&gt;https://web.archive.org/web/20200626174022/https://commons.wikimedia.org/wiki/File:Jan_Sanders_van_Hemessen_002.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;También en Wikipedia:&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/Genre_art#/media/File:Jan_Sanders_van_Hemessen_002.jpg"&gt;https://en.wikipedia.org/wiki/Genre_art#/media/File:Jan_Sanders_van_Hemessen_002.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200624232701/https://en.wikipedia.org/wiki/Genre_art"&gt;https://web.archive.org/web/20200624232701/https://en.wikipedia.org/wiki/Genre_art&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Pintura holandesa, genre painting or merry company.  &#13;
Nótese la vieja en primer término con la jarra de vino o cerveza.&#13;
&#13;
Título original: Lockere Gesellschaft&#13;
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                <text>Museo Estatal de Artes Pl&amp;aacute;sticas Pushkin, Mosc&amp;uacute;, Rusia&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399"&gt;http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200505185758/http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399"&gt;https://web.archive.org/web/20200505185758/http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.arts-museum.ru/data/fonds/europe_and_america/j/2001_3000/6311_Lyubovnoe_poslanie_Svodnya/index.php?lang=en&amp;amp;coll=9399"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Representación de la parábola del hijo pródigo en la casa de las prostitutas. Observe a la anciana o la alcahueta en el lado derecho de la pintura cuando el hijo pródigo es expulsado de la casa. Observe el loro enjaulado en la puerta (segunda imagen ampliada), usado para indicar desde el exterior que era un burdel.</text>
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                <text>En la casa&amp;nbsp;&lt;span&gt;Chatsworth,&amp;nbsp;Derbyshire&lt;span&gt;, Reino Unido&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG"&gt;https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200117045751/https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG"&gt;https://web.archive.org/web/20200117045751/https://commons.wikimedia.org/wiki/File:Samson_delilah.JPG&lt;/a&gt;</text>
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                <text>Este cuadro representa la famosa escena b&amp;iacute;blica de Dalila cort&amp;aacute;ndole el pelo a Sans&amp;oacute;n, excepto en esta imagen, es un sirviente cortando el pelo a Sans&amp;oacute;n mientras &amp;eacute;ste est&amp;aacute; acostado en el regazo de Dalila. N&amp;oacute;tese la criada que aparece a la izquierda cerca de Dalila. La criada se parece a la alcahueta representada en el&amp;nbsp;&lt;span&gt;cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;</text>
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                <text>Escena de banquete, alegoría sobre el amor y la lujuria, de Francken el Viejo (1555, c.)</text>
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                <text>Francken el Viejo, Hieronymous (1540–1610)</text>
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                <text>Esta pintura representa la historia bíblica del hijo pródigo en la casa de las prostitutas. La pintura representa una escena de banquete con mujeres jóvenes y sus clientes. Fíjese en la mujer mayor de la izquierda que actúa como alcahueta y supervisa a la joven pareja.</text>
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                <text>Óleo sobre lienzo.&#13;
Dimensiones: 105.3 × 139 cm</text>
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                <text>Tiziano, Vecellio di Gregorio (c. 1490-1576)</text>
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                <text>Sirvienta de Dánae recibe la lluvia de oro.&#13;
&#13;
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                <text>Hay 5 versiones de Tiziano , algunas sin vieja sirvienta..&#13;
Comparese también cuadro  de Ar­te­mi­sia Gen­ti­le­schi  (1612) para el mismo tratamiento de sirivienta como Celestina  (incluido entre archivos de esta entrada, véase)</text>
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                <text>Óleo sobre  lienzo.&#13;
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&lt;em&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>Escuela holandesa. Pintura de género de taberna  o burdel. Nótese la mujer vieja.&#13;
&#13;
Otros títulos: A Merry Company, Det glada sällskapet</text>
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                <text>Museo Nacional de Bellas Artes, Estocolmo, Suecia&amp;nbsp;&lt;br /&gt;&lt;a href="http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=direct/1/ResultListView/result.t1.collection_list.$TspTitleImageLink.link&amp;amp;sp=10&amp;amp;sp=Scollection&amp;amp;sp=SfieldValue&amp;amp;sp=0&amp;amp;sp=0&amp;amp;sp=3&amp;amp;sp=SdetailList&amp;amp;sp=0&amp;amp;sp=Sdetail&amp;amp;sp=0&amp;amp;sp=F&amp;amp;sp=T&amp;amp;sp=0"&gt;http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=direct/1/ResultListView/result.t1.collection_list.$TspTitleImageLink.link&amp;amp;sp=10&amp;amp;sp=Scollection&amp;amp;sp=SfieldValue&amp;amp;sp=0&amp;amp;sp=0&amp;amp;sp=3&amp;amp;sp=SdetailList&amp;amp;sp=0&amp;amp;sp=Sdetail&amp;amp;sp=0&amp;amp;sp=F&amp;amp;sp=T&amp;amp;sp=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A&lt;span&gt;rchivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200505183911/http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=ExternalInterface&amp;amp;module=collection&amp;amp;objectId=19721&amp;amp;viewType=detailView"&gt;https://web.archive.org/web/20200505183911/http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=ExternalInterface&amp;amp;module=collection&amp;amp;objectId=19721&amp;amp;viewType=detailView&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:A_Merry_Company_(Jan_Massys)_-_Nationalmuseum_-_19721.tif?uselang=es"&gt;https://commons.wikimedia.org/wiki/File:A_Merry_Company_(Jan_Massys)_-_Nationalmuseum_-_19721.tif?uselang=es&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&lt;/span&gt;&amp;nbsp;NM 2661</text>
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                <text>Óleo sobre panel.&#13;
Dimensiones: 91 × 128 cm</text>
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                <text>Museo Nacional de Estocolmo, Suecia&lt;br /&gt;&lt;a href="http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=ExternalInterface&amp;amp;module=collection&amp;amp;objectId=19721&amp;amp;viewType=detailView"&gt;http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=ExternalInterface&amp;amp;module=collection&amp;amp;objectId=19721&amp;amp;viewType=detailView&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200505193651/http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=ExternalInterface&amp;amp;module=collection&amp;amp;objectId=19721&amp;amp;viewType=detailView"&gt;https://web.archive.org/web/20200505193651/http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=ExternalInterface&amp;amp;module=collection&amp;amp;objectId=19721&amp;amp;viewType=detailView&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;NM 2661&lt;/span&gt;</text>
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                <text>Una compañía alegre, de Massys (1560, c.)</text>
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                <text>Óleo sobre tela.&#13;
Dimensiones: 91 × 128 cm</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>El cuadro representa una escena con mujeres jóvenes tocando instrumentos musicales y dos hombres en una mesa. A la derecha se ve a una pareja, mientras una mujer vieja que actúa como alcahueta aparece a su lado.</text>
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                    <text>&lt;span&gt;Imagen de la decimoséptima noche titulada "La anciana alcahueta transmite el mensaje de amor del joven a la esposa de Mansur". Página del libro &lt;em&gt;Los cuentos de un papagayo &lt;/em&gt;("Tales of a Parrot" o "Tuti-nama"), serie de cuentos populares de origen persa escrito por Shravana en&amp;nbsp;1560,&amp;nbsp;c. en la India mogol, corte de Akbar.&lt;/span&gt;</text>
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                    <text>&lt;span&gt;El Museo de Arte de Cleveland, Estados Unidos:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.clevelandart.org/art/1962.279.127.a"&gt;https://www.clevelandart.org/art/1962.279.127.a&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de inventario:&amp;nbsp;&lt;/span&gt;&lt;span&gt;1962.279.127.a&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://archive.org/details/clevelandart-1962.279.127.a-page-from-tales-of-a"&gt;https://archive.org/details/clevelandart-1962.279.127.a-page-from-tales-of-a&lt;/a&gt;</text>
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                    <text>&lt;span&gt;El Museo de Arte de Cleveland, Estados Unidos:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://www.clevelandart.org/art/1962.279.67.b"&gt;https://www.clevelandart.org/art/1962.279.67.b&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de inventario:&amp;nbsp;&lt;/span&gt;&lt;span&gt;1962.279.67.b&lt;/span&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://archive.org/details/clevelandart-1962.279.67.b-the-deceitful-wife-e"&gt;https://archive.org/details/clevelandart-1962.279.67.b-the-deceitful-wife-e&lt;/a&gt;</text>
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                <text>Imagen 1:&lt;br /&gt;El Museo de Arte de Cleveland, Estados Unidos:&lt;br /&gt;&lt;a href="https://www.clevelandart.org/art/1962.279.127.a"&gt;https://www.clevelandart.org/art/1962.279.127.a&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;1962.279.127.a&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://archive.org/details/clevelandart-1962.279.127.a-page-from-tales-of-a"&gt;https://archive.org/details/clevelandart-1962.279.127.a-page-from-tales-of-a&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Imagen 2:&lt;br /&gt;El Museo de Arte de Cleveland, Estados Unidos:&lt;br /&gt;&lt;a href="https://www.clevelandart.org/art/1962.279.67.b"&gt;https://www.clevelandart.org/art/1962.279.67.b&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;1962.279.67.b&lt;/span&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://archive.org/details/clevelandart-1962.279.67.b-the-deceitful-wife-e"&gt;https://archive.org/details/clevelandart-1962.279.67.b-the-deceitful-wife-e&lt;/a&gt;</text>
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                <text>Las imágenes son páginas del libro &lt;em&gt;Los cuentos de un &lt;span&gt;papagayo&amp;nbsp;&lt;/span&gt;&lt;/em&gt;("&lt;span&gt;Tales of a Parrot" o "Tuti-nama&lt;/span&gt;"), serie de cuentos populares de origen persa escritos por Shravana en &lt;span&gt;1560, &lt;/span&gt;c. en la India mogol, corte de Akbar.&lt;br /&gt;&lt;br /&gt;La primera imagen es de la decimoséptima noche titulada "La anciana alcahueta transmite el mensaje de amor del joven a la esposa de Mansur". Como el titulo describe, la imagen muestra tres figuras en una habitación. En el centro aparece una mujer joven acompañada de otra mujer que actúa como su criada. A la derecha aparece una mujer vieja con un garrote y con la cabeza cubierta que recuerda a Celestina. Según la descripción de la imagen, un joven se obsesiona con la belleza y virtud de la mujer del mercante Mansur y envía una mensajera para profesarle su amor cuando Mansur está de viaje. La mujer rechaza la propuesta del joven y echa a la mensajera.&lt;br /&gt;&lt;br /&gt;La segunda imagen es de la octava noche, titulada "La esposa engañosa expulsa a la alcahueta tras ennegrecerle la cara". En la imagen, tres figuras aparecen en la terraza de un castillo, dos mujeres jovenes, una siendo la esposa y la otra su criada, una de ellas expulsando a otra mujer. Según la descripcion de la imagen, el amante de envía una mensajera a la esposa para organizar su cita. La mujer pretende estar ofendida y ennegrece la cara de la mensajera y la expulsa de la casa y arrojándola al lado del canal. Esas acciones tienen un mensaje oculto para su amante, que indican que su encuentro será al anochecer en ese mismo lugar.</text>
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Tempera de goma, tinta y oro sobre papel.&#13;
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                <text>En el Museo &lt;span&gt;Boijmans Van Beuningen, Países Bajos&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Encontrado en la página web&amp;nbsp;Essential Vermeer 3.0:&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>En el grabado se ve una pareja de jóvenes y una vieja al fondo. El joven tiene en la mano una bolsa que parece que contenga dinero. Por el título se sabe que la vieja actúa como alcahueta en la imagen. </text>
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                <text>&lt;span&gt;Museo nacional de Estocolmo, Suecia&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Encontrado en la página web RKD – Instituto Holandés de Historia del Arte, Países Bajos&lt;/span&gt;&lt;br /&gt;&lt;a href="https://rkd.nl/en/explore/images/253738"&gt;https://rkd.nl/en/explore/images/253738&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190623202244/https://rkd.nl/en/explore/images/253738"&gt;https://web.archive.org/web/20190623202244/https://rkd.nl/en/explore/images/253738&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Número de inventario:&amp;nbsp;&lt;/span&gt;&lt;span&gt;NM 508&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Número de illustración:&amp;nbsp;&lt;/span&gt;&lt;span&gt;1001170625&lt;br /&gt;&lt;/span&gt;&lt;span&gt;Número de obra de arte: 253738&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikipedia&lt;/span&gt;&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_(Jan_Massys)_-_Nationalmuseum_-_17511.tif"&gt;https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_(Jan_Massys)_-_Nationalmuseum_-_17511.tif&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210522181247/https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_%28Jan_Massys%29_-_Nationalmuseum_-_17511.tif"&gt;https://web.archive.org/web/20210522181247/https://en.wikipedia.org/wiki/File:The_Ill-matched_Pair_%28Jan_Massys%29_-_Nationalmuseum_-_17511.tif&lt;/a&gt;</text>
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                <text>Título original: Le billet doux ("La carta amorosa").&#13;
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                <text>&lt;p&gt;&lt;span&gt;Museo Nacional Thyssen-Bornemisza&lt;/span&gt;, Madrid, Espa&amp;ntilde;a.&lt;br /&gt;&lt;a href="https://www.museothyssen.org/en/collection/artists/clouet-francois/love-letter"&gt;https://www.museothyssen.org/en/collection/artists/clouet-francois/love-letter&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>van de Passe el Viejo, Crispijn (c. 1564-1637)</text>
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                <text>Título original: De verloren zoon verkwist zijn geld ("El hijo pródigo desperdiciando su dinero").&#13;
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                <text>Museo Rijks, Paises Bajos.&lt;br /&gt;&lt;a href="https://www.rijksmuseum.nl/en/collection/RP-P-1894-A-18594C"&gt;https://www.rijksmuseum.nl/en/collection/RP-P-1894-A-18594C&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20191216073509/https://www.rijksmuseum.nl/nl/collectie/RP-P-1894-A-18594C"&gt;https://web.archive.org/web/20191216073509/https://www.rijksmuseum.nl/nl/collectie/RP-P-1894-A-18594C&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Identificador:&lt;br /&gt;&lt;a href="http://hdl.handle.net/10934/RM0001.COLLECT.161470"&gt;http://hdl.handle.net/10934/RM0001.COLLECT.161470&lt;/a&gt; ; &lt;span&gt;RP-P-1894-A-18594C&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg"&gt;https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210318023402/https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg"&gt;https://web.archive.org/web/20210318023402/https://commons.wikimedia.org/wiki/File:De_verloren_zoon_verkwist_zijn_geld_Et_Venere_et_baccho_bona_decoquit_omnia_natus_(titel_op_object)_Gelijkenis_van_de_verloren_zoon_(serietitel),_RP-P-1894-A-18594C.jpg&lt;/a&gt;</text>
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                <text>Grabado.&#13;
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                <text>El hijo pródigo entre cortesanas, de Pourbus el Viejo (1580, c.)</text>
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                <text>Pourbus el Viejo, Frans (1545-1581)</text>
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                <text>Esta pintura representa la historia bíblica del hijo pródigo en la casa de las prostitutas. En en cuadro, mujeres jóvenes se mezclan con hombres alrededor de una mesa. A la derecha aparece una mujer vieja, actuando como alcahueta.</text>
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                <text>&lt;span&gt;Museo Mayer van den Bergh, Amberes&lt;/span&gt;&lt;span&gt;, Bélgica&lt;/span&gt;&lt;span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg"&gt;https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20151129083456/https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg"&gt;https://web.archive.org/web/20151129083456/https://commons.wikimedia.org/wiki/File:Frans_Pourbus_the_Elder_Prodigal_Son.jpg&lt;/a&gt;</text>
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                <text>En el Museo &lt;span&gt;Rijks, Países Bajos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la página web &lt;span&gt;Essential Vermeer 3.0:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;</text>
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                <text>&lt;p id="firstHeading" class="firstHeading" lang="es"&gt;Galer&amp;iacute;a Nacional de Arte Antiguo,&amp;nbsp;&lt;span&gt;Palazzo Barberini&lt;/span&gt;, Roma&lt;br /&gt;&lt;a href="https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/"&gt;https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200418183517/https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/"&gt;https://web.archive.org/web/20200418183517/https://www.barberinicorsini.org/en/opera/judith-beheading-holofernes/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons: &lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Judith_Beheading_Holofernes-Caravaggio_%28c.1598-9%29.jpg"&gt;https://commons.wikimedia.org/wiki/File:Judith_Beheading_Holofernes-Caravaggio_%28c.1598-9%29.jpg&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;N&amp;uacute;mero de inventario: 2533</text>
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                <text>Aunque evidentemente la criada no es una celestina o alcahueta, est&amp;aacute; representada con los rasgos t&amp;iacute;picos de este personaje. El trio mujer joven, mujer vieja y hombre es el t&amp;iacute;pico de las escenas de celestina con el cliente y la protegida. &lt;br /&gt;&lt;br /&gt;"Esta sirvienta tambi&amp;eacute;n cambia su apariencia y deberes de un per&amp;iacute;odo y de un siglo a otro, de la misma manera que Judith y David lo hacen, como veremos. En la Edad Media por lo general se la muestra como una joven doncella o mujer al lado de Judith a menudo cargando un saco; durante el Renacimiento viste ropas de moda de la &amp;eacute;poca (pero menos coloridas que las de Judith) y a menudo se la retrata como una negra o mulata al lado de su se&amp;ntilde;ora sosteniendo abierto el saco mientras Judith deposita la cabeza cortada en &amp;eacute;l. A finales de los siglos XVI y XVII, se la representa como una vieja bruja (a menudo con la apariencia de una alcahueta) o como una igual que ayuda a Judith a sujetar el cuerpo de Holofernes mientras Judith lo asesina cruelmente. En el siglo XVIII, por lo general, est&amp;aacute; detr&amp;aacute;s de Judith en un papel subsidiario, mientras que en el siglo XIX desaparece por completo de las im&amp;aacute;genes a medida que los artistas se concentran en los aspectos m&amp;aacute;s abiertamente sexuales de la historia." (Cita traducida de&amp;nbsp;&lt;span&gt;Philpot, E. (1999).&amp;nbsp;&lt;/span&gt;&lt;em&gt;A comparative study between the images of Judith and Holofernes and David and Goliath in the history of European art with special reference to the period 1400-1700.&lt;/em&gt;&lt;span&gt;&amp;nbsp;(&lt;/span&gt;&lt;span&gt;N&amp;uacute;mero de publicaci&amp;oacute;n.&lt;/span&gt;&lt;span&gt;&amp;nbsp;10392503) [Tesis de Maestr&amp;iacute;a, Universidad de Glasgow].&amp;nbsp;ProQuest LLC. pp. 40-41).&lt;br /&gt;&lt;br /&gt;"A diferencia de las pinturas espacialmente expansivas del Renacimiento, Caravaggio coloca las figuras de su escena mucho m&amp;aacute;s cerca del plano de la imagen en un interior oscurecido, no solo para enfatizar la naturaleza clandestina de su operaci&amp;oacute;n, sino tambi&amp;eacute;n para realzar la presencia f&amp;iacute;sica y psicol&amp;oacute;gica de los personajes. Los presenta como opuestos fuertes, tanto en edad como en apariencia, en consonancia con la teor&amp;iacute;a del &lt;em&gt;contrapposto&lt;/em&gt; del Renacimiento tard&amp;iacute;o. (17) En el hombro izquierdo de Judith se encuentra una vieja bruja arrugada que sostiene su falda lista para recibir la cabeza del general, en agudo contraste con la digna Judith, que a su vez es la ant&amp;iacute;tesis del musculoso y viril Holofernes. En esta yuxtaposici&amp;oacute;n de anciana y fea con joven y bella Caravaggio segu&amp;iacute;a las recomendaciones expuestas por Gregorio Comanini en su tratado &lt;em&gt;Il Figino&lt;/em&gt; de 1591, que dice: "Y como el poeta juega con la ant&amp;iacute;tesis, o con el contrapposti, as&amp;iacute; el pintor contrapone en uno pintando figuras de mujeres y hombres, infantes y ancianos .... junto a una hermosa ni&amp;ntilde;a una mujer fea." (18) Lo que tambi&amp;eacute;n ha hecho Caravaggio es retratar a la sirvienta en el papel de una alcahueta." (Cita traducida de&amp;nbsp;Philpot, E. (1999).&amp;nbsp;&lt;em&gt;A comparative study between the images of Judith and Holofernes and David and Goliath in the history of European art with special reference to the period 1400-1700.&lt;/em&gt;&amp;nbsp;(N&amp;uacute;mero de publicaci&amp;oacute;n.&amp;nbsp;10392503) [Tesis de Maestr&amp;iacute;a, Universidad de Glasgow].&amp;nbsp;ProQuest LLC. pp. &lt;span&gt;131-132&lt;/span&gt;).&lt;/span&gt;</text>
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                <text>The Metropolitan Museum of Art, Nueva York, Estados Unidos Encontrado el 30 de agosto, 2017 &lt;br /&gt;&lt;a href="https://www.metmuseum.org/art/collection/search/336022"&gt;https://www.metmuseum.org/art/collection/search/336022&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200616185130/https://www.metmuseum.org/art/collection/search/336022"&gt;https://web.archive.org/web/20200616185130/https://www.metmuseum.org/art/collection/search/336022&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;/span&gt;56.648.40&lt;br /&gt;&lt;br /&gt;Imagen de&amp;nbsp;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg"&gt;https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&amp;nbsp;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200616185427/https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg"&gt;https://web.archive.org/web/20200616185427/https://commons.wikimedia.org/wiki/File:Study_for_an_engraving_in_the_Hortus_Voluptatum_MET_DP801699.jpg&lt;/a&gt;</text>
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                <text>Mujer y hombre en el centro de una habitación. La mujer señala a la cama mientras él tiene la mano en su cintura. Hay otra mujer en la puerta.</text>
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                <text>Pluma y tinta marrón, cepillo y lavado azul, sobre tiza negra. Incisión. &#13;
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                <text>&lt;p&gt;Encontrado en www.liveinternet.ru. El 23 de febrero 2017. &lt;a href="http://www.liveinternet.ru/users/dispepsia/post174440751"&gt;http://www.liveinternet.ru/users/dispepsia/post174440751&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Escrito bajo el texto en latin y su traducción al alemán:&#13;
¨Crebrior imprimis potandis procreat usus omne inhonestatis luxuriaeque genus" (la costumbre de beber con frecuencia especialmente produce todo tipo de desvergüenza y lujuria" </text>
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                <text>Passe, Crispijn van de </text>
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                <text>Grabado de una mujer vieja d&amp;aacute;ndole un billete amoroso a una mujer joven, al fondo a la dercha un sombrero de de plumas o un florero. Debajo, escrito en franc&amp;eacute;s y alem&amp;aacute;n el siguiente texto: "Os juro que est&amp;aacute; tan enamorado de usted que est&amp;aacute; sin sentido y pod&amp;eacute;sis estar segura que parece que le han dado una paliza. Leed esta misiva que lo describe."</text>
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                <text>Rijksmuseum &lt;br /&gt;&lt;a href="https://www.rijksmuseum.nl/nl/collectie/RP-P-1908-5657"&gt;https://www.rijksmuseum.nl/nl/collectie/RP-P-1908-5657&lt;br /&gt;&lt;br /&gt;http://www.europeana.eu/portal/en/record/90402/RP_P_1908_5657.html?q=koppelaarster&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Título original: Mönch mit Nonne und Kupplerin oder Martin Luther mit seiner Gefährtin Katharina von Bora ("Monje con monja y alcahueta, o Martín Lutero con su consorte Catalina de Bora").&#13;
&#13;
La pintura representa a un joven besado en la mejilla por una mujer joven. Una anciana aparece a la izquierda. La anciana podría representar a una alcahueta.</text>
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                <text>Encontrado en la página web MutualArt:&lt;br /&gt;&lt;a href="https://www.mutualart.com/Artwork/Liebespaar-mit-Kupplerin/ECEEBC66ACE854E2"&gt;https://www.mutualart.com/Artwork/Liebespaar-mit-Kupplerin/ECEEBC66ACE854E2&lt;/a&gt;</text>
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                <text>Titulo original: Liebespaar mit kupplerin ("Amantes con alcahueta").&#13;
&#13;
Cuadro de autor perteneciente a La Escuela Holandesa.&#13;
&#13;
En la imagen aparecen tres figuras, una pareja de jóvenes donde el hombre se acerca a la joven mientras esta se aparta y una mujer vieja detrás de ellos. Por el título del cuadro se entiende que el trio representa a prostituta, cliente y alcahueta. </text>
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                <text>Óleo sobre lienzo&#13;
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                <text>Una joven vuelve la vista hacia otro lado mientras la alcahueta le muestra una joya. La alcahueta tiene una bolsa de dinero en la mano. El perro, que hace contacto visual con el espectador, ocupa el lugar del cliente que es típico en estos cuadros.</text>
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                <text>&lt;p class="LC20lb DKV0Md"&gt;&lt;span&gt;Colecciones de Pintura del Estado B&amp;aacute;varo (&lt;/span&gt;Bayerische Staatsgem&amp;auml;ldesammlungen), M&amp;uacute;nich, Alemania&lt;br /&gt;&lt;a href="http://www.the-athenaeum.org/art/detail.php?ID=48598"&gt;http://www.the-athenaeum.org/art/detail.php?ID=48598&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200115043001/http://www.the-athenaeum.org/art/detail.php?ID=48598"&gt;https://web.archive.org/web/20200115043001/http://www.the-athenaeum.org/art/detail.php?ID=48598&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikioo:&lt;br /&gt;&lt;a href="https://wikioo.org/es/paintings.php?refarticle=8XX83T&amp;amp;titlepainting=Una+cortesana+con+Ella+alcahueta&amp;amp;artistname=Hans+Von+Aachen"&gt;https://wikioo.org/es/paintings.php?refarticle=8XX83T&amp;amp;titlepainting=Una+cortesana+con+Ella+alcahueta&amp;amp;artistname=Hans+Von+Aachen&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200626180746/https://wikioo.org/en/paintings.php?refarticle=8XX83T&amp;amp;titlepainting=A%20Courtesan%20with%20Her%20Procuress&amp;amp;artistname=Hans%20Von%20Aachen"&gt;https://web.archive.org/web/20200626180746/https://wikioo.org/en/paintings.php?refarticle=8XX83T&amp;amp;titlepainting=A%20Courtesan%20with%20Her%20Procuress&amp;amp;artistname=Hans%20Von%20Aachen&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;span&gt;Este cuadro representa la famosa escena bíblica de los&amp;nbsp;&lt;span&gt;filisteos acercándose a&amp;nbsp;&lt;/span&gt;&lt;/span&gt;Sansón para cortarle el pelo mientras éste descansa en el regazo de&lt;span&gt;&amp;nbsp;Dalila. Nótese la criada que aparece a la derecha junto a Dalila. La criada se parece a la alcahueta representada en el cuadro de&amp;nbsp;&lt;/span&gt;&lt;a href="http://celestinavisual.org/items/show/1161"&gt;Judit y Holofernes&amp;nbsp;de Caravaggio (1598, c.)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Según la descripción de la Galería de imágenes de Dulwich, "Van Dyck trató a Delilah como a una prostituta, pintándola medio desnuda en compañía de una alcahueta anciana."&amp;nbsp;&lt;span&gt;(Descripción traducida de la&lt;/span&gt;&lt;span&gt;&amp;nbsp;Galería de imágenes de Dulwich, Londres, Reino Unido,&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.dulwichpicturegallery.org.uk/explore-the-collection/101-150/samson-and-delilah/"&gt;https://www.dulwichpicturegallery.org.uk/explore-the-collection/101-150/samson-and-delilah/&lt;/a&gt;,&amp;nbsp;&lt;span&gt;Archivado en:&amp;nbsp;&lt;/span&gt;&lt;a href="https://web.archive.org/web/20200511195551/https://www.dulwichpicturegallery.org.uk/explore-the-collection/101-150/samson-and-delilah/"&gt;https://web.archive.org/web/20200511195551/https://www.dulwichpicturegallery.org.uk/explore-the-collection/101-150/samson-and-delilah/&lt;/a&gt;&amp;nbsp;)</text>
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                <text>Galleria degli Uffizi, Florencia, Italia.&lt;br /&gt;&lt;br /&gt;Encontrado en la Web Gallery of Art: &lt;a href="http://www.wga.hu/html_m/h/honthors/1/05supper.html"&gt;http://www.wga.hu/html_m/h/honthors/1/05supper.html&lt;/a&gt;</text>
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                <text>W&amp;uuml;rzburg, Ehemalige f&amp;uuml;rstbisch&amp;ouml;fliche Residenz, Westwand, Napoleonzimmer.&lt;br /&gt;De la Deutsche Digitable Bibliotheke en l&amp;iacute;nea:&lt;br /&gt;&lt;a href="https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en"&gt;https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201224163145/https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en"&gt;https://web.archive.org/web/20201224163145/https://www.deutsche-digitale-bibliothek.de/item/7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V?isThumbnailFiltered=true&amp;amp;query=Krieger+und+Kupplerin&amp;amp;rows=20&amp;amp;offset=0&amp;amp;viewType=list&amp;amp;firstHit=7LW2Y4R67ZIXW2D5VWLSCLLX5Q7K6A3V&amp;amp;lastHit=lasthit&amp;amp;hitNumber=1&amp;amp;lang=en&lt;/a&gt;</text>
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Triángulo alcahueta, muchacha y hombre más otro personaje.</text>
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                <text>&lt;span&gt;Encontrado en el sitio web www.invaluable.com el 24 de enero 2022:&lt;br /&gt;&lt;a href="https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee"&gt;https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20220125013605/https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee"&gt;https://web.archive.org/web/20220125013605/https://www.invaluable.com/auction-lot/follower-of-willem-pietersz-buytewech-c-1591-1624-825-c-94890465ee&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>The Dayton Art Institute, Dayton, Ohio, USA.&lt;br /&gt;&lt;a href="http://collection.daytonartinstitute.org/objects/764/the-flea-hunt?ctx=a0605c36-a05e-499b-957e-bce17b58352b&amp;amp;idx=0"&gt;http://collection.daytonartinstitute.org/objects/764/the-flea-hunt?ctx=a0605c36-a05e-499b-957e-bce17b58352b&amp;amp;idx=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número del objeto: &lt;span&gt;1980.2&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado el 20 Mayo, 2016 en: &lt;a href="http://wtfarthistory.com/tagged/Baroque/page/5"&gt;http://wtfarthistory.com/tagged/Baroque/page/5&lt;/a&gt;</text>
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                <text>Colecci&amp;oacute;n privada.&lt;br /&gt;&lt;span&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Allegory_of_avarice.jpg"&gt;https://commons.wikimedia.org/wiki/File:Allegory_of_avarice.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200609170035/https://commons.wikimedia.org/wiki/File:Allegory_of_avarice.jpg"&gt;https://web.archive.org/web/20200609170035/https://commons.wikimedia.org/wiki/File:Allegory_of_avarice.jpg&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>El tema de la mujer vieja avariciosa o usurera est&amp;aacute; indirectamente relacionado con el tema de la alcahueta pues usa el mismo prototipo f&amp;iacute;sico. Vease el cuadro &lt;a href="http://celestinavisual.org/items/show/1160"&gt;Vieja usurera, de Ribera (1638). &lt;/a&gt;Aqu&amp;iacute; la presencia de un segundo personaje hace pensar en la infancia de P&amp;aacute;rmeno con Celestina, por m&amp;aacute;s que este cuadro no tiene relaci&amp;oacute;n ninguna conocida con el tema celestinesco.</text>
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&#13;
Cliente entre prostituta y alcahueta, con una moneda en la mano. Escuela holandesa. Pintura de Bordeeltjes o escenas de burdel.&#13;
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                <text>Museo de Bellas Artes, Boston, Estados Unidos.&lt;br /&gt;&lt;a href="https://collections.mfa.org/objects/33414"&gt;https://collections.mfa.org/objects/33414&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201112025229/https://collections.mfa.org/objects/33414"&gt;https://web.archive.org/web/20201112025229/https://collections.mfa.org/objects/33414&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;50.2721&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikipedia:&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:Dirck_van_Baburen_-_The_Procuress_-_Google_Art_Project.jpg"&gt;https://en.wikipedia.org/wiki/File:Dirck_van_Baburen_-_The_Procuress_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201124070823/https://en.wikipedia.org/wiki/File:Dirck_van_Baburen_-_The_Procuress_-_Google_Art_Project.jpg"&gt;https://web.archive.org/web/20201124070823/https://en.wikipedia.org/wiki/File:Dirck_van_Baburen_-_The_Procuress_-_Google_Art_Project.jpg&lt;/a&gt;</text>
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                <text>Escena de cena con prostitutas inspirada en la historia bíblica del hijo pródigo, un tema común en la pintura holandesa de la época. Cf. con cuadros de Murillo del mismo tema, que no presentan estas escenas sino más bien la reconciliación.</text>
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                <text>Alte Pinakothek, Múnich, Alemania.&lt;br /&gt;&lt;a href="https://www.sammlung.pinakothek.de/en/artwork/wq4jE3mGWo"&gt;https://www.sammlung.pinakothek.de/en/artwork/wq4jE3mGWo&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210428005237/https://www.sammlung.pinakothek.de/en/artwork/wq4jE3mGWo"&gt;https://web.archive.org/web/20210428005237/https://www.sammlung.pinakothek.de/en/artwork/wq4jE3mGWo&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Web Gallery of Art &lt;br /&gt;&lt;a href="http://www.wga.hu/html_m/h/honthors/1/index.html"&gt;http://www.wga.hu/html_m/h/honthors/1/index.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160410123404/http://www.wga.hu/html_m/h/honthors/1/index.html"&gt;https://web.archive.org/web/20160410123404/http://www.wga.hu/html_m/h/honthors/1/index.html&lt;/a&gt;</text>
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                <text>&lt;span&gt;Museo de Bellas Artes, Boston&lt;br /&gt;&lt;a href="https://collections.mfa.org/objects/33414/the-procuress?ctx=2a0a1bae-85db-4d83-ba53-5b8e4e545ce4&amp;amp;idx=0"&gt;https://collections.mfa.org/objects/33414/the-procuress?ctx=2a0a1bae-85db-4d83-ba53-5b8e4e545ce4&amp;amp;idx=0&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Número de acceso: 50.2721&lt;br /&gt;&lt;br /&gt;Encontrado en la página web&amp;nbsp;Essential Vermeer 3.0:&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>Óleo sobre tela.&#13;
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                <text>En la imagen aparece una pareja joven, la joven tocando un instrumento mientras el joven la mira a los ojos. A la derecha aparece una vieja que actúa como alcahueta. </text>
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                <text>Otro título: Loose Company ("Compañía suelta")&#13;
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                <text>Escena de burdel con el triángulo alcahueta, muchaha y cliente. La muchacha tiene un laud y la  alcahueta apunta con el dedo.&#13;
&#13;
Título original: De koppelaarster</text>
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                <text>Museo Central, Utrecht, Pa&amp;iacute;ses Bajos&lt;br /&gt;&lt;a href="https://www.centraalmuseum.nl/nl/collectie/10786-de-koppelaarster-gerard-van-honthorst#/CM/nl/collectie/10786-de-koppelaarster-gerard-van-honthorst/slideshow/10786_04-tif"&gt;https://www.centraalmuseum.nl/nl/collectie/10786-de-koppelaarster-gerard-van-honthorst#/CM/nl/collectie/10786-de-koppelaarster-gerard-van-honthorst/slideshow/10786_04-tif&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20190426220601/https://www.centraalmuseum.nl/nl/collectie/10786-de-koppelaarster-gerard-van-honthorst"&gt;https://web.archive.org/web/20190426220601/https://www.centraalmuseum.nl/nl/collectie/10786-de-koppelaarster-gerard-van-honthorst&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;10786&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en Google Arts and Culture:&lt;br /&gt;&lt;a href="https://artsandculture.google.com/asset/the-procuress/UgFlQ52tsFTQZg"&gt;https://artsandculture.google.com/asset/the-procuress/UgFlQ52tsFTQZg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200626181505/https://artsandculture.google.com/asset/the-procuress/UgFlQ52tsFTQZg"&gt;https://web.archive.org/web/20200626181505/https://artsandculture.google.com/asset/the-procuress/UgFlQ52tsFTQZg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Wikipedia&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/File:Gerard_van_Honthorst_-_The_procuress_-_Google_Art_Project.jpg"&gt;https://en.wikipedia.org/wiki/File:Gerard_van_Honthorst_-_The_procuress_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20171012033217/https://en.wikipedia.org/wiki/File:Gerard_van_Honthorst_-_The_procuress_-_Google_Art_Project.jpg"&gt;https://web.archive.org/web/20171012033217/https://en.wikipedia.org/wiki/File:Gerard_van_Honthorst_-_The_procuress_-_Google_Art_Project.jpg&lt;/a&gt;</text>
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                <text>Escena inspirada en la tradición del hijo pródigo. Influencias de Caravaggio. &lt;br /&gt;&lt;br /&gt;"La pintura de género de Honthorst se relaciona con el tema retratado por su compañero Utrecht Caravaggisti. Representa una escena provocativa de un estudiante desenfrenado (¿el hijo pródigo?) en compañía de dos prostitutas y una alcahueta que lleva un bebé. Las páginas de un inmenso folio abierto sobre la mesa están brillantemente iluminadas por la luz de las velas, al igual que el torso semidesnudo de la prostituta tocando el theorbo. Una de las páginas ilustra a un hombre mayor y un niño desnudo, probablemente Cupido, golpeando a una mujer que sostiene un libro grande. La página opuesta muestra un poema en latín." (Descripción traducida de&amp;nbsp;la&amp;nbsp;Galería de Arte de la Web,&amp;nbsp;&lt;a href="https://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;https://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;&lt;span&gt;,&amp;nbsp;Archivado en:&amp;nbsp;&lt;/span&gt;&lt;a href="https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;&lt;span&gt;&lt;span&gt;)&lt;br /&gt;&lt;br /&gt;Otro título: &lt;/span&gt;&lt;/span&gt;Der liederliche Student</text>
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                <text>&lt;span&gt;Bayerische Staatsgemäldesammlungen - Alte Pinakothek München, Alemania&lt;br /&gt;&lt;a href="https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo"&gt;https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210610192218/https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo/gerard-van-honthorst/der-liederliche-student"&gt;https://web.archive.org/web/20210610192218/https://www.sammlung.pinakothek.de/en/artwork/wq4jXaELWo/gerard-van-honthorst/der-liederliche-student&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Número de inventorio: &lt;span&gt;391&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Encontrado en la Galería de Arte de la Web:&lt;br /&gt;&lt;a href="http://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;http://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html"&gt;https://web.archive.org/web/20200605160008/https://www.wga.hu/html_m/h/honthors/2/03prodig.html&lt;/a&gt;</text>
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                <text>Museo Nacional en Varsovia, Polonia.&lt;br /&gt;&lt;a href="https://cyfrowe.mnw.art.pl/en/catalog/505444"&gt;https://cyfrowe.mnw.art.pl/en/catalog/505444&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;M.Ob.1642 MNW&lt;br /&gt;&lt;/span&gt;</text>
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Dimensiones: 115 × 160 cm</text>
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                <text>&lt;span&gt;Museo de Bellas Artes, Lyon, Francia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Encontrado en la página web&amp;nbsp;Essential Vermeer 3.0:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;</text>
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                <text>Óleo sobre lienzo.&#13;
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                <text>En la imagen aparece una pareja a la derecha y una mujer vieja a la izquierda. La vieja, que actúa como alcahueta, aparece con monedas en la mano. </text>
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                <text>Autor anónimo, atribuido a la escuela holandesa de principios del siglo XVII. &lt;br /&gt;&lt;br /&gt;En el borde aparece una atribución antigua en tiza negra que lee "Jan Boucchorst". (ver la página web Sotheby's: &lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;En la imagen aparece una escena de interior, donde una mujer joven aparece sentada en frente de una mujer vieja con garrote. La mujer vieja parece actuar de alcahueta de la joven.</text>
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                <text>Encontrado en la página web Sotheby's:&lt;br /&gt;&lt;a href="https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210124231121/https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html"&gt;https://web.archive.org/web/20210124231121/https://www.sothebys.com/en/auctions/ecatalogue/2018/old-master-drawings-n09811/lot.287.html&lt;/a&gt;</text>
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                <text>Museo&amp;nbsp;Museumslandschaft Hessen Kassel, Alemania&lt;br /&gt;&lt;a href="https://altemeister.museum-kassel.de/32147/"&gt;https://altemeister.museum-kassel.de/32147/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20201123012753/https://altemeister.museum-kassel.de/32147/36333/alle/0/b1/0/0/objekt.html"&gt;https://web.archive.org/web/20201123012753/https://altemeister.museum-kassel.de/32147/36333/alle/0/b1/0/0/objekt.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;N&amp;uacute;mero de inventario:&amp;nbsp;&lt;span&gt;GK 184&lt;/span&gt;</text>
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                <text>Título original: Eine alte Kupplerin bietet einer jungen Frau Juwelen an ("Una vieja alcahueta le ofrece a una joven joyas").&#13;
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                <text>Título original: L'enfant prodigue chez les courtisanes ("El hijo pródigo entre las cortesanas")&#13;
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                <text>Museo Louvre, París, Francia.&lt;br /&gt;Encontrado en L'agence photo:&lt;br /&gt;&lt;a rel="nofollow" class="external free" href="http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html"&gt;http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20160304212149/http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html"&gt;https://web.archive.org/web/20160304212149/http://www.photo.rmn.fr/archive/13-562850-2C6NU05ZZ44G.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Identificador del sistema:&amp;nbsp;13-562850&lt;br /&gt;Numero de inventario:&amp;nbsp;Inv1981 ; Inv20384&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg"&gt;https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210320032306/https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg"&gt;https://web.archive.org/web/20210320032306/https://commons.wikimedia.org/wiki/File:Christoffel_Jacobsz._van_der_Laemen_-_The_prodigal_son_among_courtesans.jpg&lt;/a&gt;</text>
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                <text>&lt;span&gt;Museo de Arte de Toledo,&amp;nbsp;&lt;/span&gt;Toledo, Estados Unidos.&lt;br /&gt;&lt;a href="http://emuseum.toledomuseum.org/objects/55289/allegory-of-vanity"&gt;http://emuseum.toledomuseum.org/objects/55289/allegory-of-vanity&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20211221021649/http://emuseum.toledomuseum.org/objects/55289/allegory-of-vanity"&gt;https://web.archive.org/web/20211221021649/http://emuseum.toledomuseum.org/objects/55289/allegory-of-vanity&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Número de inventario: &lt;span&gt;1975.21&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Jan_Miense_Molenaer_-_Allegory_of_Vanity_-_Google_Art_Project.jpg"&gt;https://commons.wikimedia.org/wiki/File:Jan_Miense_Molenaer_-_Allegory_of_Vanity_-_Google_Art_Project.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20150420230606/https://commons.wikimedia.org/wiki/File:Jan_Miense_Molenaer_-_Allegory_of_Vanity_-_Google_Art_Project.jpg"&gt;https://web.archive.org/web/20150420230606/https://commons.wikimedia.org/wiki/File:Jan_Miense_Molenaer_-_Allegory_of_Vanity_-_Google_Art_Project.jpg&lt;/a&gt;</text>
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                <text>En la imagen aparece una escena de interior donde mujeres y hombres jóvenes aparecen en una mesa. En el centro de la imagen una pareja y la mujer le toca al hombre en el pecho de manera sugerente. Nótese la mujer vieja que aparece a la izquierda con la cabeza cubierta que puede tratarse de la alcahueta de las jovenes. </text>
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                <text>En Museo Nacional, Varsovia, Polonia&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Encontrado en la página web&amp;nbsp;&lt;/span&gt;&lt;span&gt;Essential Vermeer 3.0:&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Archivado en:&lt;/span&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html"&gt;https://web.archive.org/web/20210424170312/http://www.essentialvermeer.com/related_vermeer_paintings/procuress.html&lt;/a&gt;</text>
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                <text>En el grabado aparece una pareja en una habitación. La joven está en el regazo del hombre. A la derecha, una mujer vieja, que actúa como alcahueta hace la cama.</text>
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