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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                <text>Encontrado en Famous Fix &lt;a href="https://www.famousfix.com/"&gt;https://www.famousfix.com/&lt;/a&gt;&amp;nbsp;:&lt;br /&gt;&lt;a href="http://www.famousfix.com/post/la-celestina-1996-18475433"&gt;http://www.famousfix.com/post/la-celestina-1996-18475433&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20181006090213/http://www.famousfix.com/post/la-celestina-1996-18475433"&gt;https://web.archive.org/web/20181006090213/http://www.famousfix.com/post/la-celestina-1996-18475433&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;Pa&amp;iacute;s:&lt;/strong&gt; Espa&amp;ntilde;a y Alemania Occidental.&lt;br /&gt;&lt;strong&gt;Producci&amp;oacute;n:&lt;/strong&gt; Aro Films, Hesperia Film y Berlin Television System &lt;strong&gt;Gui&amp;oacute;n:&lt;/strong&gt; C&amp;eacute;sar Fern&amp;aacute;ndez Ardav&amp;iacute;n, Fernando Rojas.&lt;br /&gt; &lt;strong&gt;Duraci&amp;oacute;n:&lt;/strong&gt; 126 mins. &lt;br /&gt;&lt;strong&gt;Formato:&lt;/strong&gt; Pel&amp;iacute;cula.&lt;br /&gt; &lt;strong&gt;G&amp;eacute;nero:&lt;/strong&gt; Drama/ Romance.&lt;br /&gt;&lt;strong&gt;Fotograf&amp;iacute;a:&lt;/strong&gt; Ra&amp;uacute;l P&amp;eacute;rez Cubero. &lt;br /&gt;&lt;strong&gt;Montaje:&lt;/strong&gt; Petra de Nieva. &lt;br /&gt;&lt;strong&gt;M&amp;uacute;sica:&lt;/strong&gt; &amp;Aacute;ngel Arteaga y los coros de la Com. de P. Benedictinos de Leyre.&lt;br /&gt;&lt;strong&gt;Reparto:&lt;/strong&gt; &lt;br /&gt;Juli&amp;aacute;n Mateos (1938, 31 a&amp;ntilde;os) (Calisto)&lt;br /&gt; Elisa Ram&amp;iacute;rez (1943, 26 a&amp;ntilde;os) (Melibea)&lt;br /&gt;Amelia de la Torre (1905, 64 a&amp;ntilde;os) (Celestina)&lt;br /&gt;Heidelotte Diehl (1940, 29 a&amp;ntilde;os) (Are&amp;uacute;sa)&lt;br /&gt;Eva Guerr (Lucrecia)&lt;br /&gt;Eva Lissa (1913, 56 a&amp;ntilde;os) (Alisa)&lt;br /&gt;Gonzalo Ca&amp;ntilde;as (1937, 32 a&amp;ntilde;os) (P&amp;aacute;rmeno)&lt;br /&gt; Antonio Medina (Sempronio)&lt;br /&gt;Ursula Mellin (1938, 31 a&amp;ntilde;os) (Elicia)&lt;br /&gt;Hugo Blanco (1937, 32 a&amp;ntilde;os) (Centurio)&lt;br /&gt;Konrad Wagner I (1902, 67 a&amp;ntilde;os) (Pleberio)</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>Comentario y escenas de la pel&amp;iacute;cula en el programa Versi&amp;oacute;n Espa&amp;ntilde;ola&amp;nbsp;(29 de julio de 2014), RTVE, video de 2 minutos&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                <text>Celestina (Amelia de la Torre) al frente. De lado de ella están Sempronio (Antonio Medina) y Elicia (Ursula Mellin).</text>
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                  <text>Libre adaptación de la historia de La Celestina a formato de comedia italiana&#13;
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Guión: Sandro De Feo, Massimo Franciosa, Carlo Lizzani, Luigi Magni, Assia Noris, Girogio Stegani&#13;
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                <text>Fotocromo reproducido a color.&#13;
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Abajo: Bruna (Raffaella Carrà) y Celestina (Assia Noris).</text>
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                  <text>&lt;strong&gt;Pa&amp;iacute;s:&lt;/strong&gt; M&amp;eacute;xico.&lt;br /&gt; &lt;strong&gt;Producci&amp;oacute;n:&lt;/strong&gt; Ludens Films y Televisa.&lt;br /&gt; &lt;strong&gt;Productores:&lt;/strong&gt; Luis Bekris, Roberto Viskin y Miguel Sabido.&lt;br /&gt; &lt;strong&gt;Gui&amp;oacute;n:&lt;/strong&gt; Miguel Sabido, Margarita Villase&amp;ntilde;or, Fernando de Rojas. &lt;strong&gt;Duraci&amp;oacute;n:&lt;/strong&gt; 88 mins. &lt;br /&gt;&lt;strong&gt;Formato:&lt;/strong&gt; Film.&lt;br /&gt; &lt;strong&gt;G&amp;eacute;nero:&lt;/strong&gt; Tragicomedia.&lt;br /&gt; &lt;strong&gt;Fotograf&amp;iacute;a:&lt;/strong&gt; Miguel Garz&amp;oacute;n y Agust&amp;iacute;n Lara.&lt;br /&gt; &lt;strong&gt;Edici&amp;oacute;n:&lt;/strong&gt; Federico Landeros.&lt;br /&gt; &lt;strong&gt;Vestuario:&lt;/strong&gt; David Ant&amp;oacute;n.&lt;br /&gt;&lt;strong&gt;Maquillaje:&lt;/strong&gt; Graciela Gonz&amp;aacute;lez.&lt;br /&gt; &lt;strong&gt;M&amp;uacute;sica:&lt;/strong&gt; Marcos Lifshitz, Jos&amp;eacute; Antonio Alcaraz, Henry West &lt;strong&gt;Sonido:&lt;/strong&gt; Consuelo Jaramillo, Rend&amp;oacute;n Sald&amp;iacute;var, Ricardo Sald&amp;iacute;var y Gonzalo Gavira.&lt;br /&gt;&lt;strong&gt;Reparto:&lt;/strong&gt; &lt;br /&gt;Isela Vega (1939, 37 a&amp;ntilde;os) (Melibea)&lt;br /&gt; Ofelia Guilm&amp;aacute;in (1921,55 a&amp;ntilde;os) (Celestina)&lt;br /&gt;Marcela L&amp;oacute;pez Rey (1941, 35 a&amp;ntilde;os) (Elicia)&lt;br /&gt;Ana de Sade (Lucrecia)&lt;br /&gt;Martha Zavaleta (Are&amp;uacute;sa)&lt;br /&gt;Rosa Furman (1930, 46 a&amp;ntilde;os) (Alisa)&lt;br /&gt;&lt;span&gt;Luigi Montefiori&lt;/span&gt;&amp;nbsp;(1942, 34 a&amp;ntilde;os) (Calisto)&lt;br /&gt;Max Kerlow (1928, 48 a&amp;ntilde;os) (Pleberio)&lt;br /&gt;Jos&amp;eacute; G&amp;aacute;lvez (1931, 45 a&amp;ntilde;os) (Sempronio)&lt;br /&gt;Porfirio Bas (1954, 22 a&amp;ntilde;os) (P&amp;aacute;rmeno)</text>
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                <text>Celestina (Ofelia Guilmáin) acompañada de Sempronio (José Gálvez).</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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Duración: 105 mins.&#13;
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Bibliograf&amp;iacute;a relacionada con esta adaptaci&amp;oacute;n&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Franco Anchelergues, Vicente . &amp;ldquo;&lt;em&gt;La Celestina &lt;/em&gt;y el cine.&amp;rdquo; &lt;em&gt;La Celestina, &lt;/em&gt;V &lt;em&gt;centenario (1499-1999): Actas del congreso internacional de Salamanca, Talavera de la Reina, Toledo, La Puebla de Montalban, 27 de septiembre - 1 de octubre de 1999, &lt;/em&gt;Eds. Felipe B. Pedraza Jiménez, Gemma Gómez. Castilla la Mancha: Universidad Castilla la Mancha, 531-538. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Hern&amp;aacute;ndez Ruiz, Javier. &amp;ldquo;La Celestina, don Juan y el Quijote en las pantallas. Luces y sombras de sus recreaciones audiovisuales&amp;rdquo;. &lt;em&gt;Tres mitos españoles: La Celestina, Don Quijote, Don Juan. &lt;/em&gt;Madrid: Sociedad Estatal de Conmemoraciones Culturales, (2004): 133-169. Impreso.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Iglesias, Yolanda. (&lt;em&gt;forthcoming&lt;/em&gt;). &amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt; in Film and Television.&amp;rdquo; &lt;em&gt;Companion to Celestina published by the series of Texts and Studies of the Renaissance Society of America&lt;/em&gt;. Ed. Enrique Fern&amp;aacute;ndez. Boston: Brill. Print.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;___. &amp;ldquo;Los grandes ausentes en la adaptaci&amp;oacute;n cinematogr&amp;aacute;fica de &lt;em&gt;La Celestina &lt;/em&gt;de Gerardo Vera: el humor, la parodia y el p&amp;uacute;blico&amp;rdquo;. &lt;em&gt;Lemir &lt;/em&gt;17 (2013): 9-22. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ross Gerling, David. &amp;ldquo;&lt;em&gt;La&lt;/em&gt; &lt;em&gt;Celestina&lt;/em&gt;, &amp;iquest;obra dram&amp;aacute;tica o gui&amp;oacute;n de cine.&amp;rdquo; &lt;em&gt;Actas del II congreso internacional historia, literatura y arte en el cine espa&amp;ntilde;ol y portugu&amp;eacute;s: &lt;/em&gt;&amp;ldquo;De los or&amp;iacute;genes a la revoluci&amp;oacute;n tecnol&amp;oacute;gica del siglo XXI&lt;em&gt;&amp;rdquo;, Salamanca, 26 - 28 de junio de 2003. &lt;/em&gt;Eds. Mar&amp;iacute;a Emma Camarero Calandria y Mar&amp;iacute;a Marcos Ramos, 645-652. Web. 12 Sep 2016.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Utreras Macías, Rafael. &amp;ldquo;&lt;em&gt;Don Quijote&lt;/em&gt;, &lt;em&gt;Don Juan&lt;/em&gt; y &lt;em&gt;La Celestina&lt;/em&gt; vistos por el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Actas del V congreso internacional de la Asociaci&amp;oacute;n Internacional Siglo de Oro, Munster, 20 - 24 de julio de 1999. &lt;/em&gt;Ed. Strosetzki, Christoph, 1286-1295. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;Representaci&amp;oacute;n cinematogr&amp;aacute;fica de mitos literarios: &amp;lsquo;Carmen&amp;rsquo; y &amp;lsquo;Celestina&amp;rsquo;, &amp;lsquo;don Quijote&amp;rsquo; y &amp;lsquo;don Juan&amp;rsquo; seg&amp;uacute;n el cine espa&amp;ntilde;ol&amp;rdquo;. &lt;em&gt;Versants &lt;/em&gt;37 (2002): 197-230. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;___.&amp;ldquo;&lt;em&gt;La Celestina&lt;/em&gt;&amp;rdquo;. &lt;em&gt;Literatura y cine: adaptaciones I del teatro al cine. Cuadernos de EIHCEROA &lt;/em&gt;7-8 (2007): 21-36. Web. 12 Sep 2016.&lt;/p&gt;&#13;
&lt;p&gt;V&amp;aacute;zquez-Medel, Manuel &amp;Aacute;ngel. &amp;ldquo;La Celestina, de la literatura al cine&amp;rdquo;. &lt;em&gt;Celestina: recepci&amp;oacute;n y herencia de un mito literario. &lt;/em&gt;Ed. Torres Nebrera, Gregorio&lt;em&gt;. &lt;/em&gt;C&amp;aacute;ceres: Universidad de Extremadura,(2001): 121-145. Impreso&lt;br /&gt;&lt;br /&gt;Villalobos Graillet, Jos&amp;eacute; Eduardo.&amp;nbsp;&amp;ldquo;An&amp;aacute;lisis de las muertes en las adaptaciones de cine y televisi&amp;oacute;n de &lt;em&gt;La Celestina&lt;/em&gt;: convergencias y discrepancias con el texto original.&amp;rdquo; &lt;em&gt;eHumanista&lt;/em&gt; vol.34, 2016, pp. 387-406.&lt;/p&gt;</text>
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                <text>Se incluye una mujer mayor que actúa de Celestina de mujeres jóvenes de la clase trabajadora. Obsérvese la mantilla de la mujer mayor</text>
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                <text>Serie de nueve fotos hecha por Andreas Constantinou de una modelo que hace&amp;nbsp;de Melibea. Según el fotografo: "Mi inspiración vino después de visitar Salamanca y el jardín donde tuvo lugar la historia, el prometido (ahora marido) de mi mejor amiga que nos guía y nos contó la historia - ya que Salamanca es su ciudad natal - para que pueda ver me inspiré Dos historias al final, la historia real de Melibea y la actual historia de amor de dos queridos amigos míos." &lt;br /&gt;Para más información visite: &lt;a href="https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1"&gt;https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200701021308/https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1"&gt;https://web.archive.org/web/20200701021308/https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;También en&amp;nbsp;&lt;br /&gt;&lt;a href="https://www.instagram.com/andreasconstantinou11/"&gt;https://www.instagram.com/andreasconstantinou11/&lt;/a&gt;</text>
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                <text>Encontrado en www.facebook.com el 31 de octubre 2016. &lt;a href="https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1"&gt;https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1&lt;br /&gt;&lt;br /&gt;&lt;/a&gt; Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20200701021308/https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1"&gt;https://web.archive.org/web/20200701021308/https://www.facebook.com/media/set/?set=a.10151908440655741.1073741843.134744410740&amp;amp;type=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Más información de los colaboradores del proyecto: &lt;br /&gt;Fotografía: Andreas Constantinou Photography &lt;br /&gt;Modelo: Eraclia Skoufari&lt;br /&gt;Vestido: Constantinos l fashion designer &lt;br /&gt;Pelo: Zig Zag hair designs de Nenia Eliadou &lt;br /&gt;Edición fotográfica: Natasa Constantinou_ Graphic Design &amp;amp; Photography &lt;br /&gt;Maquillaje: MAC Cosmetics by Evangelia Papa &lt;br /&gt;Fotógrafo asistente: Alex Eliades</text>
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                <text>Otras obras que también se situan o inspiran en el jardín de Melibea en Salamanca incluyen: &lt;span&gt;&lt;a href="http://celestinavisual.org/items/show/3285"&gt;Cupón de lotería de la ONCE El Huerto de Calixto y Melibea, Ayuntamiento de Salamanca (2017)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/59"&gt;Estatua de la Celestina en el Huerto de Calisto y Melibea, Salamanca, de Casillas (1976)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/2199"&gt;Foto en el Huerto de Calixto y Melibea, de Culla (2016)&lt;/a&gt;, &lt;a href="http://celestinavisual.org/items/show/3280"&gt;"El vuelo de Calixto" Ensoñación artística para el Jardín de Melibea en Salamanca, de d’Ors (2010)&lt;/a&gt; y&amp;nbsp;&lt;a href="http://celestinavisual.org/items/show/2912"&gt;Representación del programa turístico-cultural Salamanca Plazas y Patios, Salamanca (2017)&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>PIcasso, Pablo, Fernando de Rojas y Fritz Vögelsang</text>
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                <text>Encontrado en www.pictaram.club el 11 de mayo, 2017 &lt;a href="http://www.pictaram.club/share/BTItnMvhZve"&gt;http://www.pictaram.club/share/BTItnMvhZve&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Copia en Internet Archive&lt;br /&gt;&lt;a href="https://web.archive.org/web/20170518010902/http://www.pictaram.club/share/BTItnMvhZve"&gt;https://web.archive.org/web/20170518010902/http://www.pictaram.club/share/BTItnMvhZve&lt;/a&gt;</text>
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                <text>&lt;span&gt;Encontrado en la página web invaluable.com:&lt;br /&gt;&lt;a href="https://www.invaluable.com/auction-lot/ricard-canals-y-llambi-1876-1931-gitanas-671-c-d0e4f659de"&gt;https://www.invaluable.com/auction-lot/ricard-canals-y-llambi-1876-1931-gitanas-671-c-d0e4f659de&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>En la imagen aparecen cinco mujeres jóvenes vestidas de forma similar. A la derecha aparecen otras tres figuras, dos hombres y una joven, con una estética diferente al de las otras jóvenes. En medio de las jóvenes aparece una mujer vieja mirando al espectador y con un garrote. La vieja recuerda a la celestina y en esta representación puede actuar de alcahueta de las otras jóvenes. La estética del cuadro recuerda a la obra de Goya y también tiene influencias japonesas. </text>
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                <text>En la imagen aparecen tres figuras en un campo. Una mujer joven vestida con un vestido regional, una mujer vieja a su derecha y con un abanico tapándole la cara, y un hombre a caballo detrás. El trio recuerda a las escenas de celestina donde la mujer vieja actúa de alcahueta de la joven, la joven de prostituta y el hombre de su cliente. La imagen también se relaciona con algunas ilustraciones de La Celestina de Picasso de los años 1970.</text>
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                <text>&lt;span lang="ES"&gt;"Creaciones femeninas XII. Gloria", en revista &lt;em&gt;Blanco y Negro&lt;/em&gt; &lt;span&gt;(533), 20 de&amp;nbsp;&lt;/span&gt;julio de 1901.&lt;span&gt;&amp;nbsp;&lt;/span&gt;ISSN&lt;span&gt;&amp;nbsp;&lt;/span&gt;0006-4572&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Imagen encontrada en Wikimedia Commons:&lt;br /&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:1901-07-20,_Blanco_y_Negro,_Creaciones_femeninas_XII._Gloria,_Cecilio_Pla.jpg"&gt;https://commons.wikimedia.org/wiki/File:1901-07-20,_Blanco_y_Negro,_Creaciones_femeninas_XII._Gloria,_Cecilio_Pla.jpg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Archivado en:&lt;br /&gt;&lt;a href="https://web.archive.org/web/20231111215229/https://commons.wikimedia.org/wiki/File:1901-07-20,_Blanco_y_Negro,_Creaciones_femeninas_XII._Gloria,_Cecilio_Pla.jpg"&gt;https://web.archive.org/web/20231111215229/https://commons.wikimedia.org/wiki/File:1901-07-20,_Blanco_y_Negro,_Creaciones_femeninas_XII._Gloria,_Cecilio_Pla.jpg&lt;/a&gt;</text>
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                <text>Recreación por el pintor e ilustrador del personaje de Galdós Gloria de la obra homónima publicada en 1876. Nótese la presencia de las viejas de aspecto celestinesco en la iglesia en esta obra en la que la heroína se enamora de un joven inglés y queda embarazada.</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Calisto, con una bolsa de dinero en la mano, habla con Celestina. Pármeno al fondo junto a la ventana en actitud que denota incredulidad. Esta imagen corresponde al final del primer acto a pesar de estar situada tras el argumento del segundo acto en el libro.</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Amaranta Saguar, &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;Por Treze Tres&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text> Wirsung, Christoff y Hans Weidtz</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Amaranta Saguar, &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;Por Treze Tres&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Hans Weidtz</text>
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                <text>1520</text>
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                <text>Calisto habla por la puerta del jardín de Melibea con ésta mientras  sus criados montan guardia. Lucrecia escucha la conversación de Calisto y Melibea.</text>
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                <text>Grabado (primero) del acto XII de la edición de Augsburg (1520)</text>
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                  <text>Juan Joffre y grabador anónimo</text>
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                  <text>Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía cervantesvirtual en:&amp;nbsp;&lt;br /&gt;&lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;a title="Valencia, 1514" href="http://celestinavisual.org/exhibits/show/valencia1514/imagenesvalencia1514"&gt;&lt;img style="width: 304px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/28ff668ab786285aae588d3a829efd8b.jpg" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Valencia: Juan Joffre, 1514&lt;/p&gt;&#13;
&lt;p&gt;Total de 24 grabados, uno por acto, más uno que hace de portada y dos en los actos XII y XIX. Los grabados de los actos XIV y XIX son el mismo (Calisto escalando el huerto de Melibea). Todos los grabados están hechos de factotums excepto los grabados de la portada y de los actos XII bis (muerte de Celestina y salto por la ventana de Pármeno y Sempronio), XIII (ajusticiamiento de Pármeno y Sempronio), XIV (Calisto escalando el muro del huerto), XIX (mismo que XIV), XIX (caída y muerte de Calisto), y XXI (suicidio de Melibea).&lt;/p&gt;&#13;
&lt;p&gt;Descripción en la &lt;em&gt;Edición e introducción crítica&lt;/em&gt; de Miguel Marciales (Urbana and Chicago: University of Illinois Press, 1985), tomo I, pg. 6 : "&lt;em&gt;J&lt;/em&gt;. Primera de Valencia, febrero 21. Juan Jofré/Joffré/. Identica a &lt;em&gt;G&lt;/em&gt; en contenido pero agrega una octava a las de Proaza (AP.5b "Penados amantes…"). Ejemplar único existente en la Biblioteca Nacional, Madrid: R4870"&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Descripción en el Catálogo Universal Short Title &lt;/span&gt;&lt;a title="ustc341405" href="http://ustc.ac.uk/editions/341405"&gt;USTC 341405&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/392"&gt;https://icocel.linhd.uned.es/s/celestina/item/392&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía Cervantesvirtual en &lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Bibliografía: Canet Vallés, José Luis. "El impresor valenciano Juan Jofré." &lt;em&gt;Tragicomedia de Calisto y Melibea: (Valencia, Juan Joffre, 1514)&lt;/em&gt;. Ed. Nicasio Salvador Miguel. Valencia: Institució Alfons el Magnànim, 1999. 39-52.&lt;/p&gt;</text>
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                <text>Calisto, edificio con una persona identificada como Lucrecia, edificio con dos personas, y una identificada como Melibea, luego a la derecha figuras de Sempronio y Pármeno.</text>
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                  <text>Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía cervantesvirtual en:&amp;nbsp;&lt;br /&gt;&lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;a title="Valencia, 1514" href="http://celestinavisual.org/exhibits/show/valencia1514/imagenesvalencia1514"&gt;&lt;img style="width: 304px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/28ff668ab786285aae588d3a829efd8b.jpg" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Valencia: Juan Joffre, 1514&lt;/p&gt;&#13;
&lt;p&gt;Total de 24 grabados, uno por acto, más uno que hace de portada y dos en los actos XII y XIX. Los grabados de los actos XIV y XIX son el mismo (Calisto escalando el huerto de Melibea). Todos los grabados están hechos de factotums excepto los grabados de la portada y de los actos XII bis (muerte de Celestina y salto por la ventana de Pármeno y Sempronio), XIII (ajusticiamiento de Pármeno y Sempronio), XIV (Calisto escalando el muro del huerto), XIX (mismo que XIV), XIX (caída y muerte de Calisto), y XXI (suicidio de Melibea).&lt;/p&gt;&#13;
&lt;p&gt;Descripción en la &lt;em&gt;Edición e introducción crítica&lt;/em&gt; de Miguel Marciales (Urbana and Chicago: University of Illinois Press, 1985), tomo I, pg. 6 : "&lt;em&gt;J&lt;/em&gt;. Primera de Valencia, febrero 21. Juan Jofré/Joffré/. Identica a &lt;em&gt;G&lt;/em&gt; en contenido pero agrega una octava a las de Proaza (AP.5b "Penados amantes…"). Ejemplar único existente en la Biblioteca Nacional, Madrid: R4870"&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Descripción en el Catálogo Universal Short Title &lt;/span&gt;&lt;a title="ustc341405" href="http://ustc.ac.uk/editions/341405"&gt;USTC 341405&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/392"&gt;https://icocel.linhd.uned.es/s/celestina/item/392&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía Cervantesvirtual en &lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Bibliografía: Canet Vallés, José Luis. "El impresor valenciano Juan Jofré." &lt;em&gt;Tragicomedia de Calisto y Melibea: (Valencia, Juan Joffre, 1514)&lt;/em&gt;. Ed. Nicasio Salvador Miguel. Valencia: Institució Alfons el Magnànim, 1999. 39-52.&lt;/p&gt;</text>
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                <text>Calisto escalando jardín de Melibea. Mismo grabado de acto  XIV.</text>
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                  <text> Wirsung, Christoff y Hans Weidtz</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Amaranta Saguar, &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;Por Treze Tres&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Pleberio va a despertar a Alisa con la mala noticia de la muerte de Melibea. Lucrecia lamentándose al fondo.</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
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&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Melibea, en su casa, se desmaya en frente de Celestina.</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Amaranta Saguar, &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;Por Treze Tres&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Dos viñetas separadas por un muro. En la derecha, Pármeno y Sempronio matan a Celestina mientras  Elicia pide ayuda. En el margen izquierdo, hombres armados llaman a la puerta.</text>
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                  <text>Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía cervantesvirtual en:&amp;nbsp;&lt;br /&gt;&lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;a title="Valencia, 1514" href="http://celestinavisual.org/exhibits/show/valencia1514/imagenesvalencia1514"&gt;&lt;img style="width: 304px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/28ff668ab786285aae588d3a829efd8b.jpg" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Valencia: Juan Joffre, 1514&lt;/p&gt;&#13;
&lt;p&gt;Total de 24 grabados, uno por acto, más uno que hace de portada y dos en los actos XII y XIX. Los grabados de los actos XIV y XIX son el mismo (Calisto escalando el huerto de Melibea). Todos los grabados están hechos de factotums excepto los grabados de la portada y de los actos XII bis (muerte de Celestina y salto por la ventana de Pármeno y Sempronio), XIII (ajusticiamiento de Pármeno y Sempronio), XIV (Calisto escalando el muro del huerto), XIX (mismo que XIV), XIX (caída y muerte de Calisto), y XXI (suicidio de Melibea).&lt;/p&gt;&#13;
&lt;p&gt;Descripción en la &lt;em&gt;Edición e introducción crítica&lt;/em&gt; de Miguel Marciales (Urbana and Chicago: University of Illinois Press, 1985), tomo I, pg. 6 : "&lt;em&gt;J&lt;/em&gt;. Primera de Valencia, febrero 21. Juan Jofré/Joffré/. Identica a &lt;em&gt;G&lt;/em&gt; en contenido pero agrega una octava a las de Proaza (AP.5b "Penados amantes…"). Ejemplar único existente en la Biblioteca Nacional, Madrid: R4870"&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Descripción en el Catálogo Universal Short Title &lt;/span&gt;&lt;a title="ustc341405" href="http://ustc.ac.uk/editions/341405"&gt;USTC 341405&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/392"&gt;https://icocel.linhd.uned.es/s/celestina/item/392&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía Cervantesvirtual en &lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Bibliografía: Canet Vallés, José Luis. "El impresor valenciano Juan Jofré." &lt;em&gt;Tragicomedia de Calisto y Melibea: (Valencia, Juan Joffre, 1514)&lt;/em&gt;. Ed. Nicasio Salvador Miguel. Valencia: Institució Alfons el Magnànim, 1999. 39-52.&lt;/p&gt;</text>
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                <text>Juan Joffre y grabador anónimo</text>
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              <elementText elementTextId="902">
                <text>Escena de la muerte de Celestina a manos de Pármeno y Sempronio a la derecha. La viñeta de la izquierda representa caída de éstos por la ventana y el juez con su guardia. No hay identificaores de los personajes y es el primero de los grabados que no está hecho de factotums.</text>
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                  <text>Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía cervantesvirtual en:&amp;nbsp;&lt;br /&gt;&lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;a title="Valencia, 1514" href="http://celestinavisual.org/exhibits/show/valencia1514/imagenesvalencia1514"&gt;&lt;img style="width: 304px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/28ff668ab786285aae588d3a829efd8b.jpg" alt="" /&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Tragicomedia de Calisto y Melibea&lt;/em&gt;. Valencia: Juan Joffre, 1514&lt;/p&gt;&#13;
&lt;p&gt;Total de 24 grabados, uno por acto, más uno que hace de portada y dos en los actos XII y XIX. Los grabados de los actos XIV y XIX son el mismo (Calisto escalando el huerto de Melibea). Todos los grabados están hechos de factotums excepto los grabados de la portada y de los actos XII bis (muerte de Celestina y salto por la ventana de Pármeno y Sempronio), XIII (ajusticiamiento de Pármeno y Sempronio), XIV (Calisto escalando el muro del huerto), XIX (mismo que XIV), XIX (caída y muerte de Calisto), y XXI (suicidio de Melibea).&lt;/p&gt;&#13;
&lt;p&gt;Descripción en la &lt;em&gt;Edición e introducción crítica&lt;/em&gt; de Miguel Marciales (Urbana and Chicago: University of Illinois Press, 1985), tomo I, pg. 6 : "&lt;em&gt;J&lt;/em&gt;. Primera de Valencia, febrero 21. Juan Jofré/Joffré/. Identica a &lt;em&gt;G&lt;/em&gt; en contenido pero agrega una octava a las de Proaza (AP.5b "Penados amantes…"). Ejemplar único existente en la Biblioteca Nacional, Madrid: R4870"&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Descripción en el Catálogo Universal Short Title &lt;/span&gt;&lt;a title="ustc341405" href="http://ustc.ac.uk/editions/341405"&gt;USTC 341405&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Iconografía Europea de Celestina &lt;a href="https://icocel.linhd.uned.es/s/celestina/item/392"&gt;https://icocel.linhd.uned.es/s/celestina/item/392&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Descripción en Ficha en COMEDIC &lt;a href="https://comedic.unizar.es/index/read/id/322"&gt;https://comedic.unizar.es/index/read/id/322&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Ejemplar único conservado en la BN de Madrid, R-4870, que se puede ver vía Cervantesvirtual en &lt;a href="http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm"&gt;http://bib.cervantesvirtual.com/servlet/SirveObras/bne/34696280982381641354679/thm0000.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Bibliografía: Canet Vallés, José Luis. "El impresor valenciano Juan Jofré." &lt;em&gt;Tragicomedia de Calisto y Melibea: (Valencia, Juan Joffre, 1514)&lt;/em&gt;. Ed. Nicasio Salvador Miguel. Valencia: Institució Alfons el Magnànim, 1999. 39-52.&lt;/p&gt;</text>
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                <text>Grabado (segundo) del acto XIX de la edición de Valencia (1514)</text>
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          <element elementId="39">
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                <text>Juan Joffre y grabador anónimo</text>
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            <name>Date</name>
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                <text>1514</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Cadáver de Calisto tras su caída siendo recogido por Sosia y Tristán.</text>
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  <item itemId="336" public="1" featured="0">
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                  <text> Wirsung, Christoff y Hans Weidtz</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Amaranta Saguar, &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;Por Treze Tres&lt;/a&gt;</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="16771">
                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Alisa junto al cuerpo muerto de Melibea y Lucrecia se lamenta detrás. Al fondo, Pleberio levanta manos al cielo.</text>
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                  <text> Wirsung, Christoff y Hans Weidtz</text>
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                  <text>&lt;p style="text-align: left;"&gt;&lt;strong&gt;Rojas, Fernando de, Christoph Wirsung y Weiditz, Hans.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant.Augsburg: 1520&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproducción completa del texto en línea en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek&lt;br /&gt;&lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente) &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Bibliografía en línea:&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Amaranta Saguar, &lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;Por Treze Tres&lt;/a&gt;</text>
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                  <text>&lt;div&gt;&lt;a title="Augsburg, 1520" href="http://celestinavisual.org/exhibits/show/augsburg1520/augsburg1520"&gt;&lt;img style="width: 300px; margin-right: auto; margin-left: auto; display: block;" src="http://celestinavisual.org/files/original/0a4e83e6715d25a490d8a6ca36b76a48.jpg" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;em&gt;(Pulsar en la imagen para ver información y demás grabados)&lt;/em&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;Rojas, Fernando de, Christoph Wirsung y Hans Weiditz.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Ain hipsche Tragedia von zwaien liebhabenden mentschen ainem Ritter Calixstus unn Ainer Edlen junckfrawen Melibia genant. Augsburg: 1520&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;Total de 28 grabados. (27 diferentes y el tercero del acto I se repite para el acto V). Uno para el argumento o material introductorio y luego uno o varios para los actos.&lt;/p&gt;&#13;
&lt;p&gt;Se puede ver la reproduccin completa del texto en lina en un ejemplar con las imágenes coloreadas a mano de la Bayerische Staatsbibliothek &lt;a href="https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es"&gt;https://bildsuche.digitale-sammlungen.de/index.html?c=band_segmente&amp;amp;bandnummer=bsb00070155&amp;amp;pimage=00001&amp;amp;l=es&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Biblioteca de la Universidad Complutense de&amp;nbsp;Madrid&lt;br /&gt;&amp;nbsp;&lt;a href="http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0"&gt;http://alfama.sim.ucm.es/dioscorides/consulta_libro.asp?ref=I26424228&amp;amp;idioma=0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;MDZ (Münchner&amp;nbsp;Digitalisierung Zentrum)&lt;br /&gt;&lt;a href="http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1"&gt;http://daten.digitale-sammlungen.de/0007/bsb00070155/images/index.html?fip=193.174.98.30&amp;amp;id=00070155&amp;amp;seite=1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Por Treze Tres (grabados solamente)&lt;br /&gt;&lt;a href="https://portrezetres.wordpress.com/type/image/"&gt;https://portrezetres.wordpress.com/type/image/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a title="utsc609893" href="http://ustc.ac.uk/editions/609893"&gt;Ficha en UTSC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliografía en línea:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;a href="http://eprints.ucm.es/6144/1/2-1A.pdf"&gt;Fernández González,"&lt;em&gt;La Celestina&lt;/em&gt; en alemán: Un ejemplar único en España de la Biblioteca Histórica de la Universidad Complutense"&lt;/a&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a title="Kish" href="http://www.cervantesvirtual.com/obra/celestina-segun-christof-wirsung-autor-de-las-traducciones-alemanas-de-1520-y-1534/"&gt;Kathleen V. Kish, "Celestina" según Christof Wirsung, autor de las traducciones alemanas de 1520 y 1534, Cervantes Virtual&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Llegada de Celestina a casa de Calisto acompañada de Sempronio. Pármeno abre la puerta y Calisto espera arriba</text>
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                  <text>Materiales varios (sellos, esculturas, comics, etc.) relacionados con la tradición de &lt;em&gt;La Celestina&lt;/em&gt;</text>
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                <text>Vicente, Gil, Andres Lobato e ilustrador anónimo</text>
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                <text>&lt;p&gt;Grabado en la edici&amp;oacute;n de las obras completa de 1586 de Gil Vicente. El personaje de la derecha representa una alcahueta llamada Brizida Vaz, la cual se considera directamente inspirada en La Celestina. Los otros dos personajes pueden ser el bobo Joane y uno de los cuatro caballeros en este auto. N&amp;oacute;tese el parecido del caballero con un gal&amp;aacute;n enamorado tipo Calisto, parecido acentuado por el ramo de flores &lt;a title="Lisboa 1540" href="/exhibits/show/portadasantiguas/item/19"&gt;(v&amp;eacute;ase la portada de la edici&amp;oacute;n portuguesa de La Celestina de 1540).&lt;/a&gt; La torre tiene una ventana con una figura apenas visible de una dama, lo que a&amp;uacute;n acent&amp;uacute;a m&amp;aacute;s el parecido con La Celestina.&lt;/p&gt;</text>
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                <text>Vicente, Gil, Copila&amp;ccedil;am de todalas obras de Gil Vicente a qual se reparte em cinco liuros. O primeyro he de todas suas cousas de deua&amp;ccedil;am. O segundo as Comedias. O terceyro as Tragicomedias. No quarto as Farsas. No quinto &amp;agrave;s obras meudas. - Vam emmendadas polo Sancto Officio como se manda no cathalogo deste Regno. - Lixboa : por Andres Lobato, 1586&lt;br /&gt;&lt;br /&gt;&lt;a title="BNP" href="http://purl.pt/15106"&gt;Biblioteca Nacional de Portugal&lt;/a&gt;</text>
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